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Souper Troopers Return To Star In Woolworths’ Christmas Displays

Souper Troopers Return To Star In Woolworths Christmas Displays

For the second year running, Souper Troopers, the NPO supporting Cape Town’s most marginalised residents, has teamed up with creative marketing agency VM Central to bring festive sparkle to Woolworths’ 2025 Christmas season. Together, they’ve transformed used aluminium foil into hundreds of upcycled silver starbursts, creating sustainable and eye-catching window displays that celebrate the season while highlighting the power of creativity and social impact.

‘This year, we’ve shown that one person’s trash can become another’s vision,’ said Kerry Hoffman, Souper Troopers founder. ‘Even more rewarding has been seeing the sense of hope, accomplishment, and pride in our Troopers, who never imagined they’d create the magic in Woolworths’ Christmas windows. This is truly a priceless gift – for us and for those we support on their journey beyond homelessness.’

Since July 2025, VM Central has been working with the Troopers at The Humanity Hub, bringing a fresh creative concept to life while training, upskilling and supervising production. This year, 15 Troopers supplied VM Central with 140,000 foil-covered straws, which were transformed into 700 stars for Woolworths’ window and in-store displays. The team also rolled foil onto sticks, creating starbursts scattered throughout the stores. Altogether, the decorations feature in 18 Woolworths stores nationwide, with the Troopers upcycling more than 2700 kilograms of used foil that would otherwise have gone to landfill — turning it into magical, sustainable festive displays.

Created in 2014, Souper Troopers operates The Humanity Hub in Woodstock, where its team provides a comprehensive range of services to help homeless people transform their lives, working tirelessly to bring dignity to hundreds of Troopers.

Job upliftment is a key priority, and the collaboration with VM Central and Woolworths began in 2024, when VM Central approached the NPO. ‘Last year, we wanted to replace the usual foil vinyls in Christmas displays with something more sustainable,’ explained Nadia van der Zandt of VM Central. Troopers collected and cleaned discarded foil, covering paper strips, birds, branches and baubles to bring sparkle to the displays. ‘They basically put the shine and magic into the Christmas windows,’ said Van der Zandt.

‘The learning curve was massive and it gave us the production knowledge, as well as the planning and communication skills we needed to be truly prepared for the 2025 Christmas season, which was more demanding,’ explained Souper Troopers Manager, Moeshfieqah Bosch.

‘It’s all about giving people from the street the opportunity to heal their wounds in a safe place and get busy,’ said Hoffman. ‘Their creativity literally shines in Woolworths’ Christmas windows, and that’s something they are incredibly proud of. They are an inspiration to all those who have never valued themselves or felt they had a place of respectability in society.’

The purposeful handiwork is therapeutic to the team of makers, all on their journey from homelessness to ‘homefullness.’ “’he straws can’t be too loose, they can’t be too tight, they have to be perfect,’ explained Trooper Ruwayda Koopman. ‘It helps take your mind off your daily stress.’ The process also builds teamwork, as the team must collaborate to meet project targets. ‘Souper Troopers opened my eyes to see that the world is not a scary place; it’s a bright place,’ added Trooper Logan Bailey.

‘The Woolworths and VM Central partnership is huge for us, creating a stream of new followers and supporters — corporates, individuals, and retailers,’ said Hoffman. ‘South Africans are recognising the value of the work we do and how simple it actually is to transform lives when you treat people with dignity, love and respect. There are thousands more on the streets who just want to be given a chance, and our hope is to expand our reach to all those serious about making a change for the better.’

In 2022, thanks to the generosity of Swindon Property, Souper Troopers moved The Humanity Hub from the Community Chest building on Bree Street to a standalone building in Woodstock, enabling the organisation to grow in leaps and bounds. In recent years, it has developed the African Worry Dolls upliftment programme, facilitating Troopers in creating one-of-a-kind miniature dolls from recycled materials. The dolls are sold locally and overseas, helping Troopers develop job skills and generate revenue to support Souper Troopers’ services. The NPO can also be supported through the purchase of its premium Troopers coffee, both available on the Souper Troopers website.

‘It is such a blessing working with Souper Troopers,’ said Van der Zandt. ‘Their enthusiasm and dedication to making beautiful things makes the work fun. I have loved working with the team—they are so creative and always come up with good solutions to streamline projects. They are excited and engaged no matter how mad our ideas are, which is a joy.’

‘You could say this has been an exercise in sustainability at the most human level,’ added Bosch. ‘Just like we used recycled foil, we can recycle our lives.’

WOOLWORTHS
http://woolworths.co.za/

Machine Celebrates Major Wins At The 2025 Pendoring Awards For Spotify

Machine is proud to announce a standout performance at the 2025 Pendoring Awards, securing multiple wins across Film, Radio, OOH and Craft categories for Spotify’s ‘Khuphuka Nathi’ campaign. With nine conversions from the shortlisted entries, this year marks one of Machine’s strongest Pendoring results to date.

The winning campaign was a love letter to Zulu music and culture, and an open invitation for all listeners – regardless of cultural background – to celebrate the various music genres influenced by Zulu music. Zulu people form South Africa’s largest demographic and language group, with a musical heritage that spans Maskandi, Gospel, Gqom, Hip Hop, and Afro-pop. Yet, despite Spotify’s national growth, adoption in KwaZulu-Natal lagged behind. ‘Khuphuka Nathi’ bridged that gap by inviting Zulu listeners – and those who love Zulu genres everywhere – to discover themselves within Spotify’s catalogue. The work stands as proof that locally rooted stories, when told with world-class craft, resonate universally.

The work took home wins across:

Craft Gold

Film Crafts – Direction
Film Crafts – Cinematography
Film Crafts – Editing
Film Crafts – Original Music a Sound Design
Film Crafts – Performance

Silver

Online Film Commercials
Outdoor Media
Craft
Film Crafts – Writing
Radio and Audio Crafts – Performance

Reflecting on the achievement, Jabulani Sigege, Group Executive Creative Director at Machine, said: ‘These wins aren’t just trophies – they’re a celebration of culture, language, and identity. ‘Khuphuka Nathi’ proves that when we honour local stories with world-class craft, the work becomes globally resonant. Pendoring recognises the best of South African creativity, and we’re proud that our work stands shoulder-to-shoulder with the continent’s finest.’

‘We wanted to create a piece that doesn’t just portray Zulu culture, but pulses with it,’ added Film Director at Patriot, Sam Coleman. ‘Winning across so many craft categories affirms what we felt while making it – the rhythm, the emotion, the storytelling … it’s universal in feeling, but proudly South African in soul.’

Spotify Africa, Sithabile ‘Star’ Kachisa, Head of Marketing, says: ‘Our vision is to elevate African creators and amplify the richness of local genres. ‘Khuphuka Nathi’ embodies that commitment. Seeing it win across OOH, Radio, Film and Craft categories is not only a win for us and Machine – it’s a win for Zulu culture and South African music. It proves that when we tell our stories boldly, the world listens.’

MACHINE
www.thisismachine.co.za

Season’s Greetings From Modern Marketing

Seasons Greetings From Modern Marketing

Thank you to our valued readers and advertisers for your support during this year. Modern Marketing will be closing on Friday 12 December 2025 and will be opening on Monday 12 January 2026. Wishing you and yours a safe and relaxing break.

Save the date for the flagship Modern Marketing expo, taking place 8-10 September 2026 at Gallagher Convention Centre. This is Africa’s focused marketing expo for marketing professionals to see the latest developments and innovations in: marketing, branding and technology including digital signage, point of sale displays, promotional clothing, in-store branding, promotional gifts, visual communication, events and branding, conference venues, advertising and design and media.

MODERN MARKETING EXPO
+27 11 568 1894
https://modernmarketingexpo.co.za

iPendoring Awards Celebrated Excellence In Creative Communication Across SA’s Indigenous Languages

iPendoring Awards Celebrated Excellence In Creative Communication Across SAs Indigenous Languages

Established in 1995, the iPendoring Awards celebrate excellence in creative communication across South Africa’s indigenous languages. The coveted Prestigious Umpetha Award went to Joe Public for their remarkable work on Afrikaraoke for SAB / Castle Milk Stout. The campaign not only had the audience cheering, it swept the judging tables with 6 Golds, 5 Silvers and 12 Craft Certificates across Radio and Audio, Print and Out Of Home, Film, Integrated and Digital.

Afrikaraoke earned the Prestigious Umpetha for good reason. Afrikaraoke is accessible on both the Castle Milk Stout website and Joe Public’s YouTube channel as a karaoke platform where users can choose from 12 traditional songs about wedding and coming-of-age ceremonies. Working closely with Dr Evans Netshivhambe, a composer and professor of indigenous music studies, the team researched and rearranged 12 traditional songs representing all South African indigenous languages and significant cultural moments, from weddings to coming-of-age ceremonies.

A choir and a traditional percussionist brought these songs to life for the platform. The arrangements were crafted to help users learn the lyrics and melodies with ease, letting them step up, take the mic and carry the music forward themselves.

‘What a spectacular night. The iPendoring Awards would like to thank everyone who joined them for an unforgettable iPendoring Awards 2025,’ said iPendoring Managing Director Eben Keun. ‘Congratulations to the entire Joe Public team for an extraordinary piece of work.’

The room was full of talent, laughter and a generous helping of linguistic magic. Guests were treated to an exclusive food experience including delicious canapes curated in partnership with Babylonstoren, followed by an afterparty on the lawn that closed out the night with high energy.

A big round of applause also goes to the University of Johannesburg, winners of the Overall Student Award for their standout project From Corner Shop to Kitchen for Design Bites. They also walked away with a Gold and two Silvers for Publication Design. Their work showed that the next generation of creatives is more than ready to shape the future of indigenous expression.

The piece is a 100-page multilingual recipe book that goes far beyond a collection of dishes. It’s a beautifully crafted project that uses food and storytelling to honour personal histories, memories and the rich cultural mix of its contributors, many of them drawing from South African traditions.

Keun offered his congratulations to the team for ‘This inspired display of creativity on this multi-departmental project. The project included students from Design, Strategic Communication, and UJ’s School of Hospitality and Tourism.’

With double last year’s entries, the standard across all nine categories was exceptional. Radio and Audio stood out in particular, with ideas that sparked, surprised and kept the room leaning forward. ‘A huge congratulations to every finalist and winner who qwel’ed to the highest taal level. You lifted the bar once again.’

Group Executive Creative Director at Machine_ and Jury President, Jabulani Sigege, also rocked the iPendorings with Khuphuka Nathi winning in Online Film Commercials, Film Crafts – Direction, Cinematography, Writing, Editing, Original Music and Sound Design and Performance.

Director Jefferson Tshabalala said ‘Directing the awards has been an exhilarating process of harmonisation. We wanted to create a truly infinite world of South’Ahh, and that required every creative element to speak the same Spraak. We played on the concept of creativity — visually, sonically and performatively — to showcase the infinitude of Taal and how alive it is, both in today’s digital-driven world, and through our Ghost of Advertising Past.’

Guests were taken on a vivid journey into the world of Lingo, led by the custodians of Spraak. Tshabalala kept the room buzzing, while the musical fire of Muneyi, Kekelingo and band (Cindy Tembo and Rigby Banks) hit everyone square in the chest before the smile appeared.

The cast for the evening included Vele Manenje, Mathews Rantsoma and Pule Welch. Vus’umuzi Phakathi served as co-writer. Costuming was by Tebogo Motshabi, with scenery by Mosie Mamaregane.

Among them is none other than Ntate Sello Maake kaNcube, who stepped back into the sharp suit of advertising legend Archie Moroka from New Horizons, Generations. It was a nostalgic moment with real star power. Known for iconic roles in Generations, Scandal and The Queen, he brought that same presence to the iPendoring stage in a captivating performance.

‘We wish to express our profound gratitude to Neville Matjie, CEO of Brand South Africa, and Siphelele Sixaso, Head of SABC Radio (ALS), for their distinguished presence and invaluable contribution, which made last night a truly remarkable success,’ said Keun.

‘As we look ahead, we are proud to move forward with Brand South Africa as our partner. Their support aligns the national brand with the celebration of mother tongue communication. They join our valued sponsors and partners: Media24, ATKV, Babylonstoren, SABC Radio, UNESCO, UJ Humanities, UJ Arts and Culture, Caxton, Dagbreek Trust and The One Show New York.’

‘To everyone who attended, supported, judged, created or cheered from afar, thank you for making this year’s awards a true celebration of South Africa’s linguistic brilliance,’ Keun concluded.

Winners

Design

Entry type Agency/Publisher Brand Title
Identity Programmes Sentient Creative kykNET Silwerskermfees 2025 OMTOORVUUR / TRANSFORMATIVE FIRE
Publication Design – Whole Publication Pan Macmillan SA Pan Macmillan SA Hierdie is ‘n boek oor monsters
Publication Design – Whole Publication Pan Macmillan SA Pan Macmillan SA Uxanduva Olukhulu
Design for Digital Clearwater kykNET Niggies
Design Crafts – Writing for Design Halo Exclusive Books Deel (Die Laaste Boek)
Lees (Die Laaste Boek)
Gee (Die Laaste Boek)
Design Crafts – Illustration Fairchild Creative NETFLIX Semi Soeter
Design Crafts – Typography Fairchild Creative NETFLIX Semi Soeter

 

Digital Communication

Entry type Agency/Publisher Brand Title
Website, Microsite or Mobile Media Joe Public United SAB / Castle Milk Stout Afrikaraoke
Social Media TBWA \ Hunt Lascaris Sloom Sloom NapBot
Social Media Joe Public United Takealot Clika Feela
Digital Crafts –
Use of Technology TBWA \ Hunt Lascaris Sloom Sloom NapBot
Digital Crafts –
Music & Sound Design Joe Public United SAB / Castle Milk Stout Afrikaraoke

 

Film

Entry type Agency/Publisher Brand Title
Television & Cinema
Commercials with a production
budget exceeding R1m M+C Saatchi Abel MTN Cheeseboy
Online Film
Commercials Publicis Groupe Africa Toyota It’s not a bakkie, It’s a Hilux
Online Film
Commercials Machine_ Spotify Africa Spotify Africa – Khuphuka Nathi (Film)
Branded
Content Film Joe Public United SAB / Castle Milk Stout Afrikaraoke
Film Crafts 
– Direction Machine_ Spotify Africa Khuphuka Nathi
Film Crafts 
– Direction Binary Film Works Momentum Aardklop KUNSmis
Film Crafts 
– Cinematography Machine_ Spotify Africa Khuphuka Nathi
Film Crafts 
– Writing RETROVIRAL BB Bakeries The Taste of Home
Film Crafts 
– Writing Joe Public United Chicken Licken Licken Adventures of Noko Mashaba – Snack Rappin
Licken Adventures of Noko Mashaba – Hotwings
Licken Adventures of Noko Mashaba – SoulBites
Film Crafts 
– Writing Machine_ Spotify Africa Khuphuka Nathi
Film Crafts 
– Writing Clearwater kykNET Silwerskermfees 2025
Film Crafts
– Animation Binary Film Works Momentum Aardklop KUNSmis
Film Crafts
– Editing Machine_ Spotify Africa Khuphuka Nathi
Film Crafts – Original
Music & Sound Design Machine_ Spotify Africa Khuphuka Nathi
Film Crafts – Original
Music & Sound Design RETROVIRAL BB Bakeries The Taste of Home
Film Crafts – Original
Music & Sound Design McCann Worldgroup South Africa (Pty) Ltd Steers Burger Le Burger (Bheka Le Burger)
Film Crafts – Best Use
of Licensed Music Paramount Africa Paramount Africa Amapiano SpongeBob
Film Crafts
– Performance Machine_ Spotify Africa Khuphuka Nathi
Film Crafts
– Performance Paramount Africa Paramount Africa Amapiano SpongeBob

 

Integrated Campaign

Entry type Agency/Publisher Brand Title
Integrated Multimedia – Campaign Joe Public United SAB / Castle Milk Stout Afrikaraoke

 

Live Communication

Entry type Agency/Publisher Brand Title
Live Events Chilliengine kykNET Niggies
Live Crafts – Original Music & Sound Design McCann Worldgroup South Africa (Pty) Ltd Steers Burger Le Burger (Bheka Le Burger)
Live Crafts
– Performance McCann Worldgroup South Africa (Pty) Ltd Steers Burger Le Burger (Bheka Le Burger)

 

Out Of Home

Entry type Agency/Publisher Brand Title
Outdoor Media Machine_ Spotify Africa Khuphuka Nathi

 

Print

Entry type Agency/Publisher Brand Title
Newspaper & Magazine Advertising Halo Exclusive Books Deel (Die Laaste Boek)
Gee (Die Laaste Boek)
Lees (Die Laaste Boek)
Tactical Use of Print Joe Public United SAB / Castle Milk Stout Revealing Pour
Indoor Posters Fokof PTY Fokof Lager Sports Drinkers
Print & OOH Crafts – Art Direction Joe Public United SAB / Castle Milk Stout Revealing Pour
Print & OOH Crafts – Writing Joe Public United SAB / Castle Milk Stout Revealing Pour
Print & OOH Crafts – Writing Joe Public United Takealot Clika Feela – Machonisa
Clika Feela – Di Plastic Ndawong
Clika Feela – Tsa Ho Ema Line
Print & OOH Crafts – Typography Joe Public United SAB / Castle Milk Stout Revealing Pour

 

Radio And Audio

Entry type Agency/Publisher Brand Title
Radio Station Commercials Avatar Isuzu SeSotho ke seJapane: Electric Windows
SeSotho ke Sejapane: Autonomous Emergency Braking
SeSotho ke SeJapane: Low Light Capable Reverse Cam
Radio Station Commercials Avatar Corruption Watch Pilot Nyaope
Doctor Nyaope
Traffic Nyaope
Radio Station Commercials Joe Public United Takealot Clika Feela – Loan Shark
Clika Feela – Killed By Kindness
Radio Station Commercials Joe Public United Chicken Licken Love Is Not Make Sure – Payday Funeral
Love Is Not Make Sure – Good night text
Love Is Not Make Sure-You are going to be a father
Radio Station Commercials distrikt 9 Primedia Rich-Hate 2
Rich-hate 1
Rich-hate 3
Radio Station Commercials Avatar Armoured Mobility Kidnap ka time time
Warehouse nambanamba
Radio Station Commercials Joe Public United Flying Fish Zulu Viking
Kung Fu Cowboys
Radio Station Commercials Avatar Knorrox Inkomo
Nyoni
Internet & Mobile Audio Commercials TBWA \ Hunt Lascaris Sloom Sloom NapBot
Branded Content 
– Radio & Audio Joe Public United SAB / Castle Milk Stout Afrikaraoke
Radio & Audio Crafts – Direction Joe Public United Flying Fish Kung Fu Cowboys
Zulu Viking
Radio & Audio Crafts – Direction Boom Wimpy South Africa Wimpy You’re Always Welcome : Tokoloshi
Wimpy You’re Always Welcome: Beware of the Dog
Wimpy You’re Always Welcome : Mashonisa
Radio & Audio Crafts – Direction Joe Public United Chicken Licken Love Is Not Make Sure – Good Night Text
Love Is Not Make Sure – Pay Day Funeral
Love Is Not Make Sure – You are going to be a father
Radio & Audio Crafts – Writing Avatar Isuzu SeSotho ke SeJapane:Autonomous Emergency Braking
SeSotho ke SeJapane:Low Light Capable Reverse Cam
seSotho ke seJapane: Electric Windows
Radio & Audio Crafts – Writing Joe Public United Chicken Licken Love Is Not Make Sure-You are going to be a father
Love Is Not Make Sure – Payday Funeral
Love Is Not Make Sure – Good night text
Radio & Audio Crafts – Writing Avatar Knorrox Inkomo
Nyoni
Radio & Audio Crafts – Writing Boom Wimpy South Africa Wimpy You’re Always Welcome : Tokoloshi
Wimpy You’re Always Welcome: Beware of the Dog
Wimpy You’re Always Welcome : Mashonisa
Radio & Audio Crafts – Writing Joe Public United Takealot Clika Feela – Loan Shark
Clika Feela – Right Hobbies Wrong Hood
Clika Feela – Killed By Kindness
Radio & Audio Crafts – Writing Joe Public United Flying Fish Kung Fu Cowboys
Zulu Viking
Radio & Audio Crafts – Writing FCB Africa NetFlorist Names – Khumbuzile
Names – Thando
Names – Sipho
Radio & Audio Crafts – Writing McCann Worldgroup South Africa (Pty) Ltd Dettol u’Q’ Omoshayo
u’A’ Omoshayo
u’L’ Omoshayo
Radio & Audio Crafts – Writing Avatar Absa Uney’tori 1
Uney’tori 2
Radio & Audio Crafts – Original Music & Sound Design Avatar Isuzu SeSotho ke seJapane: Electric Windows
SeSotho ke SeJapane: Low Light Capable Reverse Cam
SeSotho ke SeJapane: Autonomous Emergency Braking
Radio & Audio Crafts – Original Music & Sound Design distrikt 9 Primedia Rich-hate 2
Rich-hate 3
Rich-hate 1
Radio & Audio Crafts – Original Music & Sound Design Avatar Armoured Mobility Warehouse nambanamba
Kidnap ka time time
Radio & Audio Crafts – Performance Avatar Isuzu SeSotho ke SeJapane: Autonomous Emergency Braking
seSotho ke seJapane: Electric Windows
SeSotho ke SeJapane: Low Light Capable Reverse Cam
Radio & Audio Crafts – Performance Avatar Armoured Mobility Kidnap ka time time
Warehouse nambanamba
Radio & Audio Crafts – Performance Joe Public United Flying Fish Kung Fu Cowboys
Zulu Viking
Radio & Audio Crafts – Performance Avatar Knorrox Inkomo
Nyoni
Radio & Audio Crafts – Performance Machine_ Spotify Africa Khuphuka Nathi – Vayi Vayi
Radio & Audio Crafts – Performance Joe Public United Chicken Licken Love Is Not Make Sure – Good night Text
Love Is Not Make Sure-You are going to be a father
Love Is Not Make Sure – Payday Funeral
Radio & Audio Crafts – Performance Avatar Absa Uney’tori 1
Uney’tori 2
Radio & Audio Crafts – Performance FCB Africa NetFlorist Names – Thando
Names – Sipho
Names – Khumbuzile
Radio & Audio Crafts – Performance McCann Worldgroup South Africa (Pty) Ltd Dettol u’Q’ Omoshayo
u’A’ Omoshayo
u’L’ Omoshayo

 

Student Awards

Entry type Agency/Publisher Brand Title
Digital Applications, Games & Interactive Tools IIE-Vega Duolingo YohLingo
General Design AAA School of Advertising Humanity Afritypes
General Design Cape Town Creative Academy CHRONO ROOTS CHRONO ROOTS CALENDAR
General Design Stellenbosch Academy of Design & Photography Blerrie Lekker Blerrie Lekker Padstal
Student Publication Design – Whole Publication University of Johannesburg Design Bites From Corner Shop to Kitchen
Student Publication Design – Whole Publication University of Johannesburg Design Bites Plates of Joy
Student Publication Design – Whole Publication University of Johannesburg Design Bites Mother Tongue
Package Design IIE-Vega Melrose Vreemde Tonge
Outdoor Media Red & Yellow Creative School of Business Afrikaans Taalmonument en museum Koppel Kaaps
Student Print, Design & OOH Crafts – Art Direction Greenside Design Center Pendoring 25 Smaak your Taal
Student Print, Design & OOH Crafts – Illustration Red & Yellow Creative School of Business Afrikaans Taalmonument en museum Koppel Kaaps
Student Print, Design & OOH Crafts – Illustration The Open Window Wonders of the Universe Booklet Wonders van die Heelal Boek
Student Print, Design & OOH Crafts – Illustration Stellenbosch University Pan MacMillan South Africa Xander & Rooies
Student Print, Design & OOH Crafts – Illustration Red & Yellow Creative School of Business The informal business sector of South Africa Skoerrrt
Student Print, Design & OOH Crafts – Illustration Red & Yellow Creative School of Business Saltriver, Cape Town Speldekussing
Student Print, Design & OOH Crafts – Illustration IIE-Vega Yogi Sip Yaz Iflava
Student Print, Design & OOH Crafts – Illustration The Open Window Wonders of the Universe Wonders van die Heelal
Student Print, Design & OOH Crafts – Illustration The Open Window Wonders of the Universe Booklet Die Wonders van die Heelal
Student Print, Design & OOH Crafts – Illustration Stellenbosch Academy of Design & Photography Mila en die Maan Mila en die Maan
Student Print, Design & OOH Crafts – Illustration Stellenbosch Academy of Design & Photography Weltevreden saam Ouma Weltevreden saam Ouma
Student Print, Design & OOH Crafts – Typography Red & Yellow Creative School of Business Saltriver, Cape Town FUNdasie Werk
Student Print, Design & OOH Crafts – Typography Red & Yellow Creative School of Business Saltriver, Cape Town Speldekussing
Student Print, Design & OOH Crafts – Photography Greenside Design Center Pendoring 25 Smaak your Taal

 

IPENDORING AWARDS
https://www.pendoring.co.za/

Top Creatives in Africa Named To The One Show 2026 Jury

Top Creatives in Africa Named To The One Show 2026 Jury

The One Club for Creativity has announced creative leaders in Africa who will serve on the global jury for The One Show 2026, including a large South African representation. 

South Africa
– Rita Coetzer, ECD, Publicis Groupe, Johannesburg (Design Advertising).
– Xolisa Dyeshana, CCO, Joe Public, Johannesburg (Film & Video).
– Snooze Kambuwa, ECD, Ogilvy South Africa, Johannesburg (Integrated + Experiential and Immersive).
– Steph van Niekerk, ECD, TBWA, Johannesburg (Radio & Audio).
– Lubabalo Mtati, ECD, M&C Saatchi & Abel, Johannesburg (Moving Image Craft & Production).
– TJ Njozela, ECD, Dentsu Creative, Johannesburg (Out of Home + Print & Promotional).
– Bongiwe Neema Nouse, Creative Director, The Odd Number, Midrand (Interactive, Online & Mobile).
– Tseliso Rangaka, CCO, Accenture Song, Johannesburg (Interactive, Online & Mobile, Jury President).

Ghana
– Benjamin Anyan, Group Creative & Strategy Director, Publicis Groupe, Accra (Fusion + Green + SDG).

Kenya
– Yash Deb, Co-Founder and Creative Partner, The Bar Africa, Nairobi (Music & Sound Craft).
– Chesang’ Koech, Associate Creative Director, Ogilvy Africa, Nairobi (Gaming).
– Teresa Makori, Creative Director, Ogilvy Africa, Nairobi (Out of Home + Print & Promotional).

Mozambique
– Mitchell Collinson, ECD, Dentsu Mozambique, Maputo (Cultural Driver).

Nigeria
– Oluwasola Obagbemi, Head of Comms, Sub-Saharan Africa, Meta, Lagos (Public Relations).

The 2026 jury for the newly launched One Show Indies, dedicated to celebrating the work of independent agencies, design firms, production houses, and creators, will be announced in early January 2026.

The initial group of Jury Presidents for The One Show 2026 were announced in October. Recently confirmed Jury Presidents include Helen Pak, Senior Vice President of Creative – Marketing, Design and Content, The Walt Disney Company, Los Angeles for Brand-Side, and Thanh Dao, CEO, Jung von Matt NERD GmbH, Hamburg, for Gaming.

Entries to The One Show 2026 can be submitted now, with fees increasing after each deadline period. Early entry deadline is December 12, 2025, with the regular deadline January 23, 2026. The extended deadline is February 6, 2026, and final deadline February 20, 2026.

Early judging starts in January 2026, and finalists will be announced in May 2026. Crystal, Gold, Silver and Bronze Pencil and Merit winners will be announced in May during Creative Week 2026 in New York.

All winning entries are showcased in the archive, and viewable for free for one year. All One Show winners also receive a complimentary one-year membership to The One Club, as well as full access to the complete One Show archive, made up of more than 250,000 award-winning entries from the past 25 years.

Agencies, brands, production companies, and individuals responsible for winning work each year are highlighted in The One Show Creative Rankings, as well as The One Club’s Global Creative Rankings, which combines points won at The One Show, ADC Annual Awards, Type Directors Club TDC competition, Art Directors Club of Europe (ADCE) Awards, and ONE Asia Creative Awards. Winners are ranked globally, regionally, and by country.

As a nonprofit organisation whose mission is to support the global creative community, The One Club puts revenue generated from The One Show entries back into the industry to fund programming focused on a wide range of creative education and professional development.

THE ONE SHOW
https://oneshow.org

New MTN Campaign Embraces The Festive Summer Season

New MTN Campaign Embraces The Festive Summer Season

MTN South Africa has effectively tapped into the country’s mood with its summer campaign called ‘Do not disturb the season’. The brand campaign, developed in partnership with M+C Saatchi Abel, celebrates the unique South African spirit, where hard work meets heartfelt joy.

The campaign encourages families, youth, small businesses and all South Africans to prioritise fun, connection, and unforgettable moments – all powered by MTN’s seamless connectivity. It’s a bold clarion call: Do not disturb the season!

‘In our country the daily grind is more than survival, it is ambition in motion. MTN recognises that December isn’t just a holiday but a special time to recharge and connect. South Africans rise early, push late, and keep moving forward. Our ‘Do not disturb the season’ campaign encourages everyone to connect with who and what they love most,’ said MTN SA’s General Manager: Brand & Marketing Robyn Lewis. ‘The campaign is designed to reinforce brand love and strengthen MTN’s brand equity.’

Lubabalo Mtati and Bella Evans, creative leads, said the campaign leverages nostalgic cues to inspire more play, deeper connections with loved ones, and the freedom for people to do what they love. ‘What sets the do not disturb the season campaign apart is its emotive, brand-led approach. It blends nostalgia with modern connectivity to create relevance in every summer moment.’

‘At its core, the campaign targets all South Africans through the deployment of various touchpoints, including lifestyle festivals and inserts MTN deep into South Africans’ summer memories,’ said Mathabo Diale, M+C Saatchi Abel Managing Partner: MTN South Africa.

M&C SAATCHI ABEL
www.mcsaatchiabel.co.za

Tractor Outdoor Fully Integrates Global Verification Platform Into Digital Ecosystem

Tractor Outdoor Fully Integrates Global Verification Platform Into Digital Ecosystem

As part of its ongoing commitment to technology and measurement innovation, Tractor Outdoor has now fully integrated Seedooh, the global verification platform, into its digital ecosystem. The roll-out covers the full Roadside Digital and Digilites network, with advertisers now receiving third-party verified proof-of-play across every delivery point.

South Africa’s digital out of home (DOOH) industry is entering a new phase of maturity, driven by growing advertiser demand for transparent, independently validated delivery data. As governance requirements become more stringent and digital media buyers push for uniform reporting standards across channels, proof-of-play verification has, in effect, shifted from a ‘nice-to-have’ to mandatory.

Ruchelle Mouton, Group Head of Marketing and Services at Glynt (Tractor’s parent company), said that third party verification integration is a critical component of the business’s long-term digital and measurement strategy.

‘Integrating Seedooh strengthens our ability to offer transparent, independently validated reporting at scale, strengthening trust and ensuring our digital network meets the governance standards set by global benchmarks.’

The integration introduces a streamlined reporting layer that’s automated and independently verified. Mouton said that advertisers and agencies will now benefit from:

– Independently validated proof-of-play.

– Timestamped delivery logs for every spot.

– Screen-level verification and system integrity checks.

– Automated discrepancy alerts and variance reporting.

– Real-time dashboards and consolidated campaign summaries.

– Clear audit trails suitable for internal and external compliance requirements.

– The system also supports mid-flight optimisation, allowing advertisers to detect and resolve delivery gaps early and ensuring campaigns perform exactly as booked.

Mouton added that the integrating third-party validation into Tractor’s network follows a series of measurement upgrades implemented across the business in 2025, most recently the enhancement of Digilites’ audience measurement using AllUnite, mobility data and VAC visibility modelling. ‘These upgrades have equipped our Digilites network to deliver verified audiences, more than 400,000 unique individuals reached per slot monthly, and over 65 million viewed impressions across the network,’ she said.

‘Verification and measurement are two sides of the same coin. If we are serious about accountable DOOH, we need both robust audience data and independently validated delivery. This is how we give our advertisers certainty in their media investment.’

Mouton added that demand for third-party validation has surged in South Africa, driven by procurement governance, increased scrutiny on digital spend and a broader push toward industry standardisation.

‘Independent verification shortens approval cycles, reduces reporting friction and gives advertisers the assurance that their investment is delivered exactly as contracted. As expectations for accuracy increase, our aim is to build a digital ecosystem where advertisers have complete transparency and the tools to optimise performance. Verification is a key part of this, and it is something that we have been working towards for some time.’

TRACTOR OUTDOOR
www.tractoroutdoor.com

PR Is An Essential Skill For All Young Professionals

PR Is An Essential Skill For All Young Professionals.
Rethabile Molehe, Vaal University of Technology.

Just as education is the key to success, reputation is the key to a successful career. PR student, Rethabile Molehe, says whether you are applying for a job, funds, or a position, your public image matters. More often than not, perception is shaped before people meet us. This is due to our social media presence and how we present ourselves. These behaviours have a significant effect on our personal brand, showcasing the importance of perception.

In a digital era where people Google before they greet, reputation tends to travel quicker than your CV. One wrong post, tweet, or statement can do a lot of harm to your career or personal brand. This highlights the importance of public relations as a skill for every individual, more so young professionals. PR goes far beyond just calming down a situation; it’s about presenting yourself with intention and consistency in a world where perception is everything.

Three PR Skills Every Young Professional Needs:

Crisis Communication

The most important tool in any communication model is accountability. Taking accountability does not mean admitting guilt, it demonstrates maturity in handling a situation. While accountability is everything, being defensive can escalate the circumstances, as it often comes across as uncaring, rude, and denting your credibility.

A notable case is the 2017 United Airlines incident when a passenger was dragged off a flight to make room for airline staff. This incident severely affected the reputation of the CEO and the airline, with their market share dropping by over $1 billion in days. Even when procedures are followed, a lack of empathy can ruin the brand.

Personal Branding

How the public views or receives you is largely determined by how you brand yourself. Consistency on all social media platforms, whether TikTok, X (formerly Twitter), or Instagram, is crucial in branding. A well-crafted social media presence positions you as credible and professional to both the public and future employers, enhancing your career opportunities — provided the content is not controversial. As they say, the internet never forgets.

A relevant example is the former DA MP, Renaldo Gouws. Upon being sworn into parliament in 2024, an old video of him using racially offensive language resurfaced on social media. This led to the DA terminating his membership, and he lost his parliamentary seat.

While social media is key, dress code is equally as important, if not more. As much as one should not judge a book by its cover, first impressions are crucial. According to research by OnePoll in 2022, 30% of interviewers decide whether to hire you or not within the first five minutes of an interview, influenced by appearance and demeanour. This proves why personal branding is not only important, but a full-time job.

Reputation Recovery

No matter how hard we strive for perfection, mistakes will always occur. Accepting your wrongdoing is the first step in your reputation recovery. This shows maturity and taking accountability for your actions. However, PR is more than just apologising, it’s about consistency, empathy, and emotional intelligence. As much as the internet never forgets, a genuine apology is the first step to winning the public’s trust.

We need to not only present ourselves professionally on all platforms, but to also have the ability to build trust with different people. Reputation isn’t about being liked, it’s about being trusted. For young professionals, it is also the key to leadership. Accountability for your actions, empathy, and personal branding are what make a good leader. While telling stories and shaping the narrative speaks of PR, creating accountable leaders is also what public relations advocates for. In a world where digital literacy is taking over, PR skills are becoming more essential to everyone, more so to young professionals.

RETHABILE MOLEHE
LinkedIn page 

VML Creates New Campaign For SA Guide-Dogs Association For The Blind

VML Creates New Campaign For SA Guide-Dogs Association For The Blind

If you’ve ever watched an assistance dog at work, you’ll know they’re athletes in their own right – alert, disciplined, focused, and trained to an astonishingly high standard. The South African Guide-Dogs Association for the Blind (GDA) wanted to give the public a peek into that world.

But there was one small challenge: real assistance dogs don’t have time to film content. They’re too busy transforming people’s lives. So, GDA partnered with VML to do the next best thing: they built an AI pupfluencer based on a real dog. His name is Maxx Reps, and he’s ready to take you inside the grind.

‘We realised the real dogs were busy with their training,’ said Pippa Browning, Copywriter at VML. ‘So, rather than pulling them out of lessons to make videos, we created a digital version who could share the story on their behalf.’

Maxx is inspired by an actual working guide dog named Solo, a Parkrun-loving, fitness-obsessed, endlessly enthusiastic little power pup who stole hearts long before he became the inspiration for South Africa’s first guide-dog gym bro.

‘When we showed the client the concept and the early renders, they immediately recognised Solo,’ said Tilesh Bhaga, Creative Director – Digital and Innovation at VML. ‘They said, ‘That’s exactly him.’ The personality fit was perfect.’

‘They’re very similar!’ confirmed Sekelwa Mpambo, Social Media Manager at GDA, who said Solo has always been a natural leader and was the ‘prefect’ of his guide dog class. ‘From puppyhood, Solo was outpacing littermates and was always pushing himself throughout training, hardly distracted, and he would encourage good behaviour from his classmates too. Solo passed all his major assessments with flying colours because of his ‘locked-in’ approach to task work. You will hardly find Solo ‘goofing’ around. He is a proud and confident dog.’

Those characteristics became the ideal blueprint for Maxx, who is built to mimic the kind of gym-bro influencer we all know: klapping it hard in the gym, cold-plunging, giving ‘it’s all you, Boet’ energy. Except his workouts are grounded in the training real assistance dogs do every day.

And that’s the clever twist: Maxx may be entertaining, but all his content references something real: the gear assistance dogs need, the skills they practise, and the funding it takes to get them from puppyhood to graduation.

Why use AI? Because the real heroes are busy. In the last year, AI content has earned a stigma for being a quick way to churn out sub-par video content. This is not that.

‘Maxx was definitely not a shortcut,’ said Andre de Jager, Art Director at VML, who brought him to life. ‘It takes two-to-three hours to build about 15 seconds of video – and that’s after a full storyboard has been developed. Honestly, it would have been much simpler just to film a real dog, but we couldn’t take them out of training.’

The painstaking process involves:
– Crafting a character-appropriate script.
– Recording a voiceover.
– Designing a storyboard that aligns with that voice.
– Generating and refining the AI dog’s performance frame by frame.
– Syncing lip movements, gestures, and continuity.
– Ensuring he looks like the same dog in every shot.
– Editing the final video to match trending sounds and formats.

‘You have to obsess over every detail,’ said Browning. ‘Same harness, same colouring, same setting, same vibe. And then also accept that some things will never be perfect with AI, so you learn to wing it, catch mistakes, and keep it fun.’

The final result? A satirical character with the heart of a real guide dog and a purpose to raise funds to support their training. ‘Our first reaction was: ‘This is so cool! And what a perfect fit for our brand!’ said Vanda Harries, Head of Marketing at GDA. ‘He’s perfect to attract a new audience for us, using new technology like AI in a smart and very relevant way and, of course, the pure entertainment value… who wouldn’t love Maxx?’

Mutt On A Mission

GDA relies heavily on donations – which often come from older supporters and corporate funders. But younger donors, who have more disposable income, are harder to reach. So, the team decided to meet them where they spend a lot of their time already: following influencers on social media.

‘Maxx Reps will have his own Instagram and TikTok, with content shared to YouTube and Facebook,’ explains Brett David, Business Unit Director at VML. ‘This will be linked to GDA’s social media accounts, with some posts shared across those accounts. We want people to say, ‘What is the South African Guide-Dogs Association doing?’

Alongside the content stream, Maxx has his own donation tracker: a public progress bar showing how close he is to ‘graduation’, with every rand raised going directly towards training real assistance dogs. ‘People invest emotionally in a character more easily than a faceless charity page,’ explained Bhaga. The more people who feel inspired to donate towards Maxx, the more assistance dogs can be trained.

Get involved: Follow Maxx. Share Maxx. Help real dogs graduate. Maxx Reps may be an AI character, but the impact he’s driving is very real. Every like, follow, share and donation helps fund the training of assistance dogs who will one day become someone’s eyes and key to independence.

VML SOUTH AFRICA
https://www.vml.com/south-africa

Gerety Awards Announce New Award Category And 2026 Grand Jury

Gerety Awards Announce New Award Category And 2026 Grand Jury

Gerety Awards is expanding for 2026 with Moments Cut, a new category created to honour campaigns that didn’t wait for permission: ideas that reacted with instinct, capturing culture in real time. Announced alongside the category debut is an early look at the 2026 Gerety Grand Jury. 

The global panel of founders, chief creatives, brand and media decision-makers are shaping the standards for what creative leadership looks like today.

Introducing The Moments Cut — For The Work That Defined The ‘Now’

Open across all media, Moments Cut celebrates the work powered by instinct, timing, craft and a real point of view. For work that defines the moment. Creativity that captures the world as it happens. From the Football World Cup and Olympics to Super Bowl moments and the spontaneous brand reactions that turned trending conversations into cultural touchpoints, the Moments Cut celebrates work that moved fast, felt relevant, and connected instantly leaving a lasting mark.

What The 2026 Jurors Are Saying

‘The new ‘Moments Cut’ category shines a light on work that responds instantly to culture and meets today’s demand for authentic, real-time storytelling. In a world where moments can be fleeting, the skill to capture and amplify them creatively has never been more important. I’m really looking forward to seeing bold, honest pieces that seize the moment and turn trending conversations into lasting cultural touchpoints,’ said Brenda Khumalo, Founder, Lobengula Advertising, South Africa.

‘Fast is expected now. A real point of view is the cut. The work I want to reward reacts in a way that shifts the conversation and leaves a mark,’ said Renata Decoussau, LATAM Marketing Director, Adobe Brazil.

‘When creativity shows up with heart and speed, a passing moment becomes something that matters. That instinct keeps brands alive rather than watching from the sidelines. It’s about time we reward the teams who never miss,’ said Merlee Cruz Jayme, Chairmom and Founder, The Misfits Camp, Philippines.

As with every edition, Gerety continues to judge ideas from a powerful, creative and craft-led perspective, to continue elevating outstanding creativity worldwide across every discipline.

The 2026 Gerety Awards open for entries on January 5th, 2026.

For deadlines, category details, and the full Gerety Grand Jury list, visit geretyawards.com

GERETY AWARDS
www.geretyawards.com

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