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TBWA\ Africa Conference 2019 Highlights Podcast Content Creation And More

2019 #TBWAAfricaConference podcast panel from left to right: Gareth Cliff, Siya 'Slikour' Metane, Thami Pooe and Timothy Maurice.

Modern Marketing attended the annual #TBWAAfricaConference under the theme #Disrupt at Katy’s Palace and Bar in Johannesburg on 1 November. The conference highlighted topics such as podcast content creation, the Fourth Industrial Revolution and technology in Africa. 

‘We plan to maintain momentum into 2020. Affiliates are building volumes by providing more services in each market while exploring cross-border opportunities,’ said Graham Cruikshanks, Director of Africa Operations.

Podcast content creators Timothy Maurice of Brain and Brand Science, Thami Pooe of The Interchange and Siya ‘Slikour’ Metane of SlikourOnLife were part of the podcasts panel discussion, which was facilitated by Gareth Cliff from Cliff Central.

Cliff said that podcasts are beautifully crafted stories in audio and visual that come into audiences’ lives when it suits them. Podcasts are about good old storytelling and that is what makes it so powerful. Podcast is not target marketing, instead, the audience chooses you based on the content you deliver.

Maurice said that valuable content is assembled by people, not the other way round. ‘When content is collected and shared, a higher priority is placed on it and that is what podcasts do.’

Metane mentioned that content creation in the digital world is not just brands competing against brands for people’s attention – it is not the brand to brand competition type of competition but an opinion to opinion one. ‘If you are a brand, you want to be in the position where you are chosen.’

Pooe stated that podcasts are different from broad platforms such as Twitter as they are ‘an echo chamber that allows the audience to engage with a topic from all sides’. Podcasts enable real engagement and by an audience that is specifically interested in what is discussed.

TBWA
www.tbwa.co.za

Meta Media Reviews 2019 RWC Top-Line TV Viewership Figures

Margie Knap, Client Lead at Meta Media, says that at least 48% of all TV viewing adults 15 years + were glued to their screens during the two hour Rugby World Cup 2019 Final broadcast, and their kids also tuned in. No gender filters were included (women also watch rugby!).

It is important to note that these figures do not take into account the screenings at Rugby Club Villages (such as Monte), pubs, clubs and other group viewing venues. It is possible that we can add on, at the very least, an additional 50%. Just Googling some images of the game and it is easy to get a sense of excitement at all of the out of home viewings.

Margie Knap, Client Lead at Meta Media.

Taking a look at TVRs achieved across the two stations across four different demographics, it is really exciting just how ‘nation building’ this final match was. TVRs achieved against LSM 4-7 sit at 9.7 on a Saturday morning, bearing in mind that there are omnibus repeats of favourite soapies on SABC1 at this time too.

And boy, were we glued to our screens! If you look at the ebb and flow of audiences every two minutes, people didn’t even make coffee/tea or even go to the toilet during the commercial breaks! The SABC2 LSM 8-10 audience started at just over 1 million viewers and peaked at 1.6 million viewers by 1PM. Supersport 1 LSM 8-10 audiences started at just over 700k and peaked at 915k as the game ended.

Remember the point above regarding the SABC1 broadcast of Generations Omnibus:  Generations viewership peaked at 1,128,000 at 12:41 – the victory was already ours.

We also found it interesting to have a look at the advertisers that flighted their adverts during the game. There were 13 ‘paid for’ ads on SABC2 and 16 ‘paid for’ ads on SuperSport 1, all achieving impressive ratings.

In a press release from DStv, the DStv Now App served more than 500,000 unique users during match day. In fact, the data carried by content delivery network partners during the Final peaked at more than 500 Gbps (more than 4,000 GB of data PER minute) – this is another record for DStv Now in Africa.

Finally, even the Google Doodle got involved in the hype and excitement.

Once again, well done ‘Bokke’, we are an extremely proud and grateful nation.

META MEDIA
+27110818800 
info@metamedia.com
www.metamedia.co.za

Grey Advertising Africa Appoints Managing Director

Louise Johnston, Grey Advertising Africa's new Managing Director.

Louise Johnston has been appointed by Grey Advertising Africa as the new Managing Director of its South African operations. She has held a number of positions in the sector, beginning her career in account management before working her way up the ranks into agency management. 

Having found her passion in the advertising industry some 26 years ago, she comes to Grey with an abundance of experience, having recently held the position of Managing Director at DDB South Africa for the past six years. Over the course of her career she has held prominent roles at agencies such as Y&R, DraftFCB, Ogilvy and Roots (Tanzania). 

‘I am delighted to join the Grey team. I believe that Grey is one of the few agencies on a rapid growth trajectory, having recently won significant new business off the back of a creative revival under the stewardship of Chief Creative Officer, Fran Luckin. I admire the type of work the agency is doing such as the recent award-winning Gillette Gogo Nozizwe campaign, which connects with people in very deep and significant ways,’ commented Johnston.

Paul Jackson, CEO Grey Advertising Africa said, ’Our ambition is to be the most progressive, pioneering and creative company in the world. To achieve that ambition, we must continue to attract the very best talent. We are delighted to have Johnston on the team. As an experienced agency leader, with award-winning campaigns like FNB ‘Steve’ on her résumé, Johnston will add immense value to our people and to our clients.’

Looking to 2020 and beyond, Johnston believes that agencies need to be recognised more and more for the value of their advice and the creative business solutions they bring to their clients. ‘To do that, we need to focus on attracting and developing talent as an absolute priority, which is something I am really passionate about. I invest a lot of my time in mentorship and training because some of the proudest moments in my career have been watching young people that I have nurtured over the years go on to do great things,’ said Johnston. 

GREY JHB
+27117063060
Alla.Tennant@grey.co.za
https://www.grey.com/south-africa/

Ads24 Runs Activation To Introduce Six Brand Tribes

On 30 October 2019, Ads24 ran a door-to-door activation campaign where it delivered a magnet-locked box. When recipients unlocked the box, six doughnuts were revealed that represent the six Ads24 tribes.

These tribes are a new way to appeal to readers. According to Ads24, by identifying its key target markets, a brand can tailor product, language, message, and context to appeal specifically to those segments and focus its advertising budget on people who will most likely become customers.

In a time when consumers are spoilt for choice, brands have realised that for their message to be heard above the chaos of a cluttered advertising environment they need to zone into those consumers who want to listen. Where brands might have achieved success through a ‘spray and pray’ approach in the past, there’s been a significant shift in marketing and consumers now expect personalised interactions and connections.

While none of this is news to advertisers, creating campaigns across channels and niche markets is tricky. Advertisers and marketers need to ask the right questions to enable them to understand the triggers and behaviours of potential customers, which platforms they prefer to engage with, which solutions they are looking for and which research and actions they take before making a purchase. In addition, it’s necessary to consider who they are influenced by. Is it a sporting celebrity, a fashion diva or friends and family?

Fortunately, when it comes to Ads24’s broad community of popular titles, they’ve already done the research, so brands can save on cost and time-consuming research and use their budgets to create effective and inspiring campaigns.

By breaking its readership into tribes, which interconnect and exist across a number of titles and platforms, Ads24 has made it easy for advertisers to customise 360-degree campaigns that appeal directly to specific consumers across print, digital, podcasts, video and social media.

The six tribes of Ads24

These tribes, which are further broken down into niche segments, comprise:

1. Sports and status

  • Sports readers are major sports fans who like to watch sports at live events or on TV. They also participate competitively or socially. 
  • Status readers, meanwhile, are brand-crazy, early adopters who will pay premium prices for a product if they think it will improve their social standing.

2. Future focused

  • Finance-savvy readers are money smart. They plan for their financial future by spending money carefully and are always looking for opportunities to grow their money.
  • Education readers believe that education is key to their success and actively seek out new ways to improve and upskill themselves.
  • The Eco-sustainability segment is environmentally conscious. They believe their actions can make a huge difference and that a little goes a long way.

3. Fashion and home

  • Home and décor. These readers take pride in their home. Whether it be to show off their unique style or to make their homes as comfortable as possible. More than half are married or in a relationship and they are keen consumers of information on gardening and DIY sections of publications.
  • The fashion sub-tribe is a trend-savvy group who like to look and feel good and will always opt for quality.

4. Tech and telecoms

  • It should come as no surprise that these tech-savvy readers are early adopters of technology. They believe that technology enhances their lifestyle.

5. Parenting

  • This tribe is all about the kids, particularly those children who are younger than 18.

6. Lifestyle

  • Foodies. Food is about more than fuel to these readers. They love interesting, exotic food types and enjoy experimenting with their food, both inside and outside of their own kitchens.
  • Travel and tourism readers travel locally and abroad, for business and pleasure.
  • Health and wellness are the health nuts of the world, they eat healthily and exercise and prioritise their physical well-being.
  • Entertainment. This segment is easily bored, and they are always looking for ways to entertain themselves. They are sociable and curious.

Marise van der Lith, Brand Manager for Ads24 said, ’In line with the latest in marketing trends, we’ve done the research and crunched the data in order to understand how our readers fall into these different tribes. We believe this offers a more in-depth understanding than simple demographics and will help brands to more accurately plan for when, where and how to target these tribes.’

ADS24
+27112591700
ads24.co.za

SheSays Cape Town Partners With Kantar For Gender Representation In Advertising And Marketing Survey

Women empowerment, gender representation and diversity are some of the key issues that have been trending recently and many brands and companies have joined the movement. SheSays Cape Town has partnered with Kantar, the world’s leading data, insights and consulting company, to conduct the first-ever gender diversity survey in South Africa’s advertising and marketing sector. 

Figures indicate that the movement may have stalled within business: in South Africa, statics show that 46% of people entering the workplace are women, but only 7% of executive board directors are female. Within the advertising sector, there are still no figures on female representation, which is what motivated SheSays to step in and conduct an industry-wide survey.

Anelde Greeff, SheSays Director explained, ’Our aim with this survey is to engage the local industry regarding the improvement of gender representation and diversity within the creative sectors. Advertising informs societal views and if the people behind these advertising campaigns are not representative of society, these views are skewed.’

Johannie van As, SheSays Director, added, ‘This survey is not only a first in South Africa, but also a first for SheSays across the globe. As an organisation committed to empowering, educating and advancing women in creative industries, it’s vital to understand the actual state of affairs and measure our progress. We hope that this annual survey will put us right up there with the wonderful work being done by Creative Equals in the UK and The 3% Movement in the USA.’

Agencies can pledge their support for this cause by taking part in the survey. SheSays will work closely with the IAB, ACA and AMF to distribute the survey to their member agencies as well as selected agency representatives. All participants will remain anonymous and data will only be reported in an aggregated format. The results will be announced in March 2020. 

The online survey is running until 30 November 2019. To take part, send an email to capetown@weareshesays.com 

SHESAYS
weareshesays.com

FCB Joburg Creates New uMalume Ad For Debonairs

The TVC was conceived by Creative Director Greg Cameron, Art Director Motlagole Nthite and Copywriter Junior Mokoma off a brief from Famous Brands’ Marketing Executive Toni Joubert. The commercial was shot in one day by directors Chloe Coetsee and Ian Difford from Darling Films.

The TVC features uMalume, the respected uncle who is regarded as the one who imparts knowledge to the children of the family. In the new Debonairs Pizza ad, uMalume playfully uses this to his advantage, silently invoking his ‘Malume’ status to sneak a preview slice from each of the five pizzas delivered in the uniquely designed Khetha 5 box. The children respectfully wait and listen with only their eyes showing that they know exactly what his strategy is and appreciating the joke. The ad flights on SABC, ETV, DSTV channels, MNET and Comedy Central for three months. 

FCB JOBURG
+27115666000
fcb.co.za

Chicken Licken Travels Through Time With New TVC By Joe Public United

The new Chicken Licken TVC, done in partnership with Joe Public United, stars Sherldon Marema as guy-next-door Thato, who becomes an unsuspecting interdimensional hero, armed only with his chilled-out attitude and Rock my soul meal.

Inner peace is what Rock My Soul is all about, but this time the creative team wanted to take our country’s famously friendly South African vibes and see what happens when we spread peace across the world, and even across time itself, via Thato the ‘Time Traveller’. 

‘Chicken Licken ads are known and loved for being quirky,’ explained Xolisa Dyeshana, Joe Public, CCO. ‘That’s why the order number idea felt so right. If there’s any place that could just magically transport you backwards and forwards in time, it would be a Chicken Licken store.’

The long-format film takes you on a thrilling trip, from being in the thick of a battle between Roman gladiators to a far-off future where a rampaging chimpanzee cyborg is stopped in its hydraulic tracks by Thato, our unexpected ambassador for peace. He even pops in to support South Africa’s female president in 2047.

An integrated campaign approach that includes TV, social media, digital, outdoor and activations to keep the campaign going forward, and backward, in time. ‘We have all of history and the future to inspire us all, which is what makes this such a fun and creative campaign,’ added creative team duo Natalie Walker and Jeanine Vermaak.

Produced and directed by Alan Irvin of They Films, the film delivers a crafted and entertaining journey, with superb visual effects by Sinister Studios to really take the viewer along for the ride with Thato.

JOE PUBLIC UNITED
(+27 10) 591 7770
info@joepublic.co.za
www.joepublicunited.co.za

Pendoring Announces 2019 Award Winners

Pendoring Announces 2019 Award Winners
2019 Pendoring Award Winners.

Amazing work created in South Africa’s 10 indigenous national languages was celebrated at The Pendoring Awards, which took place on 31 October 2019 at the University of Johannesburg’s Art Centre.

The 2019 Pendoring entrants included a variety of striking executions by South Africa’s top creative agencies and students of Creative Communication at tertiary institutions, all created in indigenous languages.

The Awards saw a total of 21 gold statues handed out. Apart from the two overall awards, ten of these are single-entry golds, three are campaign craft gold, four are campaign gold and the remaining four, craft gold.

The Prestigious Umpetha Winner, TBWA/Hunt Lascaris, took home two campaign craft golds and one campaign gold. The North-West University, who dominated the student category, won both a gold and a craft gold. Pendoring also awarded 23 silvers and 31 craft certificates on the night.

The complete list of winners can be viewed here. 

The Pendoring Advertising Awards are 24 years old this year. Originally created in 1995 to promote and stimulate the use of Afrikaans in advertising, the Pendoring has gone through a number of changes to celebrate all of South Africa’s indigenous languages.

This year’s event was hosted by Hulisani Ravele and Schalk Bezuidenhout backed up by Bombshelter Beast, with local cuisine and entertainment setting the scene for a local celebration. ‘It’s our collective responsibility to create an enabling environment for our indigenous languages to thrive. By putting local languages at the heart of creativity we can begin to entrench multilingualism and celebrate the rich cultural diversity of our society. The Pendoring Awards are excited to have UNESCO and the South African National Commission for UNESCO as endorsement partners starting this year as part of The Year of Indigenous Languages campaign,’ said Pendoring organiser Eben Keun.

Pendoring is unique in that it is the only advertising competition in SA with substantial cash prizes, not only for the overall winners but also for gold and silver winners in each category. The overall winner across all categories will enjoy an overseas trip worth R100,000 as a part of the Prestigious Umpetha Award. The overall student winner walks away with a cool R10,000, while every winner of a gold Pendoring receives R6000 and the silver award winners walk away with R2500 each.

The judges included: Steph van Niekerk (Creative Director – WPP Liquid), Molefi Thulo (Creative Director – Ogilvy), Claudia Potter (Creative Director – Joe Public); Khaya Mtshali (Designer – IBM iX), Marcus Moshapalo (Senior Creative Director – MC Saatchi), Mpumi Ngwenya-Tshabangu (Creative Group Head – Riverbed Agency), Mukondi Ralushayi Kgomo (Co-Founder of Think Creative Africa), Nkgabiseng Motau (Co-Founder of Think Creative Africa), Sunshine Shibambo (Managing Director – Cheri Yase Kasi), Seth Beukes (Art Director – Bain & Bunkell), Grant Sithole (Chief Creative Officer – Avatar Agency), Khanyi Mpumlwana (Senior Copywriter – FCB) and Nico Botha (Creative Director – Joe Public).

The 2019 Pendoring Awards Judge and Creative Director at FCB Africa, Khanyi Mpumlwana, said, ‘The fact that each entry is underpinned by skilled craftsmanship and emotionally engaging storytelling is evidence that quality work is being submitted this year, which I’m excited about. The best Pendoring entries are ideas in the mother tongue that become concepts and then campaigns. Translations just don’t cut it.’

PENDORING ADVERTISING AWARDS 
pendoring.co.za

Promotional Products Are A Simple Way To Keep Brands Top Of Mind

According to Nick Sarnadas, event director at Specialised Exhibitions Montgomery, marketing, specifically in a competitive economy, is a key business priority and branded promotional products are a simple, cost-effective way to keep brands top of mind. 

The global promotional products industry is doing well, despite an unstable international economic climate, and is said to be growing according to Econo Times, with other industry experts seeing this upward trend continuing until at least 2024. 

Through promotional products, advertising and marketing messaging, life cycles can be greatly extended to long after initial exposure. Statistics vary per country but, on average, around 80 per cent of recipients will remember the advertiser after receiving a promotional gift item and approximately 45 per cent of those keep the product for at least 12 months.

Does this positive market growth, however, extend to South Africa, where according to Statistics South Africa, we have just narrowly dodged a recession? 

SA resellers weigh in 

Rainer Schulz of Thistle Promotions believes that, without supporting research on the South African promo product market, it is difficult to make a definitive statement on how the sector has fared recently. ‘Over the past year, we’ve seen contrasting variances in the South African promotional goods sector – some companies have drastically cut spending, forgoing marketing investment in lieu of channelling funds into staff retention, while others have started spending on promotional goods for the very first time in an attempt to grow brand awareness and market share by channelling funds into new areas.’ 

This sentiment is corroborated by another local promotional products reseller, namely David Kraukamp of Promo One, who explains that it has been a fairly tough year for the market, much like most other sectors in South Africa currently. ‘Unfortunately, many businesses are redirecting marketing spend, as it’s often the easiest place to cut budget. However, there is clearly still value in corporate gifts and promo items, particularly as we head into the festive season, as companies in general do still want to provide some sort of item to their customers, even if it is at a lower price point.’

Promotional Products Association International (PPAI) released 2018 global industry research that shows interesting results, especially when it comes to the five Rs of promotional products, namely: reach, reaction, recall, resonance and repeated exposure: 

· Reach – 89% of consumers have received a promotional product in the last six months. 
· Reaction – 79% of these actually researched the brand and 83% said they would be more likely to do business with the brand after receipt of the item. 
· Recall – 90% of respondents recall the branding, 80% recall the message and 70% recall the call to action. 
· Resonance – 82% recorded a more favourable impression of the brand after receiving a promotional product. 
· Repeated exposure – 81% say they keep their product for more than a year. 

These figures reinforce the fact that even in a difficult environment, with budgets tighter than ever and increased pressure to prove value for marketing spend, branded merchandise can be a powerful tool.

Where does local demand lie? 

Schulz shared that demand in South Africa has grown for practical products with a specific everyday use, such as notebooks, caps, and shopping bags (particularly important with growing awareness around eradicating the single-use plastic bag), stating that drinkware is currently very popular but the technology side, which saw a boom several years ago (with power banks being especially popular) is on the wane. Kraukamp agreed, adding that companies are taking more of an old-school approach again, looking for products that will stay within eye-line, like desktop items and wall clocks. 

‘Environmentally friendly gifts are on the upward trajectory, as businesses are becoming more aware of being socially and environmentally conscious, with a focus on the likes of reusable water bottles (glass or aluminium and even BPA-free plastic),’ Kraukamp added. 

The benefits inherent to promotional products are obvious, and they remain an important part of holistic marketing campaigns. This is a fast-paced sector, with thousands of options available, and a fairly complex value chain for the local reseller. 

SPECIALISED EXHIBITIONS MONTGOMERY
specialised.com

New Consol Brand Campaign Takes Viewers On A Journey Of The Senses

Consol Glass’s new brand campaign celebrates the brand’s packaging and contents – how they are both meticulously crafted. Glass is inert, doesn’t leach, is odourless, and requires no additional layers to protect its contents. The campaign features an ambitious television commercial, as well as Out-of-Home and online ads.

Launche buy Grey Advertising Africa and designed for long-term appeal, the television commercial purposely steers away from a literal interpretation of how glass and beer are made, relying on an abstract and artistic presentation of the two manufacturing processes. It takes the viewer on a journey of the senses, using immersive visuals to create a visceral and intriguing experience. This odyssey of alchemy visits the inner space of barley shoots, grains of sand, and the furnaces melting the glass at Consol Glass’s Clayville plant. The voyage is neatly concluded with the payoff-line: ‘Perfectly made for each other’, which reinforces the notion that beer and a glass bottle are both expertly crafted and thus an ideal match.  

Consol Glass’s mantra, ‘From the earth, through fire, to perfection’ speaks to the unique and specialised process of glassmaking, which has been refined over thousands of years. Although perfection is a high standard, Consol Glass demands it, much like the products which fill their glass containers.

Taking this into account, the new Consol Glass campaign brings to life the making of both the glass container and the contents that fill it, hinting at the passion, expertise and artistry involved in producing both and the synergies that make them perfectly suited.

Consol’s Senior Executive: Marketing and Business Development, Dale Carolin, was very hands-on with the project, involved from concept to production to final edit. ‘Glassmaking is a specialised technical process, but one which requires a high degree of artistry. The idea for the campaign came about when, through conversations with our customers, we recognised the same passion for our respective products and a synergy in production processes: that they require nothing less than the quest for perfection,’ said Carolin.

A passion project for Bioscope Films director, Fausto Becatti, the TV spot was a highly considered production that involved working with microscopic and macroscopic lenses, as well as commissioning the world-renowned Chris Parks, a specialist in capturing chemical reactions. An original violin score, detailed sound design and a bespoke poem were vital elements in creating a soundscape as appealing as the visuals.

As a final touch, Consol Glass’s brand-new mnemonic was added to complement the visual logo. It’s an easily recognisable, memorable sound that represents quality, purity and clarity. A palette of sounds made from various Consol Glass products was recorded and then manipulated in distinctive ways to create a unique sonic identity.

The billboards and Consol Glass truck branding feature larger-than-life bottles in various industries supplied by Consol, their contents and a succinct line which encapsulates that perfect match. Jam, honey, beer, cider, wine and sparkling wine were chosen for their visual appeal.

Legendary photographer, Michael Meyersfeld, took a graphic approach to the project, making the bottle and its contents look equally heroic and perfectly suited. The impeccably lit shoot captured the real look of glass, while big bold typography makes a striking impression. A black backdrop helps the glass detail stand out, highlighting its organic look and feel.

Short clips from the television commercial will be used as teasers in online media while online display banners will appear on social media and search sites. A 90-second version of the television advert will be shared on YouTube, as well as in cinemas. 

CONSOL
+27118740000 
consol.co.za
GREY JHB
+27117063060
Alla.Tennant@grey.co.za
https://www.grey.com/south-africa/
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