Home Blog Page 3

Nano Influencers Lead In Engagement According To SA Influencer Report

Nano Influencers Lead In Engagement According To SA Influencer Report
Braden Smulders, The Racket Club and Camille Darné, YOUKNOW.

The Influencer Playbook, based on a survey of 560 influencers conducted over a three-month period, aims to provide transparency in the marketing landscape, particularly concerning influencer rates and expectations. The Racket Club, in collaboration with YOUKNOW, are proud to reveal the findings of their comprehensive influencer report, which sheds light on influencer engagement and industry benchmarks in South Africa.

Braden Smulders, Head of Digital at The Racket Club and lead on the survey, said: ‘We recognised a significant gap in the market regarding reliable data on influencer engagement and payment. By partnering with YOUKNOW, we wanted to create a resource that not only informs but also empowers both influencers and agencies. The overwhelming interest from influencers in participating in the survey was a pleasant surprise and underscores the need for such insights.’

Camille Darné, Head of Marketing at YOUKNOW, shared, ‘At YOUKNOW, we’re all about using our martech and data expertise to help local brands and agencies get real, useful insights. Partnering with The Racket Club on this benchmark report lets us highlight how influencer expectations are evolving and provide essential benchmarks for brands looking to get the most from their influencer campaigns. It’s a great starting point for brands wanting to not only build stronger connections with their influencers but also take a step towards better measuring and analysing the success of their campaigns.’

The Influencer Playbook reveals several key findings that challenge existing assumptions. Notably, influencers expressed a strong desire to be involved in the planning and briefing process early on to ensure authenticity in their content. They also indicated a preference for creative freedom which is essential for producing engaging campaigns. Surprisingly, the engagement rates of South African influencers surpassed those of their international counterparts, revealing the potential of this market.

Other notable findings include:

• Nano influencers lead in engagement, achieving 1.16% above the average benchmark.
• The average cost for a nano influencer post is R2,693,
• Only 23% of influencers with fewer than 500,000 followers are managed by agencies.

Smulders added, ‘Our goal is to spark conversations around fair rates and measurable KPIs for influencer campaigns. We believe that with the right data, brands and agencies can recognise the true value influencers bring to their marketing strategies while maintaining authenticity.’

THE RACKET CLUB
https://wearetheracketclub.com

YOUKNOW
https://www.youknow.co.za/

SA Representatives Feature On Gerety Awards Grand Jury For 2025

SA Representatives Feature On Gerety Awards Grand Jury for 2025

Respected and influential leaders from the advertising and marketing industry are set to join the Grand Jury for the 2025 Gerety Awards. More than 45 countries will be represented in the Gerety Awards jury in this edition. Additionally, each executive jury session will select the Agency of the Year from their region within the entrants of the Agency of the year category. The 2025 Gerety Awards will open for submissions and announce the full jury in January.

The Gerety 2025 Grand Jury Includes:

Africa:

– Andrea Quaye, Marketing Director Heineken South Africa.
– Vuyo Henda, Chief Marketing Officer Spur Corp South Africa.
– Nwakaego Boyo, Founder, Ex Producer & CEO Temple Productions Nigeria.
– Waithera Kabiru, Africa Digital Hub – Lead Diageo Kenya.
– Oriane (Abouattier) Canfrin, Head of Marketing and Communications Ecobank Côte d’Ivoire.

International: 

– Anu Igoni, ECD and Partner Bob the Robot Finland.
– Paula Gaviria, Founder and CEO Marketing and Innovation Colombia.
– Kelly Pon, CCO BBH China.
– Hope Nardini, Global ECD Grey USA.
– Ute Poprawe, Non-Executive Chairwoman DDB Frankfurt Germany.
– Karen Ovseyevitz, President Latina America Porter Novelli Mexico.
– Jin Yang, Creative Partner Leo Burnett Taiwan.
– Tiffany Rolf, Chair & Global CCO RGA USA.
– Ioana Zamfir, CCO MRM Romania.
– Menaka Menon, President and Managing Partner, Growth and Strategy DDB Mudra Group India.
– Kavi Rajapaksha, CMO Sunshine Consumer Ltd Sri Lanka.
– Diana Triana, CCO DENTSU Creative Colombia.
– Atiya Zaidi, CCO/CEO, BBDO Pakistan.
– Marilou Aubin, Partner & ECD lg2 Canada.
– Stefania Siani, CEO & COO Serviceplan Italy.
– Kristin Cohen, Global Head of Product DDB Worldwide USA.
– Anke Herbener, Founder & CEO Digital Changers Germany.
– Kopal Naithani, Founder/ Director Superfly Films India.
– Tan Tze Kiat, CEO BBDO Asia China.
– Cecilie Oberg, Senior Creative Accenture Song Denmark.
– Nayla Tueni, CEO & Editor-in Chief, An-Nahar and Annahar Arabi at Annahar media group Lebanon.
– Luciana Olivares, CEO & Founder Boost Brand Accelerator Peru.
– Alina Mirzaeva, Founder and CEO Synthesis Uzbekistan.
– Carolina Carmona, Marketing Manager Falabella Colombia.
– Lali Koehler, Global President, Craft Worldwide USA.
– Simone Tam, Group CEO Dentsu Hong Kong.
– Jolene Dsouza, Group Strategy Director Special Group New Zealand.
– Suzzane Zhang VP, MW Advisory, APAC & Head of Strategy McCann Worldgroup China.
– SooHee Yang, CCO Publicis Groupe South Korea.
– Gry Sætre, Founder & Executive Producer Tangrystan Norway.
– Jo-ann Robertson, CEO Global Markets Ketchum UK.
– Helena Henneveld, Luxury Senior Brand Manager Tequila| Northern Europe Diageo Netherlands.
– Klaartje Galle, CCO VML Belgium.
– Elina Kettunen, Senior Creative / Copywriter N2 Creative Finland.
– Suzanne Powers, Founder & CEO Powers Creativity USA.
– Maria Lashari, Founder + Creative Director 1000WORLDS Sweden.
– Yuliya Tushina, Managing Director, GForce Grey Kazakhstan.
– Tammy Sheu, CEO BNBALOON Taiwan.
– Maja Sand-Grimnitz, Member Board of Directors Asetek Denmark.
– Rifah Qadri, Executive Director Marketing easypaisa Pakistan.
– Kimberly Paige, EVP, Chief Marketing Officer Paramount USA.

GERETY AWARDS
www.geretyawards.com

 

SA Brands And Agencies Celebrated At TikTok METAP Region Ad Awards

SA Brands And Agencies Celebrated At TikTok METAP Region Ad Awards
Shadi Kandil, TikTok.

South African brands shone among regional winners at the TikTok Ad Awards 2024. The ceremony took place in Dubai and celebrated standout brands and agencies across the METAP region, encompassing North and South Africa, the UAE, Saudi Arabia, Qatar, Egypt, Turkey and Pakistan that are setting the standard for creative, high-performing campaigns on TikTok.

South African brands and agencies earned notable recognition, securing a significant share of the awards for their creative and innovative campaigns.

Each winning campaign brought something unique to the platform, tapping into TikTok’s engaged community and innovative ad solutions to captivate audiences and exceed campaign goals. These brands delivered a masterclass on how to succeed on TikTok, showcasing the strategies and ad formats that lead to exceptional results.

The Full List Of Winners And Medallists From South Africa:

Community Core

This category celebrates the best use of creators and the community. The category shows how creators can use their unique voices and content styles seamlessly within a campaign idea.

Gold Winner: Hear ZA Hearing Challenge By Vodacom And VML

Vodacom’s ‘Hearing Challenge’ aimed to raise awareness about hearing loss among South African youth by using an interactive, music-based hearing test. The brand collaborated with rising musician Lady Du and an audiologist to create a special music track used to empower users to test their hearing while sharing results on TikTok. The campaign went viral, sparking conversations about hearing health and encouraging young people to seek professional help.

It’s The Creative For Me

This award focuses on the idea and its strategy and celebrates the brands and agencies that dared to push the boundaries of creativity with campaigns that were built TikTok-first, and showcased impactful results.

Gold Winner: Feel The Fire By Chicken Licken And Joe Public

A creative challenge turned users into actors auditioning for a role in the brand’s next commercial. Chicken Licken ‘turned up the heat’ and engaged the South African community through a fun and interactive TikTok challenge featuring actor Atandwa Kani. This was the brand’s first TikTok content, offering participants the opportunity to showcase their acting skills for the coveted prize of appearing in a future ad.

Bronze Medallist: The Lunch Bar Man By Lunch Bar And VML

Lunch Bar launched a creative campaign on TikTok where the main character – Lucas ‘#TheLunchBarMan’ Baloyi – gained viral fame by claiming that aliens were visiting South Africa to steal Lunch Bars. Over weeks, he shared his conspiracy theories through a series of TikTok videos linking UFO sightings in South Africa to the candy, complete with ‘evidence’ and humorous commentary. His content resonated deeply with TikTok audiences, driving millions of views and increasing engagement on Lunch Bar’s TikTok by over 207%. As of now, the campaign has accumulated over 60 million views.

Sound On Please!

This category celebrates campaigns that use sound as an entry-point to their creative idea. There are so many different types of sound, different uses of sound, and likewise different creative approaches to sound on TikTok.

Gold Winner: Hear ZA Hearing Challenge by Vodacom And VML

The campaign raised awareness about hearing health through a fun and engaging branded challenge.

Silver Medallist: Bedtime Stories by City Lodge And TBWA\Hunt\Lascaris

City Lodge Hotels sought to stand out in a crowded market by addressing a key issue: stress and poor sleep among business travellers. The brand launched a playful series of guided meditations called ‘Bedtime Stories for Business People’. The bedtime stories were tailored to eight different types of business travellers and aimed to help them relax and sleep better. The stories were promoted via in-room materials and a TikTok campaign.

Bougie On A Budget

Recognising campaigns that creatively used modest production budgets and resources through both paid and organic content with community management to create maximum impact.

Bronze Medallist: Reusable Ads By City Lodge And TBWA\Hunt\Lascaris

City Lodge Hotels launched a creative, cost-effective campaign called ‘Reusable Ads’ to inspire local users to take a break from life’s stresses. The campaign featured three dialogue-free films with comedy carried entirely by subtitles. The unique aspect of the ads was that they could be easily repurposed without the need for additional production costs. The entire campaign aligned with City Lodge’s new positioning: ‘Life is Hard. Check into Easy’, emphasising that sometimes all it takes to cope with life’s challenges is a break.

‘We are thrilled to witness the first-ever TikTok Ad Awards in the region evolve into a remarkable celebration of creativity and bespoke storytelling, and the impactful campaigns that have set new benchmarks,’ said Shadi Kandil, General Manager, Global Business Solutions, TikTok, Middle East, Turkey, Africa, Central and South Asia. ‘We received entries from a diverse range of brands and agencies, with content that created connections, tapped into wider trends and truly brought brands to life, while driving significant impact. Our heartfelt congratulations to the winners and medallists – we are excited to see the next wave of innovation and excellence from all of you.’

Check out the full list of winners here.

TIKTOK
https://ads.tiktok.com/business/en

Tips On Getting Effective And Authentic Customer Feedback

Tips On Getting Effective And Authentic Customer Feedback

Liezel Jonkheid, Director and Founder of the Consumer Psychology Lab, says customer feedback, whether obtained through surveys, interviews, focus groups (organisational-driven) or spontaneous feedback (customer-driven) through many channels, provides organisations with precious gifts. They hold the key to unlock the insights for planning, the opportunity to fix known and new problems, and provide the right amount of ‘push’ to justify making investments to change.

A friend recently shared his experience with me of providing feedback after buying his new vehicle. As a Voice of the Customer specialist, his response – as a mature consumer and astute businessman – really brought it home to me that customer feedback might not always be as it seems at surface level.

The reality is that he experienced several frustrating moments during the purchase journey of his new car, including the car arriving late and without the agreed upon specs and price disputes, resulting in senior management intervention. After all of this, he was asked (read: coerced) by the young sales consultant to rate his experience as ’10’ when he got the call to rate his feedback.

Despite the unpleasant experience buying his car, when the research agent eventually called, he changed his mind and gave a high score. His reasoning for the change of heart, and for not giving his honest feedback as to the whole unpleasant experience, was interesting and rational. He described it as follows:

‘I felt emotionally blackmailed initially, but as I reflected on the situation, I realised this young sales consultant, like my own son, was trying his best to earn a living. My feedback could jeopardise his earnings (commissions) if I shared my true feelings and my corresponding rating. He clearly lacked the maturity and training, and it was not entirely his fault. So, I went back on my original intention to rate my true experience. If I am being honest, I was probably hoping that some other customer will also cut my son some slack someday if he did not deliver the best service experience.’

This projection is just one of many reasons why customers might only provide half-truths in their service rating feedback. Others include:

– Sympathy for the frontline staff (sales agent or call centre agent.
– Time lapse – where memory is exaggerated by the emotional ‘residue’ or the emotional impact of the experience (good or bad).
– Apathy: it is too much effort to fully engage in the feedback process.
– Hopelessness: the belief that nothing will be done to remedy the situation.
– Halo effect: the interaction and experience with one is assigned to all.
– Speak no evil: unwilling to criticise, afraid an individual will be punished, or the inherent belief to always look on the ‘bright side’.
– Avoidance: would prefer not to give feedback (maybe due to inconvenience, bad timing) and just wanting to get rid of the obstacle (the caller).
– Rationalisation: assigning valid reasons for experience or rating (off occurrence).
– Guilt trip: the staff put undue pressure on the customer to rate the experience more favourably than deserved to avoid losing incentives.

The question is, do false truths serve any purpose? If customers don’t share their honest feedback, how does the feedback help organisations to improve customer experience? And why are organisations not digging deeper in their customer surveys to ensure that they really get to the bottom of customer feedback that is authentic?

There are a number of reasons for this:

– Legacy and purpose: the organisation may be stuck with legacy systems, churning out emails with surveys to customers, without any further consideration. The cost to make amendments could be too high or resistance to change may be embedded in ignorance.

– NPS trumps reason: the organisation may be solely focused on chasing the ‘industry’ metrics like NPS or CSAT scores, rather than understanding or addressing the problems. When the results are positive, the motivation to review (or change the current feedback format) may be absent.

– Inside-out: the results are embedded in the KPI (or balanced score cards) structure and driven to achieve targets (or even incentives). NPS or CSAT are built into the business’ performance structure.

– Yes but…: the questions in the survey do not cover what customers actually want to say, and open-ended questions are challenging to analyse.

– Timing: of when feedback is requested, is not right for the purpose – too soon, too late.

– No chiefs no-one ‘owns’ the management of the surveys, process or the dashboard in the organisation.

– CX side-plate: the survey results are not used as part of a regular business practice or conversations.

– CX silence: the results are not shared with everyone in the organisation, so no one knows how they perform (except top management).

– CX focus: the intention of Voice of the Customer (VOC) is not understand and learn (growth mindset), but to chase results (fixed mindset).

– Numbers over words: the results are only analysed in terms of metrics, not the customer’s narrative.

– Fix this now: the focus is on solving immediate problems, rather than avoiding those in the long run or using the information to understand how to enhance customer experience.

These are the realities for many organisations. Without a defined and considered Voice of the Customer programme, sending surveys to customers will provide little or no value to an organisation, and even less to customers who share their feedback. Too often, organisations boast with pride about their NPS or CSAT scores in public forums or around the boardroom table, even when in reality customers’ experience is at best accidental. There is a classic saying in research: ‘garbage in, garbage out’.

So how can feedback be used effectively, given the potential half-truths offered by customers? Firstly, review these fundamentals of Voice of the Customer programmes to improve customer experience:

– Understand and define the purpose of the VOC programme for your company.
– Empower a support structure to manage and own the programme.
– Include the employees in the design of the programme and feedback loop.
– Get the timing of requested feedback from customers right.
– Ask the right type of probing questions.
– Choose the best suited channels for the feedback.
– Ensure there is ownership to work and manage the feedback.

Secondly, actually use feedback to improve and align the service to customers’ needs (articulated through the feedback) and to engage with customers.

Top Tips To Get The Best Value From Customer Feedback:

– Don’t ask customers about their experience if there is no intention to do anything about the feedback. Consumers are survey-fatigued. Don’t waste your company’s and the customers’ time if the purpose is not to improve the customer experience.

– Use criticism to inspire problem solving and innovation. Use feedback primarily for everyone to participate in problem-solving, contribute new ideas, a fresh look at the way things are done and to build a learning culture.

– Build effective ‘close the loop’ pathways. When feedback is reviewed by cross-functional teams, improvements implemented will be embraced and the ‘threat’ of honest feedback for employees, will be reduced.

– Give customers an opportunity to explain their sentiments, problems and what they want from you with open-ended questions. Including open-ended questions allows customers to express their thoughts in their own words. This can provide qualitative insights that may be missed with closed-ended questions and predefined response options.

– Don’t ask questions only about what your company needs to know or track. Give customers the opportunity to tell you what they want to share about their interaction with your company. In this way, customers may point out opportunities to improve service delivery that may potentially be a blind spot, or ‘low hanging fruit’ (easy to fix) improvements.

– Respect people’s time and contribution to help your business improve.

– Fix the problems raised by customers and give them feedback on how you can solve it.

– Look at trends to identify internal system/process or people issues to fix.

– Be on the lookout for ideas to solve problems mentioned which would not be considered in the direct influence of your organisation, for cues to differentiate your value offering.

– Thank your customers for their support and investment to help improve your business, then improve your service.

– Avoid using customer feedback as a punitive mechanism for staff! It will only inspire creative ways to manipulate the results – like asking customers for a positive rating. Position customer feedback as part of the learning culture in the organisation.

– Use compliments from customers to encourage best practice and team spirit. It’s as important to know what hacks customers off as to what makes them happy and impresses them. Learn from the bad and fix the problems, and build on the good and elevate them.

– Carefully consider the impact of integrating the VOC results with employees’ individual performance and remuneration results as it can instil resentment, fear of failure or exposure and encourage manipulation, none of which are conducive behaviours for improving customer experience.

– Integrate employee feedback in the VOC methodology, and metrics.

Careful VOC design helps in avoiding leading questions, ambiguous language, or any other factors that might introduce bias or half-truths into the responses. It is a process that involves careful consideration of the survey’s purpose, audience, and the methods used to collect and analyse data. Make very sure that the design of your Voice of the Customer survey will get you the reliable, relevant, honest and actionable feedback you want and need from your customers to define and entrench your organisation’s true competitive advantage.

CONSUMER PSYCHOLOGY LAB
www.consumerlab.co.za

SA’s Poor Showing At International Awards Is A Wake-Up Call For The Creative Industry

Luca Gallarelli and Carl Willoughby, ACA’s Creativity and Effectiveness tribe.
Luca Gallarelli and Carl Willoughby, ACA’s Creativity and Effectiveness tribe.

According to Luca Gallarelli and Carl Willoughby, industry representatives on the ACA’s Creativity and Effectiveness tribe, South Africa’s poor showing at international awards reflects a notable drop in standards. However, it’s not too late to change direction. It’s time to get creative about raising standards in the creative industry.

South Africa’s meagre clutch of awards at the 2024 Cannes Festival of Creativity — a platform where our agencies have previously had a good showing — was a wake-up call for the creative industry: the glory days are over. No longer punching above our weight relative to the size of our industry when compared to other countries, the creative sector is waking up to a sobering reality that our best work is just not good enough internationally.

The dipping of standards is glaringly obvious this year. At Cannes, South Africa ranked 26th, in a stark contrast to past successes. In 2000, the country held sixth place; in 2006, it reached fourth; and in 2013, South African agencies brought home 33 medals.

Months later, at the Loeries, the South African industry got the loud message that our best work, or the work submitted to the awards, wasn’t good enough. We were simply outclassed by the Middle East.

What’s Happened?

Partly to blame are the brain drain, reduced budgets, juniorisation, and market size, but what is clear is that the work produced locally just isn’t reaching the heady heights it once did and we should all sit up and take note.

It’s not for a lack of talent or insights: it’s that the standard of our ideas that lives in execution simply isn’t where it should be. Only a handful of agencies and marketers still care about reaching for a global standard of excellence and pushing for the very best creativity. Because getting there is hard.

But while some of our local work and burgeoning local voice may be celebrated here, it is not pushing the industry forward on a global stage and advertising standards are dropping. This leads to the creative industry being disrespected, and marketers, who pay advertisers for their service, underrating the work. A cheapened industry has profound ramifications: it cannot attract or pay talent, nor can it do great work. This is tantamount to a death spiral that we desperately need to shake out of.

Thirty years ago, with the advent of democracy, South Africa’s creative sector had a challenger brand mentality. Agencies wanted to drive standards and be on the global map. They were ambitious: they cared about being taken seriously. With much to prove internationally, the freedom to express itself, strong economic backing, and distinctive stories to work with, our unique insights allowed us to stand out above our global counterparts. Agencies understood that the process was hard, but they embraced it by bringing their best people and their best game, delivering consistently excellent work. When they took that work to international competitions, a bigger spread of agencies won across more categories.

Today, our focus is not on excellence that drives business results. Most of our work is pedestrian and disposable, with only pockets of brilliance.

The Business Case

To compete internationally at Cannes, D&AD, and the One Show, the work needs to be packaged flawlessly, at a high standard. It takes an immense amount of effort from the agency and client to align around an ambition, to galvanise around the idea, to believe in it, and to push it to be the best it can be.

It’s no coincidence that the most successful and iconic pieces of work, created by South African agencies in modern times, helped drive the sustainability of their brands and business results. The very best creative work will deliver the best results for clients. Winning on an international stage has a disproportionate impact in terms of its impact in markets, not only on sales metrics, but on brand metrics and customer loyalty.

Here Are Some Notable Examples:

1. Apple’s ‘Get a Mac‘ campaign, which featured humorous commercials comparing a cool, relaxed Mac to a stiff, uptight PC, promoting the Mac as the better choice for younger, more creative users. Apple’s sales surged by 39% in the first year after launching the campaign, and it is credited with cementing Apple’s position as a culturally iconic brand. The campaign also positioned Apple as a leader in the technology market.

2. Old Spice’s ‘The Man Your Man Could Smell Like‘ campaign, a quirky ad starring Isaiah Mustafa, aiming to reposition Old Spice from an ‘old-fashioned’ brand to one that appeals to a younger generation. With over 62 million views on YouTube, the campaign led to a 107% increase in sales within a month of its launch. The campaign led to significant increases in brand engagement, particularly on social media, where the brand interacted with fans and created personalised video responses.

3. Always’ ‘Like a Girl’, aimed at empowering girls and changing negative stereotypes associated with the phrase “like a girl”. It included a powerful video that went viral and inspired millions. The campaign increased brand sentiment by 200%, generated over 90 million views on YouTube, and strengthened Always’ brand loyalty, particularly among younger audiences.

4. Nike’s ‘Just Do It‘: Since the launch of the slogan ‘Just Do It’ in the late 1980s, Nike has continuously used this tagline to inspire action, perseverance, and achievement. The campaign features a mix of everyday athletes and high-profile endorsements from sports icons. This campaign helped Nike go from a niche sports brand to a global athletic powerhouse. In the decade following its launch, Nike’s sales grew from $800-million to $9.2-billion. The slogan is now one of the most recognised in the world, solidifying Nike’s brand identity.

5. Joburg Ballet’s ‘Breaking Ballet‘ campaign, which is shaped by real-time data mined from social media and artistically reinterpreted as a new ballet. The series has responded to a range of topics, from social issues like gun control, LGBTQI rights in Africa, women abuse and the Cape Town drought, to sport, to blockbuster films like Black Panther. By feeding highly relevant stories into trending conversations, the campaign had 24 million media impressions, a 91% engagement rate, a 39% increase in social media followers, and a 560% return on investment in earned media. Ticket sales for Joburg Ballet are at an all-time high and climbing.

While great ideas do value to the bottom line, creativity comes with a level of risk. It requires everyone to push beyond their comfort zones, whether it’s their own comfort levels or managing key stakeholders. Creativity needs a level of risk to be distinctive.

Perhaps South African creatives have just become tired, risk-averse, or we simply don’t know what it takes to make great work.

What Can Be Done:

Whether it was first said by John Perkins, Zig Ziglar, or even Einstein, the message remains timeless: recognising there’s a problem is the first step toward solving it.

South Africa has always rallied together to find a common enemy. This time, we’re fighting a drop in standards. Industry stakeholders need to have honest conversations about what has happened and how we’re going to fix it, then develop an actionable plan that both agency and client teams can own through aligning creativity and effectiveness agendas.

By working together to increase the value of what we do, we can charge accordingly. If we don’t, if the general standard of our work remains poor, we can’t do that, which turns into a negative cycle because all the real value that sits in what we offer to our clients is excellence and creativity as it relates fundamentally to brand communications.

South African creativity can reclaim its place among the very best in the world. Talent, alignment and having a plan alone is not enough. It takes appetite, energy, and for the creative industry to get creative.

ACA
https://acasa.co.za

Carling Black Label Launches 2024 #NoExcuse Campaign To Combat Gender-Based Violence

Carling Black Label Launches 2024 #NoExcuse Campaign To Combat Gender-Based Violence

Carling Black Label’s 2024 #NoExcuse campaign calls on soccer fans to stand united and demonstrate that champions of the stadium can become champions for change by protecting and uplifting both on and off the field. The campaign aligns with South Africa’s 16 Days Against Gender-Based Violence.

At the heart of this year’s message is a clear and direct call to action, spotlighting that the real injuries happen off the field. Win or lose, there’s #NoExcuse for gender-based violence. Football fans and consumers are invited to take the Champions for Change course at NoExcuseSA.com, a programme accessible both online and through manual training sessions, designed to inspire men to challenge harmful behaviours, become agents of change in their communities, and embody positive masculinity.

The #NoExcuse campaign, launched in 2017, has consistently used football’s power to address one of South Africa’s most urgent social issues. Past initiatives such as the ‘Soccer Song for Change’, the ‘Bride Armour’ campaign, and the ’63 Second Final’ activation have inspired action and fostered meaningful dialogue on GBV. This year, the campaign builds on this legacy by deepening its connection with soccer fans and enduring partnership with the Premier Soccer League (PSL).

Soccer is more than just a sport in South Africa, it’s a shared passion that unites communities. Recognising this, Carling Black Label has affectionately positioned champion fans as key agents in driving meaningful societal change. Through stadium activations, impactful storytelling, and grassroots engagements, the #NoExcuse campaign aims to empower fans to spread the message that GBV has no place in society and to take action against it.

One of the campaign’s most impactful tools is the Champions for Change course, which equips participants with the skills to identify and reject harmful behaviours and challenge perceptions around women and masculinity. Past participants have shared how the course transformed their perspectives, with one stating: ‘The Champions for Change course taught me that being a champion means standing up for what’s right —not just for myself, but for others too.’

Carling Black Label Brand Director, Kerryn Greenleaf, emphasised the brand’s focus on empowering men to lead the fight against GBV. ‘Our focus is not on shaming but on equipping men with the tools to be better versions of themselves. The Champions for Change course is a crucial step in building a more respectful and accountable society, both on and off the field,’ she added.

In 2024, the campaign’s presence at PSL matches will amplify its message through ‘injury time’ activations, match day media pop-ups, community workshops, and partnerships with influential soccer figures. These collaborations highlight the shared responsibility of the soccer community to drive positive change and serve as a force for good.

Statistics reveal the urgency of this work: a woman is murdered every three hours in South Africa, and an average of 116 rapes are reported daily. These numbers underline the importance of collective action. Carling Black Label calls on soccer fans to join the movement, take the Champions for Change course, and prove that true champions stand against violence.

Looking ahead, the campaign is paving the way for a groundbreaking programme within football, set to launch in January 2025. This initiative will deepen the #NoExcuse movement’s impact, reinforcing the message that there is no excuse for abuse.

CARLING BLACK LABEL
www.carlingblacklabel.co.za

Metropolitan’s Latest Marketing Campaign Flips The Script On Customer Service

Metropolitans Latest Marketing Campaign Flips The Script On Customer Service

Metropolitan’s ‘No. 1 for our No. 1s’ campaign, created by Grey South Africa, flips the script on customer service. It shows the everyday wins that set the brand apart. From turning complaints into compliments to proving that fast, efficient claims don’t require divine intervention. By leaning into South Africa’s humour, the campaign demonstrates that exceptional service can leave even a Karen speechless, for all the right reasons.

When it comes to service delivery, South Africans have seen it all: the good, the bad, and the downright dodgy. But every now and then, a brand steps up and does something so exceptional, that it makes you sit up and take notice. Enter Metropolitan’s latest campaign.

At Metropolitan, service is referred, not boasted. This is a principle that drives this campaign. While Metropolitan recently topped the 2024/25 Ask Afrika Orange Index for customer satisfaction in long-term funeral insurance, this isn’t about awards. It’s about celebrating what truly matters, the customers who trust Metropolitan and how the company shows up for them.

‘This was a fun campaign to work on but also a real challenge as we looked for a way to balance the messaging,’ says Grey Creative Director David Mthembu. ‘Few companies are willing to admit they even receive complaints, let alone make them a central theme in a nationwide campaign. That’s why we truly appreciated Metropolitan’s bravery and honesty and believe this campaign will really resonate with people.’

Metropolitan’s Chief Marketing Officer Lindiwe Gumede added, ‘Clients are at the heart of everything we do. Working with Grey to bring our vision for ‘Number 1 for our Number 1s’ to life was an absolute delight. Through the collaboration between their creative team and ours, we created a campaign that we are all immensely proud of. In fact, we’re as proud of it as we are of our customer service record.’

By embracing both accolades and critiques, Metropolitan’s ‘No. 1 for our No. 1s’ campaign highlights the company’s dedication to transparency and continuous improvement in customer service. No drama. No sphithiphithi. No excuses. Just the kind of service that makes you want to tell your friends about it.

METROPOLITAN
https://www.metropolitan.co.za/

Havas Africa Launches Strategic Full-Service E-Commerce Offering

Havas Africa Launches Strategic Full-Service E-Commerce Offering

Havas Africa has furthered its commitment to creating more meaningful shopping experiences for consumers and driving meaningful growth for brands in commerce with the launch of Havas Market, Havas’ strategic full-service e-commerce offering. Havas Market is designed to create a more meaningful shopping experience for consumers, optimising the entire path to purchase to achieve best-in-class service for clients.

The agency will support brands looking to transform their commerce approach across direct-to-consumer platforms, retailer marketplaces, in-store purchases and more. Havas Market empowers brands to unlock the full potential of commerce, driving incremental revenue and transforming their bottom line.

Havas Africa is investing significantly in talent and expertise to bring world-class e-commerce capabilities to the continent. According to Statista, e-commerce in Africa is predicated to grow by $21.5 billion U.S. dollars (+62.19%) between 2024 -2029.

‘In the vibrant tapestry of Africa’s rising economies, e-commerce isn’t just a trend, it’s a transformative force. At Havas Africa, we’re not just building digital bridges to consumers, we’re crafting meaningful experiences that empower both brands and communities. Our mission is to weave e-commerce and retail media into the very fabric of Africa’s growth story, creating a future where opportunity and connection are accessible to all,’ said Provit Chemmani, CEO Havas Africa and Global MD CoE India.

Havas Market will help brands rethink the retail journey and, in turn, reach an engaged audience across a highly competitive category. Comprised of e-commerce experts across the continent and a global network spanning 27 countries, the full-service offering will support brands across e-commerce consulting and operations, content performance, paid performance and sales analytics. Brands within and beyond the retail sector will receive strategic counsel around how to identify the right customers, where to retail, how to show up in retailers’ marketplaces and more.

Further to this, Havas Africa will also be developing a report based on Black Friday and Cyber-Monday transactions, which will give brands insights into e-commerce shopping experiences related to key shopping moments. The report will track sales before, during, and after Black Friday; as a means to leverage moments and e-commerce. The report will be released in January 2025 and is another example of how Havas Market will benefit brands in Africa.

‘Within the e-commerce domain, retail media is poised to revolutionise Africa’s marketing landscape, offering brands an unprecedented opportunity to connect with consumers at the critical point of purchase. Havas Market is leading the charge, empowering brands to harness the power of retail media through cutting-edge technology, strategic expertise, and deep consumer insights. With Havas Market, businesses can navigate the complexities of this dynamic channels, optimise their campaigns, and drive exceptional results,’ said Chemmani.

HAVAS
za.havas.com

Putting Data At The Heart Of Your Marketing Strategy

Putting Data At The Heart Of Your Marketing Strategy
Image credit: Pexels, Anna Nekrashevich

In a new whitepaper, Incubeta looks at why data unification is critical, how it serves as the linchpin for measurability as well as AI success, and what steps organisations can take to set themselves up for sustainable business growth in a data-driven future.

Most 2025 prediction pieces will be focusing, at least in part, on how measurement strategies, predictive analytics, and AI-driven decision making can boost a digital marketing strategy geared for growth. And they are not wrong. But what many will gloss over, is the role that data plays in building a profit-driven strategy. More particularly, why data fragmentation remains one of the biggest stumbling blocks to innovation and future organisational success.

‘Data fragmentation is a significant barrier to innovation. Without an organised and unified data strategy, even the most advanced algorithms will fall short of delivering their full potential. Integrating disconnected data into a single, cohesive source is not just a technical step; it’s a strategic imperative. It enables businesses to break down silos, improve data quality, and provide a 360-degree view of the customer’s environment,’ says Jesica Jacobs, Chief Customer Officer at Incubeta.

Reliable Measurement Needs Good Data

The reintroduction of cookies has led to a growing concern about measurement accuracy. Many organisations are struggling to find the balance between personalisation and privacy and how to identify which solutions deliver tangible value for their brand, without compromising consumer expectations or preferences.

By identifying true channel performance and accurate attribution, brands can establish a clear oversight of their efforts. What’s more, attribution allows businesses to link their data back to direct revenue, helping leaders answer vital business questions, such as where they should invest to drive growth, and where they could cut spending with minimal consequences.

However, the reinstatement of third-party cookies isn’t a free pass to avoid privacy centricity. It should rather be viewed as a time extension, and any measurement strategy must include the investment in a first-party data strategy.

Data Amplifies AI Returns

With 23% of CMOs naming AI as a hindrance, getting to the bottom of what AI can really accomplish will be a priority in 2025.

One example of pragmatic AI usage is dynamic creative optimisation (DCO). Delivering high quality creative at scale can be achieved with the smart use of AI.

With access to the right data, AI can also be used to provide clarity, showing teams where to place budget, and automatically switching focus to ensure incrementality. Using data-driven marketing allows businesses to deliver up to 8X more ROI on their marketing spend. But layering AI on top can optimise this ad performance even further.

Operational gains (and concomitant profitability) can also be gained from AI tools like Gemini, and companies can use these to streamline architecture documentation and code refinements among many other efficiency gains, saving time and money.

Data-Driven Efforts Only Work If You Can Access The Information

Every marketing leader can attest to the frustration of knowing that the company has data that could deliver valuable insights, but not being able to access it from the many disparate systems across the organisation.

Data fragmentation makes it almost impossible to consolidate and analyse performance effectively. Creating a single source of truth must be a priority for marketing leaders in 2025 as brands look to leverage the full capability of their tech investments. What’s more, the opportunities to leverage real-time data to make agile changes makes the need for a unified data strategy all the more urgent.

Putting data front and centre is the best way to deliver on profitability goals, and ‘…the businesses that prioritise data unification today, are the ones that will lead tomorrow. They will be the innovators in measurement, the leaders in predictive capabilities, and the pioneers of new marketing models driven by AI,’ Jacobs said.

INCUBETA
www.incubeta.com

How Implementing Media Monitoring And Management Strategies Protect Brand Reputation

How Implementing Media Monitoring And Management Strategies Protect Brand Reputation
Khathutshelo Rammel, Novus Group.

Khathutshelo Rammel, Senior Analyst at Novus Group, outlines the importance of the reputational prize of managing media correctly. Reputation, and the good name that follows it, are the brick-and-mortar foundations on which a company is built.

The American teen apparel company Abercrombie & Fitch would be able to tell you all about this, after it scored lower than any retailer had ever scored on the American Customer Satisfaction Index (ACSI), earning it the title of Most Hated Brand in America in 2016. So where did it all go so wrong for one of the USA’s biggest retailers?

Much of this poor reputation was due to former CEO Mike Jeffries making some unkind remarks about employing only ‘good-looking people’ and being ‘exclusory’. The fallout was nearly immediate: protests, boycotts of the company’s products, lawsuits and a staggering 77% drop in sales. Nearly ten years later, the company is still struggling to recover from this experience, showing why it is so important for companies to realise how valuable reputation is. Like the old saying goes: ‘It takes many good deeds to build a good reputation, and only one bad one to lose it.’

Manage Your Own Narrative, Or It Shall Be Managed For You

When companies fail to monitor and manage their media presence proactively, they essentially hand over control of their narrative to external voices and often those not kindly predisposed to the company.

In this way a customer complaints regarding poor service going unanswered on social media could snowball, with more dissatisfied customers joining in the conversation, leading ultimately to immediate revenue loss, a decreased customer acquisition as potential customers choose competitors, a reduced brand value and market position, higher marketing costs to counter negative publicity and lower employee morale.

A proactive media monitoring and management strategy should focus on averting disaster before it strikes. This is not a doom-and-gloom strategy, but an organisational tool with a number of advantages to the company, such as acting as an early warning system, addressing customer concerns before they become public grievances, identifying emerging trends in customer sentiment, tracking competitor activities and industry developments and monitoring brand mentions across all media channels.

The investment in proactive media management is worth its weight in gold and companies that implement comprehensive media monitoring and management strategies often see a reduction in crisis management costs, better customer retention rates, brand reputation and value that is enhanced and an increase in customer loyalty and trust.

NOVUS GROUP
https://novusgroup.co.za/

This is Modern Marketing