Home Blog Page 3

Absa XDC Explores Why Seamless Customer Experiences Are No Longer Enough

Absa XDC Explores Why Seamless Customer Experiences Are No Longer Enough
Sivan Lapidus, Absa.

The 2026 Absa Experience Design Collab (XDC) is now in its third year as the bank’s flagship platform dedicated to advancing experience design, innovation and customer-centred thinking across Africa. As artificial intelligence, automation and digital technologies continue to redefine how organisations serve customers, a new challenge has appeared, earning and sustaining trust. This is the central conversation driving the event.

Taking place under the theme ‘Designing for Trust: The Currency of the Future,’ this year’s programme marks a significant evolution for XDC. While previous editions explored the future of digital experiences and celebrated design excellence, the 2026 programme shifts the conversation towards demonstrating how human-centred design delivers measurable business outcomes, strengthens customer relationships and creates long-term commercial value.

The theme recognises that, in an increasingly digital world, technological advancement alone is no longer enough. As organisations embrace AI, automation and data-driven decision-making, trust has become the defining factor influencing whether customers adopt, engage with and remain loyal to digital products and services.

Across Africa’s diverse markets, where culture, relationships and human connection continue to shape decision-making, designing for trust has become a strategic business imperative.

This year’s programme introduces two complementary events designed to broaden participation and deepen the impact of experience design across the organisation and the wider industry.

The journey began with XD Jam in July, an internal platform that provides emerging Absa designers and process engineers with an opportunity to present real business case studies, strengthen their public speaking capabilities and showcase the role of design in solving complex organisational challenges.

The programme culminates in XD Collab on 30 September at The Forum Alice Lane in Sandton, Johannesburg. The flagship conference brings together business leaders, experience design professionals, innovation specialists and customer experience practitioners to explore how design creates tangible business value through thought leadership, practical case studies and cross-industry collaboration.

Since its launch, XDC has steadily grown into a recognised platform for elevating conversations around human-centred design, attracting growing interest from business leaders who increasingly view experience design as a strategic capability rather than a creative support function.

Commenting on this year’s programme, Sivan Lapidus, Executive Head of Design at Absa Personal and Private Banking, said, ‘The future of digital transformation will not be decided solely by the technology organisations build, but by the trust they earn. In today’s environment, customers are looking for experiences that are transparent, intuitive, inclusive and genuinely centred around their needs. Design plays a critical role in creating that confidence.’

The 2026 programme also reflects Absa’s continued investment in developing internal design capability, strengthening collaboration across business units and contributing to the broader experience design ecosystem.

Beyond showcasing successful projects, XDC serves as a platform to nurture emerging talent, foster cross-disciplinary learning and position experience design as an essential capability for organisations navigating rapid technological change.

Lapidus added, ‘Experience design is no longer simply about creating seamless interfaces or elegant customer journeys. It has become a strategic business capability that enables organisations to solve complex challenges, unlock commercial value and build meaningful, lasting relationships with customers. Through XDC, we are creating a platform where these conversations can happen openly, where practical lessons can be shared, and where the design community can collectively shape the future of trusted digital experiences across Africa.’

By bringing together business leaders, designers, technologists and customer experience professionals, XDC reinforces the idea that trust is not simply an outcome of good business, but a deliberate design decision embedded in every interaction, product and service.

As digital innovation accelerates across the continent, the conversations taking place at XDC 2026 aim to help organisations move beyond designing for efficiency towards designing experiences that customers genuinely believe in.

ABSA
www.absa.africa

Shift Happened: An Overview Of The 2026 Nedbank IMC

Shift Happened- An Overview Of The 2026 Nedbank IMC

This year’s Nedbank IMC was held on 17 September 2026 at the Mosaïek Teatro in Johannesburg, bringing people from across the world to Africa’s Biggest Marketing Conference, under the 2026 theme Shift Happens™. Some 4000 attendees from over 20 countries joined the conference, with more than 2200 in one room.

The event was opened by Dale Hefer, CEO of the Nedbank IMC, with a musical welcome by Dr Gcina Mhlope, South African storyteller, writer, playwright, and actress, while master of ceremonies Donavon Goliath introduced each of the many speakers. An audio version in podcast format from each presentation is available here.

Kabelo Makwane, Google South Africa country director explored how organisations can turn AI from excitement into business value during his presentation entitled Making AI Useful: From Organisational Mindset to Business Value.

Fran Luckin and Roanna Williams, Co-Chief Creative Officers at Boundless challenged marketers to embrace the strange, trust their audiences and create work that makes people feel something, during their presentation entitled The Creative Shift: Why Brave Works Wins. To illustrate, the two presenters were dressed up as a shark and a gorilla, a reference to classic horror films Jaws and King Kong.

Suhayl Limbada, Chief Marketing Officer for KFC India and partner markets, ran his presentation under the title Stop Making Global Work. A Practical Guide to Building Ideas in Local Culture. He challenged marketers to move from assumptions to curiosity, find the local in the universal and stop ‘cleaning’ the culture out of creative work. During his presentation he played a series of KFC adverts he has worked on throughout his career to drive his point.

Gugu Mthembu, chief marketing officer at Telkom, sat down with Marko Stavrou, founder at Genlink (representing Gen Z) and ten-year old Gen Alpha influencer Desmond Koolen for a Q&A session, to gain insight from each respective generational representative. The presentation was entitled The Next Shift: A Gen Z – Gen Alpha Conversation.

Rea Leopeng, wellness expert and yoga teacher inspired all those present to stand up and follow her instructions to stretch during a five minute break. 5 Minute Shift: Move. Reset. Stretch was the title of her presentation.

Sheldon Tatchell, CEO and Founder of Legends Corporation, shared his journey from dreaming of becoming a barber with one pair of clippers and a chair to building Legends, while highlighting the role business can play in communities, during his presentation entitled Business of Impact.

Jarred Cinman, chief executive officer at VML questioned what AI agents could mean for advertising during his 2026: The Year AI Changed Everything in Advertising? presentation. The conversation went beyond the hype and focused on how humans and technology can work together.

Pastor and endurance athlete Kabelo Mabalane brought the speaker programme to a close with a powerful reminder to pause, look inward and understand that taking care of yourself is not a reward, but a prerequisite.

The event was concluded by Siya Metane, widely known as Slikour, and group CEO and founder of SlikourOnLife, who spent the day capturing voices, ideas and energy from the conference and turning them into an original track in real time.

During the event, a booth was set up outside the venue by Darren Morris and the Lucky Hustle team, who asked marketers to confess the things they probably wouldn’t put on LinkedIn. Want to know more? See the video here.

Industry leaders who presented at the conference also included:

– Conn Bertish, Founder of The Creative Group: Happy Purposeful Businesses Are Harder to Kill.
– Tarryn Knight, Head of Marketing, Ford Motor Company of Southern Africa: The Bakkie That Built the Nation: Shifting Gears, Shifting Times.
– Thebe Ikalafeng, Founder and Chairman, Brand Africa and Chancellor, Sol Plaatje University, South Africa: The CMO Shift.
– Dawn Rowlands, CEO, dentsu Africa: Africa is the Shift.
– Tiffany Markman, Founder of Tiffany Markman Writing and Training: Specifically Odd: Write Human. But Weird.
– Marc de Swain Arons, Founder of Institute for Real Growth (USA): Marketing2030: Making Impact in a New Era.
– Opeyemi Lawal, Chief Marketing Officer, NBA Africa and BAL (Basketball Africa League), and Khensani Nobanda Group Chief Marketing Officer, Nedbank Group Limited: Thebe Ikalafeng in Conversation with Africa’s Leading CMOs.
– Tahaab Rais, Chief Strategy Officer of Publicis Group: The Real Shift Isn’t Technological. It’s Psychological.
– Milan Naran, Strategic Account Executive at Google: Turning Content into Insight in Real Time.

NEDBANK IMC CONFERENCE
www.imcconference.com

Navigating The Entrepreneurship Journey

Professional Headshot Photographer Headshots 20 years experience Kevin Mark Pass
Taryn Hunter Sharman.

South Africa’s new Entrepreneur of the Year, Taryn Hunter Sharman, explains that when she started Faith & Fear more than a decade ago, she thought the name was about choosing faith over fear.

I know better now. The most important part of the name has always been the ‘&’. Because entrepreneurship rarely asks you to choose between confidence and doubt, ambition and exhaustion, courage and fear. Most of the time, you carry both. That small space between the two is where most of my entrepreneurial journey has happened.

I did not start a business because I had some perfectly mapped-out vision of becoming an entrepreneur. I knew marketing. I knew how to build relationships. I knew I could work hard. I had instinct, ambition and probably a healthy amount of naivety. What I did not have was certainty. That may be one of the first things entrepreneurship taught me: certainty is not a prerequisite for action.

There have been plenty of moments over the years where, from the outside, things looked successful. The clients got bigger, the business grew, we won awards and built an incredible network around us. But confidence does not rise neatly alongside turnover.

I have walked into important meetings wondering whether I really belonged there. I have presented ideas while simultaneously questioning them in my own head. I have made decisions that affected other people’s livelihoods while quietly wondering whether I was making the right call. That tension never completely disappears. What changes is your relationship with it. You learn that self-doubt does not always mean stop. Sometimes it simply means you care.

Entrepreneurship is often sold as freedom. Build your own thing. Be your own boss. Create the life you want. All of that can be true, but there is another side to it. Building something asks a lot of you.

I have built a business while also being a wife, a mother, a daughter, a friend and a human being who occasionally needs to stop functioning like a machine. There have been seasons where the business needed almost everything I had, and there have also been seasons where life made it very clear that business could not have everything.

That has probably been one of my biggest lessons. Every important yes contains a no. Saying yes to growth might mean saying no to time. Saying yes to a client might mean saying no to capacity. Saying yes to an opportunity might mean saying no to something your ego desperately wants. Success is not just learning what to pursue. It is learning what to protect.

I believe deeply in grit. A huge part of entrepreneurship is simply doing the things other people stop doing. Following up. Pitching again. Making another call. Fixing the problem. Finding the money. Showing up when you are disappointed. Doing the work nobody applauds. But somewhere along the journey I realised grit has a shadow side. You can become so proud of your ability to push through that you stop asking whether you should.

There is courage in perseverance, but there is also courage in changing your mind. There is courage in admitting something is not working. There is courage in asking for help. And there is enormous courage in letting go.

For founders, that last one can be particularly difficult. In the beginning, your willingness to do everything is often the reason the business survives. Eventually, it becomes the thing that stops it growing.

You have to move from asking,’Can I do this?’ to asking, ‘Can I build something that does not require me to do all of this?’

That shift requires trust. In people, in partnerships, in your team and, perhaps most importantly, in the idea that someone else’s way of doing something does not have to look exactly like yours to be good.

I also think entrepreneurs need to be less apologetic about wanting to make money. Profit matters. Cash flow matters. Commercial success matters. Money creates jobs. It gives businesses oxygen. It gives founders choices. It allows you to invest, take risks and build something that lasts.

But at some point in my own journey, another question began to become equally important: what is this all for? That question eventually helped shape The Brave Collective, our community focused on women’s self-worth, net worth and networks. It has influenced my speaking, my writing and the work I want to do beyond the agency itself.

The business became the engine. But meaning became part of the destination. And perhaps that is another evolution nobody really prepares you for. At first you are trying to build the business. Then, one day, you realise the business has also been building you.

I do not think successful entrepreneurship is about becoming fearless. I still experience fear. I still get things wrong. I still have moments where I wonder what on earth I am doing. But I trust myself differently now. Not because I believe everything will work out exactly as planned, but because I know that when it does not, I will figure out what comes next.

If I could distil the journey into a few lessons, they would be simple ones. Start before you feel completely ready. Learn to sell. Protect your reputation fiercely. Understand your numbers. Choose your people carefully. Do not confuse every opportunity with the right opportunity. Let the business evolve. Let yourself evolve too. And remember that fear is not always a warning to retreat. Sometimes it is simply evidence that you have reached the edge of what you already know. For me, that is where entrepreneurship has always lived.

Not in faith, not in fear, but in the ‘&’.

C1W Initiative

Change 1 Woman (C1W) aims to empower women in the branding, print and signage industries. As part of this initiative, Modern Marketing would like to spotlight women-focused content like this piece. If you have any trend/business articles related to the signage, branding and printing industries, please email content to: info@c1w.co.za. Follow C1W on Facebook, LinkedIn and Instagram for more updates.

TARYN HUNTER SHARMAN
https://tarynhuntersharman.com

Exhibitors At Modern Marketing Expo Report Quality Visitors

Exhibitors At Modern Marketing Expo Report Quality Visitors

The Modern Marketing Expo, held from 8-10 September at Gallagher Convention Centre, attracted 5345 visitors from 24 countries including 14 countries in Africa.

The top 10 countries with visitors outside of South Africa included: Zimbabwe, Mozambique, Botswana, Namibia, Lesotho, Eswatini, Zambia, Malawi, DRC and Kenya.

Visitors could see new products and business opportunities in the following:

– Branding, advertising and media.
– Promotional products and branded apparel.
– AI design and content technologies.
– Marketing technology.
– Signage, displays and visual communications.
– Print and production technologies.
– Digital experience and engagement.
– Retail and shopper marketing.

Exhibitors had positive feedback about the event:

‘All in all I think it was quite a good show. We saw a lot of people that had never seen our products before and then we saw some of our regular clients that want to go ahead with our training school,’ said Darryl Curtis, Cover Styl’ South Africa.

‘The visitors were great and the client base was exceptional. It was really worthwhile being at the show,’ said David Geere, DG.

‘The calibre of the client was great this year. There were people here that are really looking to add to their armoury and get into the business,’ said Darryl Braithwaite, Midcomp.

‘It was very busy and we had a lot of visitors at our stand. Some customers came from far to see us, like Botswana,’ said Nardus Mouton, Gencotech.

‘The show was good, very well arranged and organised. We got a couple of good leads. For the three days we were quite busy,’ said Ashok Jain, Allrich.

‘The amount of quality customers that came thorough made the expo really worth it,’ said Trevor Norman, Stixo.

‘We have had a lot of action around our stand. We had a lot of new customers come see us and as well as our existing customers that needed new machines and to upgrade their facilities. It was not just local visitors that were here, lots of people came from places like Durban and Zimbabwe. It was a successful show,’ said Adam Querido, GSW.

‘The quality of the visitors were good. We had a lot of cross-border visitors from Mozambique and Zimbabwe. We also had a lot of our existing customers come back to us and see what is new and what we’re launching,’ said Charmaine Poulter, Rexx Screen and Digital Supplies.

‘The visitors were high-quality, and we saw a lot of new faces,’ said Francois Badenhorst-Rossouw, Kolok Graphic Supplies.

Judges visited each stand at the expo and judged the stands according to criteria based on design, staff friendliness and professionalism. The results are as follows:

Modern Marketing Small Shell Scheme:

Winner: Headwear 24
Second: Stegmanns
Third: Luggage Warehouse

Modern Marketing Small Custom Stand:

Winner: Cover Styl’
Second: Woodline Branding Solutions

Modern Marketing Medium Custom Stand:

Winner: King Caps
Second: Sky Technologies
Third: Caps SA

Modern Marketing Custom Stand: National Flag:

Winner: National Flag
Second: Curv

Sign Africa Small Shell Scheme:

Winner: Vic Bay/One Off
Second: 1-Stop T-Shirt Supplies
Third: JG Electronics

Sign Africa Small Custom Stand:

Winner: LBY Africa
Second: Signbox
Third: Sign Assist

Sign Africa Medium Shell Scheme:

Winner: Graficomp
Second: Oricore
Third: Trigold Printlab

Sign Africa Medium Custom Stand:

Winner:3A Composites
Second: Polyvantis
Third: Build Volume

Sign Africa Large Shell Scheme:

Winner: Gencotech
Second: NSDS

Sign Africa Large Custom Stand:

Winner: Eco Signage Supplies
Second: Kolok Graphic Supplies
Third: Maizey Plastics

Sign Africa Mega Custom Stand:

Tie Winner: Sign-Tronic / Stixo
Second: Roland DG
Third: Intamarket

Africa Print Small Shell Scheme:

Winner: Trotec
Second: ZSK
Third: Servochem

Africa Print Small Custom Stand:

Winner: Portamex
Second Big 5
Third: Media Frenzy

Africa Print Medium Custom Stand:

Winner: Fellowes Beswick
Second: Stuart and Marks

Africa Print Large Custom Stand:

Winner: Canon
Second: Visual Communication Supplies
Tied Third: Titan-Jet / Rexx Screen and Digital Supplies

Africa Print Mega Custom Stand:

Winner: Midcomp
Second: Fortune
Third: GSW

MODERN MARKETING EXPO
+27 11 568 1894
www.modernmarketingexpo.co.za

What Should A Better Customer Experience Enable People To Do?

What Should A Better Customer Experience Enable People To Do
Richard Eberlein, Weaver Fintech.

According to Richard Eberlein, Executive for Growth and Engagement at Weaver Fintech, the conversation around customer experience (CX) has changed. What was once largely about making interactions easier or resolving problems quickly is increasingly about what those interactions enable customers, and the business, to do.

In financial services, particularly in South Africa, that raises an important question: what should a better customer experience actually enable people to do?

Five years ago, customer service and customer experience were often discussed as if they were the same thing. That distinction now feels settled. Even AI has moved on from being treated as the next big idea. It is here, organisations are using it, and the conversation has become more practical.

For years, we have built the case for CX around Net Promoter Score (NPS), Customer Satisfaction Score (CSAT), and Customer Effort. They are useful, but improving the score alone cannot be the end result.

The Score Should Start The Conversation

I increasingly see NPS and CSAT as early indicators. If CSAT improves in a service environment, I want to understand what changed underneath it. Were more queries resolved at the first interaction? Did customers get an answer faster? Those are changes an operational team can influence.

The 2026 South African Customer Experience Report found that after a poor experience, only 51% of respondents would give a negative survey score that accurately reflected how they felt. The remainder would soften or withhold that negative feedback.

The report also found that 81% of respondents had experienced a negative interaction in the previous 12 months, while public complaints have fallen sharply. Fewer complaints do not necessarily mean happier customers. Some may simply have stopped engaging with the business.

Follow The Behaviour

A survey tells us what a customer was prepared to say. Behaviour tells us what happened afterwards. In financial services, I want to know whether people are completing the journey and using the product once they have access to it. Over time, we also need to understand whether they remain active because it continues to work for them.

Once those links become clearer, the CX conversation can move into the language a CEO or CFO already understands, including revenue, cost, risk, and lifetime value.

That does not mean forcing a rand value onto every interaction. It means being clear about which business outcomes CX aims to influence and showing how changes in the experience contributed to them.

I have seen businesses put the customer first until revenue comes under pressure. That is often when the customer needs more attention. If people are leaving or buying less, the experience is part of the commercial problem.

CX Cannot Belong To One Department

The CX team does not control every part of the customer experience. Product, technology, operations, marketing, and service all play a role, but the customer sees one business. That makes it difficult to ask one CX team to own a score while the levers behind it sit elsewhere.

Each team should be able to see what its work changes for the customer and for the business. Better service might mean fewer repeat queries. A simpler product journey might mean more customers complete it.

Financial Services Make The Connection Clearer

This becomes especially important in financial services. A better experience can make it easier for more people to access financial services, complete the journey, and use the product once they get there.

Digital friction can be enough to stop someone from completing an application or transaction. The experience also affects whether customers can access other products as their financial needs change. Making those journeys simpler can reduce the effort for customers and the cost of serving them.

WEAVER FINTECH
https://www.weaverfintech.com

Nedbank IMC Speaker To Unpack Decisions Behind Business Growth

Nedbank IMC Speaker To Unpack Decisions Behind Business Growth
Sheldon Tatchell, Legends Corporation.

Under the 2026 theme Shift Happens™, Sheldon Tatchell, CEO and Founder of Legends Corporation, will present Business of Impact, a session exploring how a business built around service, culture and community can scale without losing the qualities that made it relevant in the first place.

The event is taking place on Thursday, 17 September 2026 at Mosaïek Teatro in Johannesburg OR Online.

What began with a pair of clippers in Eldorado Park has grown into Legends Barber, one of Africa’s most recognisable grooming businesses. Tatchell built the brand from the ground up, expanding beyond the barber’s chair while keeping consistency, customer experience and community opportunity at the centre of the business.

That story is now taking another turn. Legends Barber can now be found at selected bp forecourts, extending the brand into a new environment and creating a timely case study in partnership, access and growth. The development also creates a natural connection between Tatchell’s business story and the Nedbank IMC’s collaboration with bp.

At the conference, Tatchell will unpack the decisions behind Legends’ growth: how the business has used culture as an asset, developed talent, created career pathways and built a brand that can expand into new markets while remaining recognisable and relevant. The story reflects the Nedbank IMC’s Marketing is Business® philosophy by connecting brand-building directly to commercial growth and community impact.

Skills development and community upliftment are also embedded in the Legends model, from training centres that equip aspiring barbers for the industry to initiatives such as the Legend Township Marathon. The conference will bring a small part of the Legends experience into the venue through a barbering touchpoint, and a quick trim may even be on the cards.

‘Sheldon’s journey shows what Business of Impact looks like when it is built into the business itself,’ said Dale Hefer, CEO of the Nedbank IMC. ‘Legends has created cultural relevance and commercial scale while opening doors for people and communities. That is exactly the kind of story we want on the Nedbank IMC stage.’

The Nedbank IMC 2026 will feature a curated, not crowdsourced, line-up of 20+ speakers blending global insight with African context. Thousands of students will attend virtually at no cost through the YOUTH1000 programme, in partnership with MASA.

NEDBANK IMC CONFERENCE
www.imcconference.com

Turning Destination Appeal Into Sustained Tourism Growth

Turning Destination Appeal Into Sustained Tourism Growth
Professor Marlize Terblanche-Smit, Stellenbosch Business School.

Marlize Terblanche-Smit, Professor of Marketing at Stellenbosch Business School, writes that South Africa has a tourism story the world should want to hear. From safari and wine estates to urban culture, adventure, food and heritage, few destinations can offer such variety within a single country.

The challenge is not necessarily creating destination appeal. It is turning that appeal into sustained tourism growth and ensuring that the story being sold is matched by the experience on the ground.

South Africa welcomed more than 10 million international tourists in 2025, signalling a strong recovery for the sector. Yet the pattern of that growth tells a more complicated story. The majority of visitors came from neighbouring SADC countries, while long-haul markets remain a much smaller proportion of arrivals.

Destination marketing is ultimately about more than getting people to notice a country. It is about influencing where they choose to spend their time and money and giving them sufficient reason to choose one destination over another. A distinct competitive advantage is therefore essential. South Africa has obvious assets with its people, natural beauty, cultural heritage, wildlife and established tourism infrastructure. But these assets need to be translated into a distinctive and emotionally compelling brand proposition.

South African Tourism has recognised this shift. Its current global campaign, South Africa Awaits. Come Find Your Joy!, moves beyond simply informing potential visitors about what the country offers and seeks to create an emotional connection with the destination. That is an important evolution in destination marketing. Travellers are not only buying accommodation, flights or experiences; they are buying anticipation, discovery and a sense of what a destination might make them feel. South Africa has an abundance of stories capable of doing exactly that.

But a destination brand is only as strong as the reality behind it. South Africa’s greatest tourism opportunity lies in the breadth of its offer. A visitor can combine a safari with Cape wine, food, art, history and adventure. Johannesburg can offer a very different experience from a game reserve, while coastal and rural destinations provide yet another perspective on the country. The opportunity, therefore, is not simply to attract more visitors to South Africa, but to encourage visitors to experience more of South Africa.

That requires marketing to work alongside access. Visa requirements, flight connectivity, infrastructure and perceptions around safety all influence whether a traveller moves from inspiration to booking. A campaign can create desire, but it cannot remove the practical barriers that stand between a potential visitor and an actual trip. This is particularly important as South Africa looks towards less traditional international markets. Growth from countries such as China and India has not been uniform, while other emerging markets have shown stronger momentum. Reaching these audiences will require more than simply translating existing campaigns. It requires understanding what motivates different travellers, what prevents them from booking, and how the South African proposition fits into their increasingly competitive choice set.

The same principle applies to domestic tourism. International arrivals may attract the headlines, but a resilient tourism sector also needs a strong domestic market. When household budgets are under pressure, South Africans naturally become more price-sensitive and may favour shorter trips, regional destinations and more affordable accommodation. This shift also creates an opportunity. Domestic travellers do not necessarily need to be persuaded that South Africa is beautiful; they need reasons to explore it. Tourism Month, together with initiatives such as Sho’t Left Travel Week, can play a role in turning that familiarity into action by making travel more accessible and reminding South Africans of the experiences available within their own country.

The question is how effectively tourism marketing can convert that interest into sustainable spending across the wider tourism economy. Encouraging people to travel is only part of the equation. The benefits need to reach accommodation providers, restaurants, guides, activity operators, artisans and communities beyond the traditional tourism centres.

This becomes particularly relevant as technology changes the way travellers discover destinations. The theme of South Africa’s 2026 Tourism Month ‘Growing South Africa’s Tourism Sector in the Digital Era’ reflects a significant change in the tourism landscape. Artificial intelligence, social media and digital platforms are increasingly influencing how travellers search for destinations, construct itineraries, compare experiences and make decisions. For smaller tourism businesses, this could be transformative.

A lodge, tour operator or local experience provider no longer necessarily needs the marketing budget of a large international company to reach potential visitors. A compelling social media presence, strong online reviews or inclusion in an AI-generated travel recommendation can potentially put a small business in front of an international audience.

But digital access is not automatically equal access. The ability to benefit from these technologies depends on connectivity, skills, resources and confidence. There is a risk that the digital revolution could create a new divide between tourism businesses that are equipped to compete in an increasingly digital marketplace and those that are not. If technology is to democratise tourism marketing, digital capability needs to be treated as part of tourism development rather than simply a communications tool.

There is another, deeper question South Africa’s destination brand needs to confront: who benefits from the tourism story we are telling? Tourism is frequently positioned as a vehicle for addressing unemployment, poverty and inequality, while sustainability has become an increasingly important part of South Africa’s tourism proposition. The benefits of tourism are not necessarily distributed evenly. Research has highlighted the concentration of tourism activity and ownership in particular areas and among particular groups, while communities living alongside major wildlife attractions can receive limited direct economic benefit.

At the same time, the natural assets that underpin much of South Africa’s tourism appeal face growing pressure. Biodiversity loss and water scarcity are not abstract environmental concerns when the country’s landscapes, wildlife and natural resources are central to what attracts visitors in the first place. This creates both a challenge and an opportunity for destination marketing. As travellers increasingly seek nature-based experiences, wellness, slower travel and more meaningful connections with places and people, sustainability can become a genuine competitive differentiator for South Africa.

But it cannot simply be another message in a campaign. A destination that markets itself as sustainable while its communities see limited benefit or its natural resources are under increasing pressure risks creating a credibility gap. Sustainability needs to be experienced, not merely advertised. This is where destination marketing becomes much bigger than advertising. The strongest tourism brands are built when the promise and the experience reinforce one another. The story attracts attention; the experience confirms it. The visitor then becomes part of the marketing through word of mouth, reviews, social media and repeat travel.

South Africa has many of the ingredients needed to build such a brand. It has diversity, distinctive experiences, compelling stories and a tourism sector capable of delivering memorable experiences. What it needs is greater alignment between the story being told and the conditions that enable that story to flourish.

Growing international tourism, revitalising domestic travel, harnessing AI and digital platforms, improving access and ensuring that tourism creates broader economic and environmental value are not separate objectives. They are interconnected parts of the same challenge.

South Africa therefore needs to think beyond the success of individual tourism campaigns and consider the destination as a whole. Can the traveller who is inspired by an image of a South African landscape easily get here? Can they move around safely and efficiently? Can they discover experiences beyond the well-known attractions? Can smaller tourism businesses compete for their attention? And, perhaps most importantly, can the communities and environments that make these experiences possible share meaningfully in the value tourism creates?

These are ultimately questions of brand credibility. South Africa has plenty to sell. The more important question is whether the country can ensure that the experience of visiting, doing business and living alongside tourism is strong enough to deliver on the promise. Marketing can open the door. But it cannot walk tourists through the rest on its own.

JIGSAW
www.jigsawpr.co.za

Building Distinction Requires A Broader Perspective

Building Distinction Requires A Broader Perspective.

Nomaswazi Phumo, Head of Strategy of Leagas Delaney South Africa, outlines why premium brands don’t have a quality problem, but a distinction problem.

Premium brands have become remarkably good at signalling quality. Across categories, the visual and verbal language of premium has become increasingly consistent: minimalist design systems, muted colour palettes, polished photography and familiar promises of craftsmanship, exclusivity and personalised service have become the default expression of what premium looks and sounds like.

These conventions reassure customers that a brand belongs in the premium end of the market. The challenge is that they do very little to explain why one premium brand should be chosen over another; making the issue a commercial one rather than a creative one.

Kantar’s BrandZ research found that consumers are willing to pay an average of 37% more for brands they perceive as meaningfully different. Even consumers who are typically price-led are willing to pay 14% more. This means premium pricing is not sustained by quality alone, it is sustained by distinction.

Somewhere along the way, many premium brands have mistaken category codes for competitive advantage. These help customers recognise the kind of brand they are engaging with. Distinctive brands make one subtle but commercially significant difference, they help customers recognise whose brand it is.

A good local example would be Woolworths. While competitors have matched its product quality in many categories, what remains difficult to replicate is the consistency of the brand. From packaging and product naming to food photography, merchandising and store experience, each decision reinforces the same perception. While none of these elements is particularly powerful in isolation, together they create a brand that is immediately recognisable. That is distinction at work.

If distinction creates value, how do you know when it is beginning to erode?

Your Advertising Communicates The Category Before It Communicates The Brand

One of the simplest ways to assess distinction is to remove the logo from a piece of communication and ask whether customers would still recognise the brand. Too often, premium campaigns rely on category conventions to signal quality rather than distinctive assets that build memory. Beautiful homes, perfectly lit interiors, tailored wardrobes and cinematic photography have become visual shorthand for premium, but they are also available to every competitor. If recognition depends on the logo, the advertising may be reinforcing the category more effectively than it is building the brand.

Your Proposition Could Comfortably Belong To Your Competitors

Premium categories have become crowded with words such as bespoke, exclusive, exceptional and world-class. While these descriptors may once have conveyed genuine differentiation, they now function more as category expectations than strategic positioning. A strong proposition should articulate a perspective on value that competitors cannot easily adopt. If another brand can place its logo above your copy without changing its meaning, your proposition is unlikely to be creating competitive advantage.

Your Understanding Of The Customer Has Become Too Broad

Premium customers are often described as though they share a common definition of success, aspiration or value. They are becoming more diverse. Some seek status, while others seek discretion. Some value convenience above all else, while others are motivated by craftsmanship, heritage or expertise.

Generational shifts, changing definitions of wealth and evolving cultural contexts continue to reshape what premium means. Brands that reduce these customers to a single portrait of affluence often produce communications that feel polished but ultimately generic. Distinction begins with recognising meaningful differences in people before expressing meaningful differences in brands.

Functional Superiority Has Become Your Primary Source Of Value

Superior products, exceptional service and better experiences remain essential for premium brands. They are also becoming increasingly easy to replicate. Competitors improve. Technology closes performance gaps. What was once considered exceptional quickly becomes the expected standard.

This is why the strongest premium brands create value beyond functionality. They attach meaning to their offering in ways that make choosing the brand feel like more than a rational purchase. Customers are not only buying quality; they are buying what that choice represents about themselves.

Consistency Has Been Mistaken For Caution

Many premium brands equate sophistication with restraint. While restraint can create confidence, it can also become an excuse for avoiding distinctive decisions. The most recognisable premium brands are rarely the loudest in their categories, but they are almost always the clearest. They make deliberate choices about how they behave, what they value and what they are prepared to leave behind. Their confidence comes not from saying less, but from saying something that is recognisably their own. Premium brands rarely lose relevance overnight.

More often, they become gradually interchangeable as individual decisions prioritise category fit over brand distinction. A more contemporary visual identity, a more elegant campaign or a more premium retail environment may improve perceptions of quality, but they do not necessarily strengthen preference.

Building distinction requires a broader perspective. It asks whether every decision a customer encounters reinforces the same idea of the brand. Strategy, product, experience, service, communications and design are often treated as separate disciplines, yet customers experience them as one.

Perhaps that is the real challenge for premium brands today. In markets where quality is increasingly expected and competitors can replicate almost everything else; distinction is created by the accumulation of deliberate choices. No single touchpoint creates it, but every touchpoint has the potential to strengthen or weaken it. Or, as we often say at Leagas Delaney, ‘Everything Matters’.

LEAGAS DELANEY
https://www.leagasdelaney.co.za

Content Creator Awards Unveil This Year’s Nominees

Content Creator Awards Unveil This Year's Nominees

When the Content Creator Awards launched in 2022, the mission was simple: celebrate creators at a time when many still had to justify content creation as a legitimate career. Four years later, that conversation has changed. The 2026 Content Creator Awards officially unveiled this year’s nominees while announcing Samsung Galaxy as its new title sponsor, marking the biggest evolution in the awards’ history.

In addition, this year’s nominees were officially announced as the countdown to the 2026 ceremony officially begins. Today, the awards recognise the country’s most influential creators, the brands and agencies investing in the space, and the work that continues to push the industry forward.

‘As the creator economy has evolved, so have the awards,’ said Manuela Dias de Deus, Founder of the Awards and Founder of One-eyed Jack. ‘When we launched these awards, we were celebrating brave pioneers who were proving that content creation could be a real career. Today we’re recognising world-class creators who are building businesses, influencing culture, driving commerce and setting global standards. Our responsibility has shifted from legitimising the industry to raising the benchmark for excellence. This is no longer about recognising creators for what is possible. It is about celebrating those who are setting the standard for the future of marketing, entertainment and entrepreneurship in South Africa.’

This year’s awards feature 20 categories, all refined to better reflect today’s creator landscape. Entry criteria have become more rigorous, with judging criteria developed in collaboration with the Interactive Advertising Bureau (IAB South Africa) to ensure greater consistency, credibility and industry alignment.

An exciting new category, the #CapturedWithGalaxy Award, was also announced at the launch and remains open for entries, giving creators one final opportunity to be recognised before entries officially close.

Open to creators of all niches, the category celebrates exceptional content captured on any type of Samsung Galaxy device. The winner will receive a Content Creator Award trophy, as well as a Samsung Galaxy Z Fold8 valued at approximately R40,999.
Entries close on 20 September.

Samsung Galaxy Announced As Headline Sponsor

Samsung Galaxy was officially unveiled as title sponsor, signalling the growing confidence major brands have in South Africa’s creator economy.

‘We’re incredibly proud to partner with the Content Creator Awards,’ said Rae Hargreaves, Head of Marketing: Mobile eXperience at Samsung South Africa. ‘Creators are shaping culture, influencing purchasing decisions and redefining storytelling every single day. Samsung Galaxy exists to give creators the technology they need to tell those stories, and we’re excited to celebrate the incredible talent driving South Africa’s creator economy.’

The Awards Night

The winners will be announced at a spectacular gala evening on 17 October 2026 in Sandton.

Tickets for the awards are now available at here.

Press Launch Highlights

The launch itself, hosted by 2022 Content Creator Awards winner Lesego Tlabi (Coconut Kelz), demonstrated the extraordinary momentum behind the awards, drawing one of the largest industry gatherings in the programme’s history.

2026 Content Creator Award Nominees 

Public Voting Categories:

Samsung Galaxy Creator of the Year Award

– Donovan Goliath SMS ‘COTY1’ to 33622
– Grace Mondlana SMS ‘COTY2’ to 33622
– Nadia Jaftha SMS ‘COTY3’ to 33622
– Primo9teen SMS ‘COTY4’ to 33622
– Vafa Naraghi SMS ‘COTY5’ to 33622

YouTube Creator Of The Year Award

– Centtwinz SMS ‘YOUTUBE1’ to 33622
– Lasizwe SMS ‘YOUTUBE2’ to 33622
– Noko Mashaba SMS ‘YOUTUBE3’ to 33622
– Shev and Dev SMS ‘YOUTUBE4’ to 33622
– SMWX SMS ‘YOUTUBE5’ to 33622
– Zayaan SMS ‘YOUTUBE6’ to 33622

Cars.co.za Automotive Content Award

– Chris Rogers SMS ‘CARS1’ TO 33622
– Mpoomy Ledwaba SMS ‘CARS2’ TO 33622
– Rory Petzer SMS ‘CARS3’ TO 33622
– Sam from TheCarScene SMS ‘CARS4’ TO 33622
– Shane Assad SMS ‘CARS5’ TO 33622
– Tebogo Moropa SMS ‘CARS6’ TO 33622

Emerging Creator Award, backed by Creator Club

– Anica Kiana SMS ‘EMERGING1’ to 33622
– Isaac Mehlape SMS ‘EMERGING2’ to 33622
– Sibo Mchunu SMS ‘EMERGING3’ to 33622
– Sine_rsa_ SMS ‘EMERGING4’ to 33622
– Socially Jordie SMS ‘EMERGING5’ to 33622

People’s Choice Award

– Anika Dambuza SMS ‘CHOICE1’ to 33622
– Garfieldzar SMS ‘CHOICE2’ to 33622
– Grace Mondlana SMS ‘CHOICE3’ to 33622
– Olwethu Ncapayi SMS ‘CHOICE4’ to 33622
– Tanaka Dube SMS ‘CHOICE5’ to 33622

Non-Public Voting Categories:

Telkom Best Online Series Award

– Awkward Dates by Lasizwe
– Hungry & Shameless
– Kickin it with Kim Jayde
– SABS Network
– The Adventures of Noko Mashaba

947 Sound of Tomorrow Award

– Chesrae Megan
– Carter Najar
– Lordkez
– Lukiemusic
– Mikhalé Jones
– Teagan’s Things

Dance Creator Award

– Chad Jones
– Benny Jnr
– Ludopie
– Rudi Smit
– TDO Thando

Style Award

– Kimos
– Lue & Rue
– Pumla Dineo
– Wisemanzither
– Yasmin Furmie

Best Online Social Series Award

– Dalin Oliver
– Nuri Gallow
– Simo Ziqubu
– Stefan van der Merwe
– Vafa Naraghi
– Zayaan

Best Creator x Brand Collaboration Award

– Baxbara – Delicious Festival
– Lukiemusic – #IAmOriginal88
– Nabilah Kariem – Le Creuset
– Nabilah Kariem – Samsung
– Sni Mhlongo – Vaseline

Expert Voices Award

– Bella Monsoon
– Kriya Gangiah
– Miss Angler
– Stefan van der Merwe for We Do Tech
– The Conscious Psychologist

Trendsetter Award

– Anika Dambuza | The City Makoti
– Grace Mondlana
– Kim Jayde
– Lingling
– Primo9teen

Podcast of the Year Award

– GenC Podcast
– Mindset Profits
– SMWX
– The Makhs
– The Sias du Plessis Show
– Wisdom & Wellness

Impact Creator Award

– Conrad Koch & Chester Missing
– Joshwideawake
– Shandor Larenty
– Nick Hamman
– Theshaya

Best Comedy Content Creator Award

– Céline Tshika
– Ikho
– Sipho2skiits
– Tanaka Dube
– Titus Mokou

Wildcard Award

– Lindosasmr
– Nathan Molefe
– Yombusoo Cthandiweii
– Zinhle Africa

Thumb-stopping Award

– Céline Tshika
– Chris Rogers
– Kaytee Shots
– Planettobii
– Vafa Naraghi

CONTENT CREATOR AWARDS
https://contentcreatorawards.co.za

Penquin Appoints New Chief Creative Officer And New Strategy Director

Penquin Appoints New Chief Creative Officer And New Strategy Director
Lerato Moleko and Albert De Andrade, Penquin.

The appointment of Albert De Andrade as Chief Creative Officer and Lerato Moleko as Strategy Director marks a significant milestone in Penquin’s growth trajectory, uniting decades of combined industry experience across creative excellence, business consulting, brand strategy, and commercial growth. Together, De Andrade and Moleko will lead the agency’s creative and strategic engines, reinforcing Penquin’s commitment to being a growth challenger partner to clients.

‘We are incredibly excited to welcome Albert and Lerato to the Penquin leadership team,’ said Veronica Moleele, CEO at Penquin. ‘Both bring an exceptional depth of experience, but perhaps more importantly, they share our belief that the best work happens when strategy, creativity and business thinking come together from the very beginning.’

She added ‘Our industry is changing rapidly, and our clients are navigating increasingly complex business and communication challenges. Albert and Lerato strengthen our ability to bring different disciplines together around those challenges, helping us create work that is not only creatively powerful and strategically sound, but genuinely capable of moving businesses forward.’

A New Chapter For Creativity At Penquin

With more than two decades in the advertising and marketing industry, Albert De Andrade joins Penquin as Chief Creative Officer. An award-winning creative leader, De Andrade has crafted memorable, high-impact campaigns for iconic global and local brands including Anglo American, Castle Lager, Coca-Cola, Discovery, DStv, Ford, Gillette, PepsiCo, P&G, and Vodacom.

De Andrade’s leadership philosophy rests on the conviction that powerful creativity happens where business ambition, strategic intelligence, and human imagination meet. In his role as CCO, he aims to cultivate an agency culture where creativity serves as a catalyst for business growth and agency-client relationships evolve into genuine, long-term commercial partnerships built on trust, courage, and measurable impact.

Strengthening The Agency’s Strategic Capability

Bringing 14 years of experience across business consulting and brand strategy, Lerato Moleko steps into the role of Strategy Director. A seasoned communications practitioner, Moleko specializes in inter-agency collaboration, leveraging digital marketing, and harnessing deep media insights to unlock new growth opportunities for brands.

Moleko has spearheaded strategic planning at many of Africa’s largest agency networks, including FCB Africa, Wunderman Thompson, Edelman Africa, and Ogilvy South Africa, managing key accounts such as South African Tourism, Telkom, Unilever, and Mondelez.

The appointments reflect Penquin’s broader ambition to build an agency where strategy and creativity work in closer partnership, with both disciplines connected to the commercial realities facing clients.

Moleele believes this integration will become increasingly important as brands navigate a rapidly changing marketing landscape.

‘Great creative work starts with a deep understanding of the challenge it needs to solve, while great strategy only becomes meaningful when it is brought to life through ideas that people can genuinely connect with,’ she said. ‘Albert and Lerato bring two incredibly important perspectives to our business, and we’re excited about what becomes possible when those perspectives work alongside each other and the exceptional talent already within Penquin.’

With both leaders stepping into their roles, Penquin continues to solidify its reputation as an agency that blends creative agility with strategic depth, helping brands move from simple visibility to true market memorability.

PENQUIN
https://www.penquin.co.za

This is Modern Marketing