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Building Distinction Requires A Broader Perspective

Building Distinction Requires A Broader Perspective.

Nomaswazi Phumo, Head of Strategy of Leagas Delaney South Africa, outlines why premium brands don’t have a quality problem, but a distinction problem.

Premium brands have become remarkably good at signalling quality. Across categories, the visual and verbal language of premium has become increasingly consistent: minimalist design systems, muted colour palettes, polished photography and familiar promises of craftsmanship, exclusivity and personalised service have become the default expression of what premium looks and sounds like.

These conventions reassure customers that a brand belongs in the premium end of the market. The challenge is that they do very little to explain why one premium brand should be chosen over another; making the issue a commercial one rather than a creative one.

Kantar’s BrandZ research found that consumers are willing to pay an average of 37% more for brands they perceive as meaningfully different. Even consumers who are typically price-led are willing to pay 14% more. This means premium pricing is not sustained by quality alone, it is sustained by distinction.

Somewhere along the way, many premium brands have mistaken category codes for competitive advantage. These help customers recognise the kind of brand they are engaging with. Distinctive brands make one subtle but commercially significant difference, they help customers recognise whose brand it is.

A good local example would be Woolworths. While competitors have matched its product quality in many categories, what remains difficult to replicate is the consistency of the brand. From packaging and product naming to food photography, merchandising and store experience, each decision reinforces the same perception. While none of these elements is particularly powerful in isolation, together they create a brand that is immediately recognisable. That is distinction at work.

If distinction creates value, how do you know when it is beginning to erode?

Your Advertising Communicates The Category Before It Communicates The Brand

One of the simplest ways to assess distinction is to remove the logo from a piece of communication and ask whether customers would still recognise the brand. Too often, premium campaigns rely on category conventions to signal quality rather than distinctive assets that build memory. Beautiful homes, perfectly lit interiors, tailored wardrobes and cinematic photography have become visual shorthand for premium, but they are also available to every competitor. If recognition depends on the logo, the advertising may be reinforcing the category more effectively than it is building the brand.

Your Proposition Could Comfortably Belong To Your Competitors

Premium categories have become crowded with words such as bespoke, exclusive, exceptional and world-class. While these descriptors may once have conveyed genuine differentiation, they now function more as category expectations than strategic positioning. A strong proposition should articulate a perspective on value that competitors cannot easily adopt. If another brand can place its logo above your copy without changing its meaning, your proposition is unlikely to be creating competitive advantage.

Your Understanding Of The Customer Has Become Too Broad

Premium customers are often described as though they share a common definition of success, aspiration or value. They are becoming more diverse. Some seek status, while others seek discretion. Some value convenience above all else, while others are motivated by craftsmanship, heritage or expertise.

Generational shifts, changing definitions of wealth and evolving cultural contexts continue to reshape what premium means. Brands that reduce these customers to a single portrait of affluence often produce communications that feel polished but ultimately generic. Distinction begins with recognising meaningful differences in people before expressing meaningful differences in brands.

Functional Superiority Has Become Your Primary Source Of Value

Superior products, exceptional service and better experiences remain essential for premium brands. They are also becoming increasingly easy to replicate. Competitors improve. Technology closes performance gaps. What was once considered exceptional quickly becomes the expected standard.

This is why the strongest premium brands create value beyond functionality. They attach meaning to their offering in ways that make choosing the brand feel like more than a rational purchase. Customers are not only buying quality; they are buying what that choice represents about themselves.

Consistency Has Been Mistaken For Caution

Many premium brands equate sophistication with restraint. While restraint can create confidence, it can also become an excuse for avoiding distinctive decisions. The most recognisable premium brands are rarely the loudest in their categories, but they are almost always the clearest. They make deliberate choices about how they behave, what they value and what they are prepared to leave behind. Their confidence comes not from saying less, but from saying something that is recognisably their own. Premium brands rarely lose relevance overnight.

More often, they become gradually interchangeable as individual decisions prioritise category fit over brand distinction. A more contemporary visual identity, a more elegant campaign or a more premium retail environment may improve perceptions of quality, but they do not necessarily strengthen preference.

Building distinction requires a broader perspective. It asks whether every decision a customer encounters reinforces the same idea of the brand. Strategy, product, experience, service, communications and design are often treated as separate disciplines, yet customers experience them as one.

Perhaps that is the real challenge for premium brands today. In markets where quality is increasingly expected and competitors can replicate almost everything else; distinction is created by the accumulation of deliberate choices. No single touchpoint creates it, but every touchpoint has the potential to strengthen or weaken it. Or, as we often say at Leagas Delaney, ‘Everything Matters’.

LEAGAS DELANEY
https://www.leagasdelaney.co.za

Content Creator Awards Unveil This Year’s Nominees

Content Creator Awards Unveil This Year's Nominees

When the Content Creator Awards launched in 2022, the mission was simple: celebrate creators at a time when many still had to justify content creation as a legitimate career. Four years later, that conversation has changed. The 2026 Content Creator Awards officially unveiled this year’s nominees while announcing Samsung Galaxy as its new title sponsor, marking the biggest evolution in the awards’ history.

In addition, this year’s nominees were officially announced as the countdown to the 2026 ceremony officially begins. Today, the awards recognise the country’s most influential creators, the brands and agencies investing in the space, and the work that continues to push the industry forward.

‘As the creator economy has evolved, so have the awards,’ said Manuela Dias de Deus, Founder of the Awards and Founder of One-eyed Jack. ‘When we launched these awards, we were celebrating brave pioneers who were proving that content creation could be a real career. Today we’re recognising world-class creators who are building businesses, influencing culture, driving commerce and setting global standards. Our responsibility has shifted from legitimising the industry to raising the benchmark for excellence. This is no longer about recognising creators for what is possible. It is about celebrating those who are setting the standard for the future of marketing, entertainment and entrepreneurship in South Africa.’

This year’s awards feature 20 categories, all refined to better reflect today’s creator landscape. Entry criteria have become more rigorous, with judging criteria developed in collaboration with the Interactive Advertising Bureau (IAB South Africa) to ensure greater consistency, credibility and industry alignment.

An exciting new category, the #CapturedWithGalaxy Award, was also announced at the launch and remains open for entries, giving creators one final opportunity to be recognised before entries officially close.

Open to creators of all niches, the category celebrates exceptional content captured on any type of Samsung Galaxy device. The winner will receive a Content Creator Award trophy, as well as a Samsung Galaxy Z Fold8 valued at approximately R40,999.
Entries close on 20 September.

Samsung Galaxy Announced As Headline Sponsor

Samsung Galaxy was officially unveiled as title sponsor, signalling the growing confidence major brands have in South Africa’s creator economy.

‘We’re incredibly proud to partner with the Content Creator Awards,’ said Rae Hargreaves, Head of Marketing: Mobile eXperience at Samsung South Africa. ‘Creators are shaping culture, influencing purchasing decisions and redefining storytelling every single day. Samsung Galaxy exists to give creators the technology they need to tell those stories, and we’re excited to celebrate the incredible talent driving South Africa’s creator economy.’

The Awards Night

The winners will be announced at a spectacular gala evening on 17 October 2026 in Sandton.

Tickets for the awards are now available at here.

Press Launch Highlights

The launch itself, hosted by 2022 Content Creator Awards winner Lesego Tlabi (Coconut Kelz), demonstrated the extraordinary momentum behind the awards, drawing one of the largest industry gatherings in the programme’s history.

2026 Content Creator Award Nominees 

Public Voting Categories:

Samsung Galaxy Creator of the Year Award

– Donovan Goliath SMS ‘COTY1’ to 33622
– Grace Mondlana SMS ‘COTY2’ to 33622
– Nadia Jaftha SMS ‘COTY3’ to 33622
– Primo9teen SMS ‘COTY4’ to 33622
– Vafa Naraghi SMS ‘COTY5’ to 33622

YouTube Creator Of The Year Award

– Centtwinz SMS ‘YOUTUBE1’ to 33622
– Lasizwe SMS ‘YOUTUBE2’ to 33622
– Noko Mashaba SMS ‘YOUTUBE3’ to 33622
– Shev and Dev SMS ‘YOUTUBE4’ to 33622
– SMWX SMS ‘YOUTUBE5’ to 33622
– Zayaan SMS ‘YOUTUBE6’ to 33622

Cars.co.za Automotive Content Award

– Chris Rogers SMS ‘CARS1’ TO 33622
– Mpoomy Ledwaba SMS ‘CARS2’ TO 33622
– Rory Petzer SMS ‘CARS3’ TO 33622
– Sam from TheCarScene SMS ‘CARS4’ TO 33622
– Shane Assad SMS ‘CARS5’ TO 33622
– Tebogo Moropa SMS ‘CARS6’ TO 33622

Emerging Creator Award, backed by Creator Club

– Anica Kiana SMS ‘EMERGING1’ to 33622
– Isaac Mehlape SMS ‘EMERGING2’ to 33622
– Sibo Mchunu SMS ‘EMERGING3’ to 33622
– Sine_rsa_ SMS ‘EMERGING4’ to 33622
– Socially Jordie SMS ‘EMERGING5’ to 33622

People’s Choice Award

– Anika Dambuza SMS ‘CHOICE1’ to 33622
– Garfieldzar SMS ‘CHOICE2’ to 33622
– Grace Mondlana SMS ‘CHOICE3’ to 33622
– Olwethu Ncapayi SMS ‘CHOICE4’ to 33622
– Tanaka Dube SMS ‘CHOICE5’ to 33622

Non-Public Voting Categories:

Telkom Best Online Series Award

– Awkward Dates by Lasizwe
– Hungry & Shameless
– Kickin it with Kim Jayde
– SABS Network
– The Adventures of Noko Mashaba

947 Sound of Tomorrow Award

– Chesrae Megan
– Carter Najar
– Lordkez
– Lukiemusic
– Mikhalé Jones
– Teagan’s Things

Dance Creator Award

– Chad Jones
– Benny Jnr
– Ludopie
– Rudi Smit
– TDO Thando

Style Award

– Kimos
– Lue & Rue
– Pumla Dineo
– Wisemanzither
– Yasmin Furmie

Best Online Social Series Award

– Dalin Oliver
– Nuri Gallow
– Simo Ziqubu
– Stefan van der Merwe
– Vafa Naraghi
– Zayaan

Best Creator x Brand Collaboration Award

– Baxbara – Delicious Festival
– Lukiemusic – #IAmOriginal88
– Nabilah Kariem – Le Creuset
– Nabilah Kariem – Samsung
– Sni Mhlongo – Vaseline

Expert Voices Award

– Bella Monsoon
– Kriya Gangiah
– Miss Angler
– Stefan van der Merwe for We Do Tech
– The Conscious Psychologist

Trendsetter Award

– Anika Dambuza | The City Makoti
– Grace Mondlana
– Kim Jayde
– Lingling
– Primo9teen

Podcast of the Year Award

– GenC Podcast
– Mindset Profits
– SMWX
– The Makhs
– The Sias du Plessis Show
– Wisdom & Wellness

Impact Creator Award

– Conrad Koch & Chester Missing
– Joshwideawake
– Shandor Larenty
– Nick Hamman
– Theshaya

Best Comedy Content Creator Award

– Céline Tshika
– Ikho
– Sipho2skiits
– Tanaka Dube
– Titus Mokou

Wildcard Award

– Lindosasmr
– Nathan Molefe
– Yombusoo Cthandiweii
– Zinhle Africa

Thumb-stopping Award

– Céline Tshika
– Chris Rogers
– Kaytee Shots
– Planettobii
– Vafa Naraghi

CONTENT CREATOR AWARDS
https://contentcreatorawards.co.za

Penquin Appoints New Chief Creative Officer And New Strategy Director

Penquin Appoints New Chief Creative Officer And New Strategy Director
Lerato Moleko and Albert De Andrade, Penquin.

The appointment of Albert De Andrade as Chief Creative Officer and Lerato Moleko as Strategy Director marks a significant milestone in Penquin’s growth trajectory, uniting decades of combined industry experience across creative excellence, business consulting, brand strategy, and commercial growth. Together, De Andrade and Moleko will lead the agency’s creative and strategic engines, reinforcing Penquin’s commitment to being a growth challenger partner to clients.

‘We are incredibly excited to welcome Albert and Lerato to the Penquin leadership team,’ said Veronica Moleele, CEO at Penquin. ‘Both bring an exceptional depth of experience, but perhaps more importantly, they share our belief that the best work happens when strategy, creativity and business thinking come together from the very beginning.’

She added ‘Our industry is changing rapidly, and our clients are navigating increasingly complex business and communication challenges. Albert and Lerato strengthen our ability to bring different disciplines together around those challenges, helping us create work that is not only creatively powerful and strategically sound, but genuinely capable of moving businesses forward.’

A New Chapter For Creativity At Penquin

With more than two decades in the advertising and marketing industry, Albert De Andrade joins Penquin as Chief Creative Officer. An award-winning creative leader, De Andrade has crafted memorable, high-impact campaigns for iconic global and local brands including Anglo American, Castle Lager, Coca-Cola, Discovery, DStv, Ford, Gillette, PepsiCo, P&G, and Vodacom.

De Andrade’s leadership philosophy rests on the conviction that powerful creativity happens where business ambition, strategic intelligence, and human imagination meet. In his role as CCO, he aims to cultivate an agency culture where creativity serves as a catalyst for business growth and agency-client relationships evolve into genuine, long-term commercial partnerships built on trust, courage, and measurable impact.

Strengthening The Agency’s Strategic Capability

Bringing 14 years of experience across business consulting and brand strategy, Lerato Moleko steps into the role of Strategy Director. A seasoned communications practitioner, Moleko specializes in inter-agency collaboration, leveraging digital marketing, and harnessing deep media insights to unlock new growth opportunities for brands.

Moleko has spearheaded strategic planning at many of Africa’s largest agency networks, including FCB Africa, Wunderman Thompson, Edelman Africa, and Ogilvy South Africa, managing key accounts such as South African Tourism, Telkom, Unilever, and Mondelez.

The appointments reflect Penquin’s broader ambition to build an agency where strategy and creativity work in closer partnership, with both disciplines connected to the commercial realities facing clients.

Moleele believes this integration will become increasingly important as brands navigate a rapidly changing marketing landscape.

‘Great creative work starts with a deep understanding of the challenge it needs to solve, while great strategy only becomes meaningful when it is brought to life through ideas that people can genuinely connect with,’ she said. ‘Albert and Lerato bring two incredibly important perspectives to our business, and we’re excited about what becomes possible when those perspectives work alongside each other and the exceptional talent already within Penquin.’

With both leaders stepping into their roles, Penquin continues to solidify its reputation as an agency that blends creative agility with strategic depth, helping brands move from simple visibility to true market memorability.

PENQUIN
https://www.penquin.co.za

Humanz Appoints New Country Manager For South Africa

Humanz Appoints New Country Manager For South Africa
Mpumelelo (Mpumi) Zondi, Humanz.

Mpumelelo (Mpumi) Zondi joins Humanz at a defining moment, as the marketing ecosystem undergoes a massive structural shift towards AI-driven automation. In his new role, Zondi will spearhead local operations from the Johannesburg office, scale brand partnerships, and drive Humanz’s next phase of African market expansion.

His appointment coincides with a series of major upcoming AI releases from Humanz set to redefine how marketers deploy budgets, how creators commercialise their work, and how the broader industry operates. Zondi has built a formidable reputation for helping organisations simplify corporate complexity, and unlock high-impact brand experiences.

Leading The AI Frontier In Marketing

As social media platforms shift third-party data targeting entirely over to proprietary algorithms, creative and data-verified creator media have become the ultimate growth levers for brands. Humanz sits at the absolute intersection of this shift, utilising a compounding AI engine to integrate creator data with deep full-funnel attribution across key ecommerce marketplaces.

Zondi, who has over 20 years of heavyweight experience across communications, advertising, and public relations, is uniquely equipped to lead this charge. Prior to joining Humanz, he was Head of Brand and Global Client Lead at Edelman, managing critical footprints across the likes of Amsterdam, Riyadh, Lagos, and Johannesburg. He is also the Founder of PROMPT189, a pan-African brand innovation consultancy dedicated to integrating AI-powered efficiency and cultural intelligence into commercial business models.

‘Africa is hugely commercially viable,’ Zondi enthuses. ‘The challenge with life on the continent is that beyond investing in and building big companies, we need to think about the role that a brand can play, not only as a line item, but as an investment that increases a company’s overall valuation.’

Empowering Youth Beyond The Transaction

Beyond technical innovation, Zondi’s leadership addresses a critical industry need: inspiring, mentoring, and challenging human standards in an AI-dominant world. An alumnus of Harvard Business School Online, Zondi describes himself as an innovation and AI enthusiast, a mentor, and a self-styled ‘VP of Book Consumption and Academic Curiosity.’

‘What drew us to Mpumi isn’t just his corporate track record; it’s how he develops people,’ said Pierre Cassuto, co-founder and global CMO at Humanz. ‘The global tech landscape is sprinting towards AI, but technology is only as good as the community it powers. As we roll out major AI updates that change the game for marketers and creators alike, we need leaders who can challenge standards and inspire young talent to rise to their full potential. Mpumi has spent his career doing exactly that.’

Zondi will leverage his executive coaching expertise, notably his proprietary ‘Spheres of Influence’ framework, to sharpen internal company culture, mentor senior leaders, and bridge the gap between corporate marketing needs and the agile, fast-moving creator economy.

‘We find ourselves at the absolute forefront of turning influencer marketing into a quantifiable business growth lever,’ said Zondi. ‘But in a world increasingly run by algorithms, transformative human leadership is more vital than ever. I am a firm believer in the rise of the African century and the immense potential of our youthful continent.

‘In a country like South Africa, where we face massive challenges with youth unemployment, a platform like Humanz has an incredibly important role to play. This goes far beyond the transactional element of just creating content; it is about giving people the dignity to earn a living, build pride, create their own businesses, and go on to generate sustainable wealth. By using leading-edge technology, we can enable young Africans to rise financially and look after their families. I look forward to working with our agile team to help South African brands move and scale with absolute confidence.’

HUMANZ
www.humanz.com

Communication Is A Line Item That Reduces Risk

Communication Is A Line Item That Reduces Risk .

Sue Blaine, senior writer and editor at Flow Communications, outlines why communication is a risk management tool. If you have ever felt a jolt of annoyance when someone solved a problem for you without asking what you actually needed, you already understand community resistance. It is a reasonable response to being handed an outcome you had no hand in shaping.

Consider what happened when e-tolling was imposed to fund the Gauteng Freeway Improvement Project. The design and engineering was technically expert, and the gantries, cameras and billing platforms worked precisely as designed from the system’s December 2013 launch. But the system was formally scrapped in 2024, defeated by years of mass non-compliance, protest and litigation led by the Organisation Undoing Tax Abuse (OUTA) and others.

‘The failure of the e-toll scheme was evident within months of its launch,’ said OUTA CEO Wayne Duvenage. ‘Compliance levels peaked at around 40% during the first six months and then declined steadily thereafter. By mid-2014, it was clear that the scheme lacked public support and was not financially sustainable.’

In the years when the South African National Roads Agency was trying to get people to comply with e-tolling, it made a common mistake. It repeatedly presented a technically sound argument that all over the world the ‘user pays’ principle is used to fund large public infrastructure projects. Gauteng’s residents were having none of it. The problem, among others, was that they felt that they had not been consulted before funding and other project decisions were made.

Communities don’t evaluate a project against its technical specification, they look at what a project means for them. They worry about dust, noise and commute disruption from an infrastructure project, or how they remember they felt when visiting researchers left, never to be heard from again, after asking them probing questions about their personal lives.

The costs of a consent failure are concrete and can be enormous: delays, litigation, security, redesign and, as the e-tolls show, even abandonment. Set against those, the cost of consulting properly is negligible.

Yet, often communication is viewed as part of marketing, something to be done once the project has been beautifully built, when actually, it is a risk management tool.

After the 2017-2022 National Strategic Plan for HIV, Tuberculosis (TB) and sexually transmitted diseases (STIs) drew criticism for being insufficiently consultative, the South African National AIDS Council (Sanac) set out to make sure the government’s 2023-2028 plan did not suffer the same fate.

The award-winning campaign that followed included social media, radio, influencers, media relations and thought leadership and used a number of the country’s official languages to reach tens of millions of South Africans.

Sanac brings representatives from all sectors of society, including health workers, scientists, civil society, government, development partners and ordinary South Africans, together to develop a collective response to HIV, TB and STIs in South Africa, making it one of the best-placed organisations to ensure proper consultation on the government’s national plans.

The campaign, which won a silver PRISM award from the Public Relations Institute of Southern Africa in 2023, was a large part of the reason the 2023-2028 national strategic plan was dubbed ‘the people’s plan’.

‘We drew up a communications strategy that put a coordinated mix of social media, radio, influencer partnerships, media relations and thought leadership to work to deliver this goal, in multiple official languages, and we are thrilled that we helped Sanac’s message reach tens of millions of South Africans and invite them into the conversation,’ said Flow Communications head of public relations Caroline Smith.

South Africa’s National Research Foundation and Human Sciences Research Council are working on a multi-year research project into how young people in the Global South use their relationships to other people and the environment to promote their well-being. A fascinating aspect of this project, which is called u’Good?! and funded by the Swiss philanthropic organisation Fondation Botnar, is that it views it as foundational to involve the subjects of this research, young people, in the development and execution of what it examines.

‘By centring young people as collaborators rather than subjects, working across disciplines and across the South, and holding open the question of what well-being actually means in different contexts, the programme contributes to a realignment of theory, practice and politics towards a more just world for young people in the Global South,’ said one of the research leaders, Dr Angelique Wildschut.

The participatory research methods that the u’Good?! project is using recognise the complex nature of human behaviour, and the limitations of qualitative research methods, which, while useful, cannot tell the full story. Research has shown that when people are encouraged to take part in developing social research programmes from the start, the result is more meaningful community engagement throughout the project.

This is the part that tends to get lost when communication is filed under marketing. Consultation is not a sign-off you collect once the decisions are made. It is the process of giving people something real to influence, early enough that their input can still change how a project is planned.

A community that has shaped a project has a stake in its success. A community presented with a finished project has only the option of accepting or resisting it, and opposition is very often the response, purely because a community feels that decisions are being imposed on them.

The practical implication is a scheduling one. Communication belongs in the project plan alongside the technical surveys and the legal due diligence, not in the launch budget at the end. It is a line item that reduces risk, and it should be costed and timed as such.

FLOW COMMUNICATIONS
www.flowsa.com

Virgin Bet South Africa Launches First Brand Campaign Outside The UK

Virgin Bet South Africa Launches First Brand Campaign Outside The UK

Created by South African agency Joe Public and shot by Darling Productions, Virgin Bet South Africa’s first brand campaign outside the United Kingdom moves away from the outcome-led conventions of the betting category.

Rather than leading on winning, ‘A Good Bet’ focuses on the enjoyment across sport and entertainment, from the entertainment of watching a game and the excitement of casino play, to the conversations and shared moments around both – introducing South African audiences to the Virgin Bet proposition through a distinctly local lens.

Brendan Hoffmann, Executive Creative Director at Joe Public said, ‘To launch Virgin Bet in a highly competitive market we needed to make it look, sound and feel different to the usual betting ad. The TV ad is a celebration of what A Good Bet is, and that’s so much more than just winning. It’s the highs and lows, the excitement and anticipation, the big moments and little ones, brought to life in a uniquely Virgin way for a richly diverse South African target market.’

Chloe Coetsee, Director, Darling Productions said, ‘The idea was to hone in on the human truth of how a good bet really feels. The small, instinctive moments of celebration and delight. The slower frame rate meant we could suspend the performances just enough to give it a subtle but still cinematic confidence to cut through a category that usually shouts. It was great to work with a brand and creative team doing something so different in the category.’

The campaign is being rolled out across television, out-of-home, sports programming, digital and social, with the start of the sporting season providing a key moment to build brand visibility.

Television will play a major role in reaching audiences at scale, with sport providing a strong contextual environment for Virgin Bet to connect with audiences. OOH will further build visibility beyond TV, while digital and social activity will extend the campaign’s reach and engagement across the channels audiences use every day.

Gail Odgers, General Manager, Virgin Bet South Africa said, ‘We’re taking a considered approach to building Virgin Bet in South Africa. Right now, it’s about establishing the brand, building familiarity and giving people a clear sense of what we stand for. Once we’ve built that foundation, we can start to place greater emphasis on our products and propositions, giving consumers more reasons to choose Virgin Bet.

‘For us, it’s about building the brand in the right way and making sure we have a strong foundation to grow from. ‘A Good Bet’ is an important first step in that journey.’

The activity represents a significant investment in building Virgin Bet as a brand in South Africa, with this first phase focused on making the brand known, establishing its credentials and building familiarity with ‘A Good Bet’. As that foundation is established, Virgin Bet will place greater emphasis on its products and propositions, and broaden its channel mix over time.

Campaign TVCs are available here, including the 30-second film here and 20-second film here.

Virgin Bet launched in the United Kingdom in 2019 and has since grown into a leading betting brand in that market. Its entry into South Africa earlier this year was the brand’s first expansion outside the UK, and strengthens the presence of parent company LiveScore Group on the continent, alongside LiveScore Bet’s operations in Nigeria. Virgin Bet South Africa operates under licence from the Mpumalanga Economic Regulator.

Responsible gambling is central to the Virgin Bet South Africa platform. The brand provides a full suite of responsible gambling tools, including deposit limits, time-outs and self exclusion options for all customers, alongside rigorous age verification protocols. These are supported by dedicated local customer support teams, with further initiatives planned in South Africa to support safer gambling as part of Virgin Bet’s broader corporate social responsibility commitments.

IRVINE PARTNERS
www.irvinepartners.co.za

Register For The Modern Marketing Expo Now

Register For The Modern Marketing Expo Now

The marketing, branding and graphics industry is changing rapidly and agencies and businesses need to keep up with innovations and trends. Supercharge your offerings with the latest branding and marketing technologies demonstrated live at the Modern Marketing Johannesburg expo. The event is taking place 8-10 September at the Gallagher Convention Centre, Johannesburg.

Speak to experts about solutions that will open new markets as well as increase consumer engagement, brand awareness and profits.

See opportunities and solutions in:

– Branding, advertising and media.
– Promotional products and branded apparel.
– AI design and content technologies.
– Marketing technology.
– Signage, displays and visual communications.
– Print and production technologies.
– Digital experience and engagement.
– Retail and shopper marketing.

Supercharge Your Marketing At The Modern Marketing Power Hour

Industry leaders will share their expertise and insights in the ever-evolving field of marketing at the free-to-attend Modern Marketing Power Hour, taking place in Hall 3 at Gallagher Convention Centre.

Please register online for free attendance to the Modern Marketing Expo, taking place 8-10 September, 9am-5pm at Gallagher Convention Centre. The event is co-located with: Sign Africa, FESPA Africa, Africa Print and Graphics, Print and Sign expos.

MODERN MARKETING EXPO
+27 11 568 1894
https://modernmarketingexpo.co.za

Sign Your Clan Campaign Puts Deaf South Africans At The Heart Of Cultural Heritage

Sign Your Clan Campaign Puts Deaf South Africans At The Heart Of Cultural Heritage

When South Africa recognised South African Sign Language (SASL) as its 12th official language, it marked a historic step towards inclusion. Now, Castle Milk Stout builds on that milestone with Sign Your Clan, a new campaign creating what are believed to be the world’s first formally recognised sign language representations of traditional African clan names.

Sign Your Clan brings SA Sign Language, African heritage and linguistic innovation together, creating a more inclusive way for more than 4 million Deaf and hard-of-hearing South Africans to connect with their cultural identity and heritage.

Rather than translating existing language, the campaign creates new signs for clan identities that have historically been expressed primarily through spoken or written language.

Language As Culture, Not Translation

Clan names carry deep significance across South African cultures, representing lineage, ancestry and belonging. Yet many had no established signs within SASL.

Castle Milk Stout worked with SASL specialist, educator and Hands-On Creatives founder Mmatlou Moloto, to develop seven clan signs. The signs were vetted and approved by the Pan South African Language Board (PanSALB), formally integrating them into South Africa’s linguistic framework.

‘Language is far more than communication; it is an expression of who we are, where we come from and where we belong,’ said Moloto.

‘SASL becoming our 12th official language was a historic step, but language is living and continues to evolve. Sign Your Clan demonstrates how language, culture and identity can come together to create greater inclusion and participation.’

From Campaign Idea To Cultural Practice

Sign Your Clan was taken beyond traditional advertising and into a real cultural setting through the traditional wedding of a Deaf couple, where the newly developed Zulu clan sign was incorporated into the celebration and family gift exchange.

The wedding also featured calabash, blanket and reed mat designs inspired by various cultural motifs and African heritage, alongside hands and clan totems, bringing the language innovation into a lived cultural experience.

For Castle Milk Stout, this campaign extends its longstanding connection to African culture into a contemporary context.

A New Model For Brand-Led Inclusion

Rather than simply adapting existing communication for accessibility, Sign Your Clan contributes to language development itself, shifting the conversation from representation towards participation.

‘Castle Milk Stout has always celebrated richness in flavour, culture and identity,’ said Thomas Lawrence, Brand Director at South African Breweries.

‘Helping expand South African Sign Language through clan names allows us to honour heritage while making it more accessible and shareable across communities.’

Why It Matters

For marketing and advertising, Sign Your Clan demonstrates how a brand can contribute to moving communities forward with something tangible to culture and African heritage.

By creating new clan signs that have been formally approved and can continue to evolve, the campaign has the potential to live beyond the advertising itself, turning a brand idea into a lasting cultural contribution.

To learn, sign and share your clan, watch video here or visit Sign Your Clan.

SIGN YOUR CLAN
https://www.castlemilkstout.co.za/signyourclan

Building The Foundation For A Robust Radio Currency

Building The Foundation For A Robust Radio Currency

The Broadcast Research Council of South Africa’s (BRC) chief role is to commission and oversee the delivery of radio and television audience measurement research for broadcasters and the advertising and marketing industry. The BRC has issued an update on the progress of its new Radio Audience Measurement Survey (RAMS), as the programme moves towards completion of its first full annual reporting sample. The survey has now passed 29 000 respondents as Wave 4 fieldwork nears completion, marking a key milestone towards the country’s next radio trading currency.

Following the successful completion of the first three waves of fieldwork, RAMS has achieved a cumulative sample of 29,380 respondents, exceeding the three-wave target of 27 000. This means that more than 75% of the designed annual reporting sample of 36 000 respondents has already been completed.

Wave 4 fieldwork is currently under way and is expected to conclude at the end of September 2026. Its completion will mark an important milestone for the new measurement system, providing the first complete annual sample on which the new RAMS currency has been designed.

The new RAMS was commissioned by the BRC to establish a robust, independent and future-focused radio audience measurement currency for South Africa. GfK, an NIQ company, was appointed by the BRC to design and deliver the new service, bringing established audience measurement expertise and experience from markets internationally.

The study has been designed around a large national sample of 36 000 respondents per annum, providing the scale required to measure South Africa’s diverse radio market across demographic groups, provinces and geographic areas.

The first three waves of RAMS fieldwork were conducted by GfK between September and November 2025, January and March 2026, and April and June 2026 respectively.

Importantly, the sample has continued to strengthen as successive waves have been added, with improvements in representation among demographic groups that required additional sample development, including white respondents, males and people aged 55 and older.

The RAMS sample is deliberately disproportionate across metropolitan, urban and rural areas to ensure sufficient sample sizes for meaningful analysis within different population groups. The resulting data is then weighted to restore the correct population proportions and ensure that the final outputs are representative of the South African population.

A Picture of South Africa

Beyond its role in measuring radio audiences, the scale of RAMS provides a detailed view of South Africa’s population aged 15 and older.

The RAMS universe currently represents approximately 45.3 million South Africans aged 15+. Of this population:

– 49% are male and 51% female
– 22.4% are aged 15–24
– 23.2% are aged 25–34
– 21.8% are aged 35–44
– 13.9% are aged 45–54
– 9.6% are aged 55–64
– 9.0% are aged 65+

The population is also geographically diverse. Gauteng represents approximately 26.7% of the 15+ population, followed by KwaZulu-Natal at 18.9%, the Western Cape at 12.8% and the Eastern Cape at 10.8%. Limpopo accounts for 9.4%, Mpumalanga 8.0%, North West 6.5%, Free State 4.8% and Northern Cape 2.1%.

This data set gives media planners, agencies and advertisers a current, evidence-based view of the South African population that extends beyond radio listening alone.

Designed For South Africa

RAMS uses a combination of face-to-face recruitment and digital data collection to ensure that different parts of the South African population can participate in the study. Across the first three waves, 85.3% of diaries were placed face-to-face, while 14.7% were placed through online panels.

This blended approach is important in a market as diverse as South Africa, where levels of connectivity and digital participation differ considerably across geographic and demographic groups.

The methodology is supported by a comprehensive weighting framework designed to account for the disproportionate sample design and ensure that the final data reflects the underlying population.

From Rebuilding To Currency

The completion of Wave 4 represents more than another fieldwork milestone. It will complete the first full annual sample for the new RAMS and provide the industry with the depth of data required for the next stage of the currency’s development.

BRC’s CEO Gary Whitaker said the progress represents an important milestone for South Africa’s radio industry.

‘When we embarked on the new RAMS, our objective was not simply to replace the previous survey. We wanted to build a radio measurement currency that reflects South Africa today and provides the scale, methodological rigour and stability required by broadcasters, agencies and advertisers,’ said Whitaker.

‘With almost 30 000 respondents already represented across the first three waves, we are now approaching the completion of the first full annual sample. That is an important milestone, not only for the BRC but for the entire radio and advertising industry.

‘The focus throughout this process has been on getting the foundations right. A trading currency carries a significant responsibility, and it is important that the industry can have confidence in the methodology, the sample and the governance behind the numbers,’ Whitaker added.

What Happens Next

The BRC will provide further information on the RAMS release programme following completion and validation of Wave 4. This will include confirmation of the timeline for the next stage of reporting, building on the methodological review process the BRC has followed throughout the RAMS development.

No radio audience, listening or station-level data is being released as part of this update. The purpose of this communication is to provide the market with an update on the progress of RAMS and the development of the population and sample foundation underpinning the new currency.

The BRC thanks broadcasters, media agencies, advertisers and research partners for their continued engagement and support as RAMS is established to the highest standards of audience measurement governance and technical rigour.

BRC
https://brcsa.org.za/

Ornico Strengthens Leadership With New Appointment

Ornico Strengthens Leadership With New Appointment
Hopolang Mothibeli, Ornico.

Ornico, an African brand intelligence company, has appointed Hopolang Mothibeli as Commercial Director: Strategic Partnerships and Market Intelligence, strengthening its leadership across advertising intelligence, media research and ad-spend analysis.

Mothibeli joins Ornico from AGB Nielsen Media Research South Africa, where she served as Associate Director and Commercial Lead. She played a leading role in Nielsen’s advertising intelligence offering, working with agencies, advertisers, broadcasters, media owners and other industry stakeholders to interpret advertising activity, identify ad-spend patterns and extract greater value from market data.

Her appointment comes as the industry’s need for dependable advertising intelligence becomes increasingly important. Agencies need to benchmark investment, advertisers need to understand competitor activity, and media owners need visibility into the categories and brands driving the market.

Ornico intends to help provide that continuity while developing advertising-intelligence capabilities that reflect South African market realities and international best practice.

‘We’ve been in the ad-spend game for over two decades, but the arrival of Hopolang Mothibeli still feels like a massive win for us. She’s a veteran who truly ‘gets’ the perspective of both broadcasters and agencies. After years of collaborating on industry councils, I know her experience is second to none, but it’s her commitment to the industry’s growth that makes this partnership so exciting. Welcome to the team, Hopolang,’ said Oresti Patricios, CEO of Ornico.

Mothibeli brings more than 15 years of experience in business development, account management and media research, including nine years focused specifically on media research and measurement.

Her expertise spans advertising intelligence, ad-spend analysis, audience measurement and custom media research. She has developed and commercialised data-led solutions, managed strategic industry relationships and supported clients across retail, automotive, telecommunications, FMCG and financial services.

In her role as Commercial Director: Strategic Partnerships and Market Intelligence, Mothibeli will spearhead Ornico’s next phase of commercial growth during a pivotal transition for the local landscape. As traditional legacy providers move out of the South African market, a significant gap has emerged for dependable, locally-rooted data. Mothibeli will lead the charge in filling this void, deepening relationships with key clients and industry partners while evolving Ornico’s intelligence capabilities to ensure the industry retains the continuity and precision it requires to navigate this new chapter.

‘I am inspired by Ornico’s mission to provide an All-in-One brand and reputation management solution, offering both advertising and media monitoring, and I am excited to lead Ornico into the era of comprehensive advertising intelligence services with global taxonomy standards,’ sayid Mothibeli.

Mothibeli holds a Master of Management degree in Strategic Marketing from Wits Business School and an Honours degree in Strategic Brand Communication from Vega School. She is also a member of the IAB South Africa Research and Measurement Council, where she contributes to industry discussions around research, data and measurement. Her appointment is an early indication of Ornico’s broader ambitions in advertising intelligence, with further developments to be announced in due course.

ORNICO
https://ornico.co