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Airport Ads Implements ABSA’s OOH Campaign

Airport Ads Implements ABSA’s OOH Campaign

Airport Ads recently implemented an OOH advertising campaign for ABSA that provided the brand with the unique advantage of dominating key zones within South Africa’s busiest airport – OR Tambo International in Johannesburg.

The ABSA messaging targeted consumers within high footfall areas with long dwell times, and thus reaped the benefits of an all-encompassing, top of mind awareness campaign in a captive environment that was not cluttered by other brands.

Campaign implementation

The campaign was concurrently implemented at King Shaka and Cape Town International airports. As a sponsor of the Mining Indaba, ABSA wanted to take the opportunity to engage with consumers travelling to and from Cape Town for the event, and did so with excellent results.

In terms of visibility, in excess of 5,4 million passengers move through King Shaka, approximately 20 million pass through OR Tambo and more than 7 million go through Cape Town international annually. This is over and above consumers who enter the airports to meet and greet or to use other services such as banking, retail and, in Johannesburg, the Gautrain. The audience is captive, experiencing high dwell times which in turn delivers high recall for a brand, and even more so if the brand dominates in a particular zone.

Furthermore, in the airport environment, every media platform provided by Airport Ads has been strategically selected or located using Environment Media Mapping (EMM) to maximise brand engagement and exposure. As such, the ABSA messaging was unmissable.

PROVANTAGE MEDIA GROUP
www.provantage.co.za

Tractor Outdoor Sponsors Project Dignity’s Subzpads Initiative

Tractor Outdoor Sponsors Project Dignity’s Subzpads Initiative

Tractor Outdoor partnered with NGO Project Dignity to assist with their Subzpads Initiative (disposable sanitary pads and panties for underprivileged girls) by contributing advertising space on Tractor’s digital network to promote the campaign.

Sue Barnes, Director at Project Dignity said, ’We give hope to young girls and empower them; giving them an opportunity to feel free, to participate in daily activities and not to feel ashamed or embarrassed. Close to 4 million girls aged between 10-19 years in South Africa miss a week of school every month and it’s affecting their education. The aim of Project Dignity is to reduce absenteeism and dropout rates in schools and increase opportunities for girls to complete their education by providing them with Subzpads.’

The Subzpads are manufactured by Subz (Pty) and are distributed through Project Dignity. They have been producing these packs and distributing them to schoolgirls all over South Africa.

‘We feel very honoured in being part of such an uplifting initiative that gives back to the underprivileged. Barnes and her team are doing an amazing job by changing these girls’ lives for the better, and one cannot forget that these girls play a vital role in the future of our economy and are the future of our country. The donation of just one pack could last a girl her entire high school career and allow her to not be embarrassed or worried so that she can attend school,’ said Ben Harris, Rights and Development Director at Tractor Outdoor.

Subzpads are sustainable and could last a girl between three to five years. They also do not contain any gels or chemicals and are therefore allergy free and eco-friendly.

Ogilvy Runs Creative KFC Ad

Ogilvy Runs Creative KFC Ad

The best print ads often make you look twice. A perfect example? Ogilvy & Mather Hong Kong ran a clever and well-executed set of ads for KFC Hot and Spicy.

The agency replaced fire in photography shots of the Space Shuttle, a rocket-powered race car and a group of Power Ranger stand-ins, with blown-up (in more ways than one) images of spicy fried chicken.

OGILVY & MATHER www.ogilvy.com/tag/ogilvy-mather-hong-kong

Primedia Outdoor And National Geographic Society Raise Awareness For Endangered Species

Primedia Outdoor And National Geographic Society Raise Awareness For Endangered Species

18 May was Endangered Species Day and powerful images of species at risk from the National Geographic Photo Ark featured for a week on billboards in 22 countries and on every continent except Antarctica.

Primedia Outdoor, alongside other out-of-home operators, raised awareness about populations of species in decline all over the world and to inspire global audiences to learn how to help protect them.

The National Geographic Photo Ark, led by photographer Joel Sartore, is a multiyear endeavour to document every species living in zoos and wildlife sanctuaries, encourage action through education, and help save wildlife by supporting on-the-ground conservation efforts.

Animal lovers

Sartore’s breath-taking portraits motivate people to care about these animals and to do something while there’s still time to protect them. To date, Sartore has documented 8000 species, putting him two-thirds of the way toward completing the Photo Ark, which he estimates will include portraits of more than 12,000 species.

Primedia Outdoor supported this global out-of-home campaign by contributing space on 5 digital out-of-home displays in South Africa, seen by 1,639,911 people each week (ROAD 2015C). In total, the week-long effort reached an estimated 100 million globally through donated ad space on digital billboards, mall kiosks, tram cars, rail stations and other digital out-of-home formats.

Global audiences

The campaign featured 10 species, all of which are listed on the International Union for Conservation of Nature (IUCN) Red List as vulnerable, endangered or critically endangered. While some regions showcased endemic species, all of the countries highlighted the Sumatran rhinoceros, one of the most endangered large mammals on the planet. Global audiences will also be invited to visit PhotoArk.org to learn more about the species depicted across the digital out-of-home formats and learn about ways to protect wildlife and their habitats.

PRIMEDIA OUTDOOR
+27114751419 
jorja@primeoutdoor.co.za
www.primediaoutdoor.co.za

Open Media: Blockchain, will it revolutionise DOOH?

Open Media: Blockchain, will it revolutionise DOOH?

According to Rob Thomas, inbound marketing executive at Open Media, the word ‘Blockchain’ is almost inescapable in today’s media frenzied world. The technology has the capability to bring enormous changes to the way global business is conducted, but how will it affect outdoor advertising?

DOOH and location-based advertising

The out of home industry is experiencing somewhat of a mini-revolution. The premiership of static and conventional banners is now no longer enough to attract a loyal and long-lasting consumer base. In an increasingly digital and internet orientated world, brands are preparing to take the next step in order to create not only noticeable but receptive, engaging and influential outdoor advertising strategies.

Regardless of what you may have already heard about it, one thing is for certain – Blockchain has the potential to transform the digital outdoor advertising landscape. Blockchain can enable a brand to gain a big data insight into their customer demographic by facilitating and encouraging consumers to engage with their digital location-based advertisements (e.g. taking a picture and sharing it on their social profiles) in return for a customer reward, a process known as tokenisation.

Location-based data

Leveraging location-based data can make a big impact for digital out of home advertising. Fundamentally, allowing brands to tailor their campaigns to a specific audience, at a specific time and with a specific purpose, really makes a difference.

However, location-based advertising is not without its shortcomings. Tangible privacy issues arise when businesses harness consumer data to shape and adjust their advertising efforts. Furthermore, it is often considered to be a slow and ineffective way to target consumers as the data which can be mobilised is limited and does not necessarily lead directly to increased sales.

Smart Contracts, tokenisation and OOH advertising

Essentially, Blockchain is a decentralised record-keeping technology that facilitates secure and transparent peer to peer financial transactions without the need for centralised third-party administrators. These peer to peer exchanges are monetised and executed by an encrypted digital currency known as a crypto-currency.

The technology goes one-step further than current location-based advertising. With regards to digital signage, one of the most attractive possibilities is that Blockchain permits a form of mutually beneficial tokenisation to occur between a brand and its consumers.

For instance, imagine digital display that promotes users to interact with it by taking a picture and promoting the advert on their social media handles in return for a fixed amount of digital (crypto) store credit. In return, this would allow a brand to create micro-targeted adverts as they would acquire specific and invaluable data about their consumer demographic.

Tokenisation

This form of tokenisation between business and consumer can be actioned by a smart contract. A smart contract in its simplest definition is a piece of computer code that controls future exchanges between parties on the blockchain when certain conditions become triggered. For instance, a trigger event could be when a consumer engages with an outdoor advertisement by sharing a photo on their social media profiles. In turn, this can cause the contract to execute itself and they would be seamlessly and transparently rewarded with store crypto-credit from the advertising brand.

Moreover, consumers can ensure that their information is secure because the distributed ledger technology is powerfully encrypted. As the name suggests; each transaction represents a ‘block’ and all the blocks are connected to the next, creating a chain. Since this chain is distributed to every peer in the network and not controlled by a central administrator it would make it incredibly difficult for any hacker or third party to interfere with the data.

It goes without saying that the future of digital out of home advertising is certainly an exciting one.

OPEN MEDIA blog.openmedia.uk.com

Loeries Announces 2018 Jury Presidents

Loeries Announces 2018 Jury Presidents

The jury presidents for 2018 are Fabian Frese, chief creative officer at Kolle Rebbe, in Hamburg Germany; Nicolas Courant, executive creative director at Ogilvy & Mather, Singapore; Sebastian Padilla, co-founder of Anagrama in Mexico; and chief creative officer Swati Bhattacharya from FCB Ulka in India.

Loeries Creative Week will take place in August at Durban and the jury presidents will guide over 160 judges in the process of selecting the best of brand communication from across Africa and the Middle East.

The four jury presidents will also speak at the DStv Seminar of Creativity during Creative Week.

Loeries CEO, Andrew Human, said the Loeries is globally recognised and the jury presidents are selected from the world’s top creatives.

Comment from Loeries CEO

‘We have jury presidents who represent the creative diversity of three continents and four countries,’ said Human. ‘Each is a leader in their fields and cover the range of film, radio, digital, out-of-home, print and design sub-sectors of the advertising and brand communication industry.’

A total of 18 countries from across Africa and the Middle East entered the Loeries in 2017, the benchmark for creative excellence in the advertising and brand communication industry.

DStv Seminar of creativity

Human added, ‘The DStv Seminar of Creativity is a once-off opportunity to hear these industry leaders speak and anyone involved in marketing, advertising and design should attend.’

The jury presidents are four of the eight speakers in the DStv Seminar of Creativity, which takes place on Friday, 17 August 2017 at the Durban International Convention Centre (ICC) and forms part of Loeries Creative Week, which runs in Durban, South Africa, from 16-19 August.

The Loeries recently extended the deadline for entries to 31 May. For more information click here.

LOERIES 
www.loeries.com

Ogilvy & Mather Johannesburg Appoint Head Of New Development

Ogilvy & Mather Johannesburg Appoint Head Of New Development

Ogilvy & Mather Johannesburg announced the appointment of Nick Bedford as head of new business development for the Johannesburg campus.

Bedford will work across all domains to champion Ogilvy’s new business agenda and ensure they are responsive and effective in meeting their new business ambitions.

OGILVY 
www.ogilvy.co.za

Speed Wrap Winner Crowned At Sign Africa Bloemfontein Expo

Speed Wrap Winner Crowned At Sign Africa Bloemfontein Expo
Pooven Pillay from Roland with winner Bheki Mthembu and Robbie Lambe from Maizey Plastics.

Bheki Mthembu won the Speed Wrap Challenge held at the Sign Africa Bloemfontein expo on 10 May.

He won R3500 and will compete at the main Speed Wrap Challenge in Johannesburg for a place at the FESPA Speed Wrap Masters in 2019. Contestants had to race against the clock to wrap a vehicle door to the best standards.

The second place winner was Nico Van Tonder who won R1750 and in third place was Daniel Botha who won R1000.

Sponsors

The event was sponsored by platinum sponsor Roland and vinyl sponsor Grafiwrap (distributed by Maizey Plastics).

Upcoming challenges

If you are a wrap champion, then enter the Speed Wrap Challenge at the upcoming Sign Africa expo’s:
Zambia: 6-7 June, Mulungushi International Conference Centre, Lusaka
Johannesburg: 12-14 September, Gallagher Convention Centre.

SIGN AFRICA
+27114501650 
dyelan@practialpublishing.co.za
www.signafricaexpo.com

Relativ Media Acquires Graffiti

Relativ Media Acquires Graffiti

Brett Tucker, Chairman of Relativ Media Large Format announced the outright purchase of Graffiti Media. MD Richard Wilkinson and his team have already joined the Relativ Media Large Format team, to become renamed Relativ Impact, at their new offices in Sandton.

‘Relativ Media has experienced a fantastic growth spurt over the last few years and with the addition of the Graffiti Media solution, our advertisers are spoilt for choice with high impact sites and media platforms across South Africa. Wilkinson will take over the MD position of Relativ Impact,’ said Tucker.

Wilkinson added, ’The purchase of Graffiti by Relativ Media Large Format was a natural progression for us. Being able to use a strong national sales team and Relativ’s existing infrastructure is a massive bonus. Added to that, and under the guidance of Andrew Cooper as National Sales Director, we have a winning combination to really ramp up our business offering.’

Wilkinson has more than twenty years in the media industry, beginning in radio and running his own media consultancy before establishing Impact Media with Graffiti Designs in 2005.

‘The opportunity arose for Relativ Media to acquire Graffiti Media in May 2018, one which made complete business sense,’ said Wilkinson. ‘As a combined entity, my focus will be to develop the Relativ Impact brand into one of the largest and most innovative out of home media companies in South Africa.’

The Relativ Impact company currently has digital properties including airports, 180 out of home sites and eight digital sites countrywide. Coupled to this, several new and innovative platforms are planned for the near future. ‘This acquisition has significantly strengthened our sales force and amped up our overall leadership team, each holding their own areas of expertise in the industry. We’re confident that we have a bright future ahead,’ said Tucker.

RELATIV MEDIA 
+27832357509
info@relativmedia.co.za
relativmedia.co.za

McCann, Picture Tree And TEARS Form #MeToo Movement Collaboration

McCann, Picture Tree And TEARS Form #MeToo Movement Collaboration

McCann, Picture Tree And TEARS Form #MeToo Movement Collaboration
McCann Worldgroup Johannesburg, Picture Tree and the Transform Education About Rape and Sexual Abuse (TEARS) Foundation collaborated for a campaign that promotes awareness of child abuse via the #MeToo movement.

The #MeToo movement gained prominence late in 2017, when the hashtag sparked frank and meaningful exchanges about the widespread prevalence of sexual assault and harassment in the workplace. The famous women who first dared to speak out, the ‘silence breakers’, were consequently named Time Magazine’s Person of the Year 2017 and the movement is still going strong.

With millions of online mentions to date from dozens of different countries, it has splintered into sub-conversations and pledges from groups who undertake to change their behaviours. Ultimately, it has legitimised the once-taboo topic of sexual violence and paved the way for ongoing global dialogue.

McCann’s new #MeToo campaign, consisting of executions for television, print and social media, aims to build on the momentum of the original movement with a specific focus on young children who cannot yet take advantage of the online conversations.

A hero commercial recently started flighting on South African television screens and aims to point out that child abuse victims are often left to deal with the pain and trauma of violence in isolation. The narrative kicks off with slow and languid shots of children in a classroom, enjoying typical activities like playing and colouring in.

One child is shown to be considering her artwork more carefully than the others, and her masterpiece is not shown until a sudden and stark revelation that she had written #metoo instead of the typical childlike drawings of her classmates.
According to director Bevan Cullinan, the contrast between the initial light tone and abrupt and dark twist helped to bring the message home that child abuse is going on right under our noses and where we least expect it.

Perhaps best known for his comedic work, Cullinan and a highly skilled crew felt compelled to tackle this serious subject matter for a worthy cause. ‘I hope that the commercial will resonate with victims as well as those carrying knowledge of abuse and will ultimately empower them to take action and to report crimes of this nature,’ he said.

Mick Blore, chief creative officer at McCann Worldgroup South Africa and Sub-Saharan Africa said, ’It’s a sobering statistic that 34% of children in South Africa are the victims of sexual violence and physical abuse before they reach the age of 18. The problem is that the #MeToo movement is essentially a social idea, and this automatically excludes young children who don’t make use of social media.

Ironically, children are one of the age groups most taken advantage of, sexually molested and raped.’

The TEARS Foundation is a local NGO specialising in assisting and supporting young victims of sexual violence. Mara Glennie, founder of the foundation said, ‘It is our collective legal duty as responsible citizens to protect all children against abuse and to report abuse when we suspect it.’

She continued, ‘Through the #MeToo campaign, we opted to communicate a USSD number that can be dialled to access the contact details of the nearest help centre. Although abuse cannot be officially reported through the foundation, we provide access to crisis intervention, advocacy, counselling, and prevention education services for those impacted by domestic violence, sexual assault and child sexual abuse.’

MCCANN 
+27112354600
www.mccann.co.za
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