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McCann, Picture Tree And TEARS Form #MeToo Movement Collaboration

McCann, Picture Tree And TEARS Form #MeToo Movement Collaboration

McCann, Picture Tree And TEARS Form #MeToo Movement Collaboration
McCann Worldgroup Johannesburg, Picture Tree and the Transform Education About Rape and Sexual Abuse (TEARS) Foundation collaborated for a campaign that promotes awareness of child abuse via the #MeToo movement.

The #MeToo movement gained prominence late in 2017, when the hashtag sparked frank and meaningful exchanges about the widespread prevalence of sexual assault and harassment in the workplace. The famous women who first dared to speak out, the ‘silence breakers’, were consequently named Time Magazine’s Person of the Year 2017 and the movement is still going strong.

With millions of online mentions to date from dozens of different countries, it has splintered into sub-conversations and pledges from groups who undertake to change their behaviours. Ultimately, it has legitimised the once-taboo topic of sexual violence and paved the way for ongoing global dialogue.

McCann’s new #MeToo campaign, consisting of executions for television, print and social media, aims to build on the momentum of the original movement with a specific focus on young children who cannot yet take advantage of the online conversations.

A hero commercial recently started flighting on South African television screens and aims to point out that child abuse victims are often left to deal with the pain and trauma of violence in isolation. The narrative kicks off with slow and languid shots of children in a classroom, enjoying typical activities like playing and colouring in.

One child is shown to be considering her artwork more carefully than the others, and her masterpiece is not shown until a sudden and stark revelation that she had written #metoo instead of the typical childlike drawings of her classmates.
According to director Bevan Cullinan, the contrast between the initial light tone and abrupt and dark twist helped to bring the message home that child abuse is going on right under our noses and where we least expect it.

Perhaps best known for his comedic work, Cullinan and a highly skilled crew felt compelled to tackle this serious subject matter for a worthy cause. ‘I hope that the commercial will resonate with victims as well as those carrying knowledge of abuse and will ultimately empower them to take action and to report crimes of this nature,’ he said.

Mick Blore, chief creative officer at McCann Worldgroup South Africa and Sub-Saharan Africa said, ’It’s a sobering statistic that 34% of children in South Africa are the victims of sexual violence and physical abuse before they reach the age of 18. The problem is that the #MeToo movement is essentially a social idea, and this automatically excludes young children who don’t make use of social media.

Ironically, children are one of the age groups most taken advantage of, sexually molested and raped.’

The TEARS Foundation is a local NGO specialising in assisting and supporting young victims of sexual violence. Mara Glennie, founder of the foundation said, ‘It is our collective legal duty as responsible citizens to protect all children against abuse and to report abuse when we suspect it.’

She continued, ‘Through the #MeToo campaign, we opted to communicate a USSD number that can be dialled to access the contact details of the nearest help centre. Although abuse cannot be officially reported through the foundation, we provide access to crisis intervention, advocacy, counselling, and prevention education services for those impacted by domestic violence, sexual assault and child sexual abuse.’

MCCANN 
+27112354600
www.mccann.co.za

Guerrilla IMC Unveils Sandton Mega Format Site

Guerrilla IMC Unveils Sandton Mega Format Site

Guerrilla IMC unveiled its latest iconic Sandton Mega Format site situated at 92 Rivonia Road. The new icon is directly over the road from Sandton City, perched between Webber Wentzel and Werksmans Attorney’s office complexes and is visible to consumers as they leave the Gautrain station.

Printed on ContraVision with impressive dimensions of 30m x 17.5m, this icon creates a full 525 square metre canvas for a blue-chip brand. MTN and their media agency OMD were first to grab this opportunity and manoeuvred a number of other big brands to take ownership of Sandton with this iconic structure.

Guerrilla IMC’s Simon Allenberg was the man behind the deal and he said, ‘We’ve wanted to create something seriously impressive within the OOH Industry and especially in the Sandton CBD area, but this has taken it to the next level from both an impact and location point of view. 92 Rivonia Road is one of those prominent Mega Format sites that ended up being so much bigger and better once complete. It gives the whole of Sandton CBD a ‘New York’ Times Square feel and takes Guerrilla IMC down an exciting path for future developments. FYI, the next one is on the way.’

GUERRILLA IMC
+27110218347 
matthew@guerrilla-imc.co.za
www.guerrilla-imc.co.za

Hellocomputer And Umuzi Launch Creative Programmer Learnership

Hellocomputer And Umuzi Launch Creative Programmer Learnership

FCB Africa’s digital agency, Hellocomputer, partnered with Umuzi to establish a creative programmer learnership to address the chronic shortage of programmers and drive transformation.

Based on the premise that the closer the training environment matches that of future employers, the more likely its learners are to succeed and excel, Umuzi offers free one-year learnerships that produce entry-level but high-calibre creative professionals.

Hellocomputer managing director, Joey Khuvutlu and head of technology, Nick Bester, worked with Dibwe Kalangu and Niklas Peters of Umuzi to define the syllabus to prepare programmers for the creative industry.

‘With technology driving innovation in all sectors, and increasingly so in the advertising and marketing sector, there’s a dire shortage of programmers, despite barriers to entry being low and two out of three developers/programmers being self-taught,’ said Khuvutlu.

‘This space has historically been white male orientated, which provides Hellocomputer with an ideal opportunity to make a difference in a way that goes beyond ticking boxes on a scorecard.

‘Programming is, in a nutshell, a gateway for the previously disadvantaged to take part in the job economy of the future. The Umuzi model is ideal because learners get paid a monthly stipend, qualify with a National Certificate accredited by MICT Seta, and gain work experience at leading and established top employers. The learners are exposed to real-life work situations and environments while having the freedom to discover their creative identity and upskilling in critical thinking and technical skills.’

In addition to helping Umuzi create a highly-relevant learnership syllabus, Hellocomputer kickstarted the programme with R250,000 in 2017 to fund the inaugural learnerships of the new programme. The programme has quickly grown to 30 young people on learnerships, supported by several employers.

Umuzi’s managing director, Gilbert Pooley said, ’The product team is the cross-functional unit of production in today’s leading tech and creative companies. We’ve repositioned our learnership offering to prepare young people with the skills every product team needs: Coding, UX Design, UX Research, Product Management, and our newest learnership, Data Science. Essential to our model is that young people learn these skills on-the-job, in an integrated, product-oriented environment,’

Hellocomputer has committed to fund more learnerships in the coming years and to rally more digital agencies to do the same.

‘Hellocomputer works hard on transformation across all its departments and at all levels of management and leadership. The recent appointment of four women into senior positions in both Johannesburg and Cape Town offices is a testament to this. We do have a strong point of view on focusing our transformation investments and initiatives in programming and other technology disciplines.’

‘Umuzi’s holistic learnership framework is such a good fit on so many levels. Not only does it take into consideration the socio-economic realities faced by black youth, recruitment is done via social media with a focus on youth who have had to pause their tertiary education due to financial reasons. I’m so excited to see how far this can take us,’ Khuvutlu said.

Vicinity Media: Brand Safety And Viewability

The digital media industry’s latest obsessions are brand safety and viewability. Two closely linked topics born out of the controversial practice of programmatic advertising. Programmatic does serve certain purposes but more often than not it’s about trying to get inventory at the lowest possible rate, without actually knowing exactly where your ads are going. (Not knowing where your ads are going… bizarre isn’t it? Especially when some of the players involved claim to be location experts, but that’s the digital world we live in).

Programmatic media buys will typically target certain categories and buy inventory at the cheapest rate in a blind auction. This results in ad placements that are hidden below the fold at best, or behind other ad units at worst. Some of these ads are never seen by actual people but have achieved decent click-through rates. The fact that ads that can’t be seen are still being clicked exposed the problem of fake clicks and ad fraud and this has all led to the concept of viewability.

Yes, it’s a murky space and many CMOs have rightly called on their agencies to closely look at any programmatic buying. The simple rule for marketers should be, if a media owner can’t show you where your campaign is going to be live (for even a single impression), because they don’t know where it is, then don’t buy it.

Closely linked to viewability is the topic of brand safety. Marketers who are buying ads in blind networks have come to the rude awakening that sometimes these blind networks end up placing their ads exactly where they don’t want them to be. Next to terrorist communication or porn for example. While this is often amusing for the objective viewer, the brand damage can be massive.

Over the last three years, Vicinity has been hard at work fine-tuning it’s well over 200 placements to ensure viewability. All of our premium publishers have either an adhesion banner or an infeed, paragraph breaking MREC. These are the two best performing mobile units because they’re either always visible or visible in the article, so on screen for a number of seconds before being scrolled. And with great viewability comes great performance – our curated network consistently achieves over 1% CTR.

We have now successfully integrated with the majority of the viewability tracking software around and have enjoyed excellent initial results. Our first test campaign run with IAS tracking has had a 99% success rate.

Brand safety is easier to achieve. Simply buy premium inventory and there’s no chance you’ll end up with your ads in compromising environments.

Are these two industry buzzwords further death knells to the programmatic market? Probably not, but they will change it for the better.

VICINITY MEDIA
+27218346/7/8
info@vicinity-media.com
www.vicinity-media.com

FCB Connect Appoints Head Of Creative

FCB Connect Appoints Head Of Creative

FCB Connect appointed Rohan Reddy as Head of Creative with responsibility for curating the creative product of the group’s affiliate agencies on the continent, particularly for clients and brands with a global footprint or a presence in markets across Africa.

Highly respected as both a leader and a creative, Reddy has 25 years’ experience at agencies in several different African countries including The Hardy Boys, DDB, MetropolitanRepublic, Ogilvy Johannesburg and The Jupiter Drawing Room Johannesburg, Roots255 in Tanzania and MetropolitanRepublic in Uganda and Rwanda.

During this period, he worked on brands like MTN, Jockey, Carmel, Total, Bayer SA, Chalkham Hill Press, DStv South Africa, DStv Africa, SABMiller, Glaxosmithkline, Sun International Resorts & Casinos, Highveld Stereo 947, Nedbank, Emperor’s Palace Casino, KIA Motors, Jack Daniels, Airbnb, Bidvest, Prudential Investment Managers and Heineken.

As a freelancer, Reddy contributed to Vodacom, KIA, Windhoek Lager, VISA, Nedbank, FNB, MORE Safaris and Dimension Data campaigns.

Reddy’s list of industry achievements includes wins at The Loerie Awards Festival, The Eagles, Creative Circle and FNB SAMA Awards (South African Music Award), as well as entries in ‘The Best of South African Advertising & Design 1994 – 2000’.

He was also invited by the South African Design Society to submit designs for the new South African Coat of Arms and for several years was the South African consultant to the Benetton COLORS magazine.

FCB Africa Executive Business Director, Cobus van Zyl said, ’We’re very excited to have Reddy on our team, particularly given his vast experience in several African countries’.

‘This includes having been responsible for overseeing MTN’s creative in the 21 countries that the telecoms operator was doing business in outside of South Africa during the late 2000s as well as work on blue chip brands in the banking and alcoholic beverages markets on the continent. This augurs well for FCB Africa’s clients intent on growing their presence in Africa,’ said van Zyl.

FCB  
www.fcb.co.za

Sign Africa Bloemfontein Expo Delights Free State Printing Industry

Sign Africa Bloemfontein Expo Delights Free State Printing Industry
Hundreds of industry professionals flocked to the Sign Africa Expo in Bloemfontein on 10 May. They were very impressed with the new technology showcased and print solutions offered by the variety of enthusiastic exhibitors. Visitors arrived from all parts of the province as well as Lesotho. The successful event attracted 425 visitors, an increase from the 2015 event.

The expo, which was held at Ilanga Estate, showcased cutting-edge technology, such as: digital printing, signage and graphics products, wide format digital and more.

Judges visited each stand at the expo and judged the stands according to criteria based on design, staff friendliness and professionalism.

Exhibitors had positive feedback about the event:

Mike Schiller from Vic Bay said, ‘The expo exceeded our expectations with a fantastic visitor profile. We loved the location as the people that arrived were really interested in the expo.’

Anja Kirton from Fujifilm said, ‘There was a great turnout and the expo was busy all day. We had a positive reaction to the technology Fujifilm has to offer and loved seeing something new.’

Rakesh Rosen from Midcomp said, ‘It was a really good response. At times our stand was flooded and we have great leads.’

Aziza Mahomed from Kemtek said, ‘Very good, we had a lot of interest on all sides of our product range. It was well attended by the industry with a good customer profile.’

The stand winners included:
Winner: Fujifilm.
First runner-Up: SA Argus.
Second runner-up: Vic Bay.

Upcoming Africa Print Expos include:
Zambia: 6-7 June, Mulungushi International Conference Centre, Lusaka.
Johannesburg: 12-14 September, Gallagher Convention Centre.

Relativ Media’s Digital Screen Creates Feeling of New York In SA

Relativ Media's Digital Screen Creates Feeling of New York In SA
Relativ Media revealed a giant fully HD Polaroid digital screen on the corner of Alice Lane and 5th Street, Sandton.

The 7m x 13.7m digital screen is strategically elevated to maximise the line of sight for passengers and motorists and is largely aimed at the upper LSM and SEM sectors. The new digital screen is one of eight screens available to Relativ Media clients, with other screens situated in key locations around the country.

Relativ celebrated the introduction of its new digital screen at the Wishbone Café and Bistro Bar, where guests enjoyed a classy evening to mark the unveiling of the innovative out of home digital screen. Many of the guests were quick to liken the event and the location to Times Square in New York, referring to the classiness and quality of the screen, the location and the evening.

Margaret Ashwin from Media Max said that the digital screen was ‘very exciting and fantastic to see’. Norman Gibson from MTN said the digital screen was ‘the first of its kind, creating the feeling of New York right here in South Africa’. He continued by highlighting how Relativ Media is ‘driving innovation in the out of home media space by creating cost effective and impactful media platforms.’

Michael Christoforos from Relativ Media said, ‘We are extremely thrilled with the way in which this incredible screen has turned out. It’s a fantastic addition to our inventory and a truly iconic site in Johannesburg.’

Relativ Media are proud to have worked with HD Media, Paragon Architects and Redefine Properties, with Christoforos adding that ‘the relationships forged during this process and the opportunity to work with such collaborative and forward thinking entities, made a project such as this every media owner’s dream.’

RELATIV MEDIA 
+27832357509
info@relativmedia.co.za
relativmedia.co.za

Tractor Outdoor Erects Cape Town’s Largest Digital Sign

Tractor Outdoor Erects Cape Town's Largest Digital Sign

Tractor Outdoor has added their largest digital screen to their digital network. The site is also the first and only digital site in Cape Town that is ARA-compliant with Heineken being the first advertiser to include this into their media strategy.

Ben Harris, Rights and Development Director at Tractor Outdoor said, ‘We are extremely excited with the addition of this site which is part of the strategic digital growth, awaiting the arrival of this new edition had everyone licking their lips with it going out to market. It was an easy decision to stick with a product and brand that we trust such as Prismaflex. Their technical crew, together with our amazing operations team installed and erected the screen with no hassles. We are extremely proud of the work Tractor is doing at the moment and we look forward to expanding even more. This is our largest digital site for now with some extremely fantastic stuff in the pipeline.’

This 4m x 8m screen is located on Durban Road, Tygervalley, and leads directly towards the N1 highway. The location is prime with OMC data reflecting that it is one of the busiest roads in the Cape Town metro. Key POI in this upper LSM area includes Tygervalley Shopping Centre and the Bellville Velodrome.

‘We have been one of first media owners in the country to install ‘P8’ (8mm) screens which is currently one of the highest and most vivid screen specifications available for outdoor use in the country. Tractor has committed to having at least 50% of our portfolio digitised by 2020, so we have been very aggressive in seeking out key, iconic and strategic locations,’ said Simon Wall, Managing Director at Tractor Outdoor.

TRACTOR OUTDOOR
www.tractoroutdoor.com

Johannesburg Metro Presents Revised By-laws For Outdoor Advertising

Johannesburg Metro Presents Revised By-laws For Outdoor Advertising
The Full Council of the Johannesburg Metro has revised by-laws for outdoor advertising despite numerous objections by the industry, especially those related to the imposition of penalty rates and retrospective criminalisation of property owners. Promulgation is expected on 31 May 2018.

The following amendments have been effected to the final draft as a result of comments received:

• Advertising Precincts will be identified in terms of an Advertising Signage Framework. This Framework would be similar to the City’s Spatial Development Framework but only applicable to outdoor advertising and it will follow the approval of this by-law. It will also have to go through a public participation process so that all relevant stake holders can make representations in terms thereof. This Framework will also have to be approved by Council prior to it being put in operation.

• Although the tariff of charges in terms of this by-law is not determined in the by-law, it follows the approval of the by-law and such tariffs need to be published in the Provincial Gazette for public information. The tariffs need to be amended to reflect an administrative application fee when an application is submitted and then an approval fee based on the size of the advertising sign only payable after approval. Currently it is the other way around and it is regarded as unfair for applicants to be paying these exorbitant fees upfront without any guarantee that the application will be approved.

• The by-law does now make specific provision for a pre-approval process in terms of which a proposal will go through a pre-assessment procedure to, inter alia, determine what relevant documentation needs to be submitted as part of a formal application and to give an indication whether the proposal would find support should a formal application be submitted.

  • Advertising signs will now be subject to a building plan approval process as well as these structures that fall within the definition of a ‘building’ for purposes of the National Building Regulations and Building Standards Act, 103 of 1977 (NBRA). The Building Control Officer (BCO) has in terms of section 13 of the NBRA the authority to exempt some of these advertising signs as ‘minor building work’ due to the size and nature of the sign and such exempted signs would then not be subject to a building plan process. Larger signs such as large gantries and what is deemed to be ‘Super Billboards’ will, however, not be exempted and will be subject to a building plan approval process.
  • Such advertising signs exempted by the BCO as minor building work will then also not be subject to a building line relaxation process in terms of the COJ Municipal Planning by-law, 2016. For larger signs not so exempted, a building line relaxation application, if applicable, will have to be submitted for approval prior to such sign being approved and erected under this by-law.
  • The by-law has now been amended so that written reasons must be provided in the same notice notifying parties of the decision. In the past it was a separate process and reasons had to be specifically requested by a particular party in writing and then the City would provide such reasons in writing. There is no need for it to be a separate process and it can be done as one process to make the process more expedient and efficient.
  • The by-law has also been amended in that no third-party static advertising sign may be erected within 50 metres at traffic controlled intersections measured from the nearest traffic signal/sign. For LED/digital/electronic advertising signs, the distance is 100 metres. In the past it was measured from the centre of an intersection but this was deemed to be inadequate as some intersections are so big that when you measure 50 metres from the centre of the intersection, you find yourself still within the intersection (for example the Empire/Jan Smuts intersection).
  • Provision has been made that illuminated advertising signs (which includes LED/digital electronic signs) must now comply with a certain candela per metre.
  • No specific provision has been included in this by-law to regulate cell phone and other antennae on advertising structures. In terms of the Link Africa Constitutional court judgment, a section 22 license holder in terms of the Electronic Communications Act, 36 of 2005, may enter upon any private and/or public land without the land owner’s consent to exercise the rights it has under such license. It only needs to notify such land owner and such rights must be exercised with due care, respect and diligence.
  • The comment that imprisonment of 20 years and a fine calculated in terms of the Adjustment of Fines Act similar to such years of imprisonment is excessive has been accepted and it has been reduced to a fine and imprisonment conducive to 10 years.
  • The by-law has been amended to allow for larger signs than what is prescribed in partial- and minimum controlled areas at the sole discretion of the City but only on good cause shown.
  • The by-law now also makes provision that if an advertising sign is displayed illegally on private property, then a rates penalty may be imposed in terms of the City’s Rates Policy. This Rates Penalty in terms of the Rates Policy read with the Local Government: Municipal Property Rates Act, 2004, has been tested in the courts and has been found to be lawful. Thus, all of the objections submitted arguing against it are therefore unfounded.
  • The by-law makes provision that all applications as well as appeals will be dealt with on written submissions only. The argument that parties are entitled to a formal oral hearing holds no water as nobody has an absolute right to be heard formally in an oral hearing. The courts have clearly expressed themselves on this issue and have confirmed that a party is also ‘heard’ when written submissions are considered only. This is also in line with the provisions of PAJA which also makes provision for a ‘hearing’ based on written submissions only.
  • The by-law now makes provision that advertising signs which are deemed to be erected on Council property or property that vests in the City without the prior approval of the City may be removed by the City without the necessity to obtain a court order as long as prior notice is given. The argument that this constitutes ‘self-help’ does not hold water as long as a fair and transparent process is followed including fair and reasonable notice prior to such a sign being removed. This again is in line with the provisions of PAJA.
  • The by-law also makes provision that if any sign, whether on council property or on property that vests in the City or on private property has become dangerous and poses a threat to life and/or property for whatever reason; it may be removed immediately without notice and without a court order.

CITY OF JOHANNESBURG (+27 860) 56 28 74joburgconnect@joburg.org.za
eservices.joburg.org.za

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