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IAB Announces Finalists For The 2025 Bookmark Awards

IAB Announces Finalists For The 2025 Bookmark Awards

The Interactive Advertising Bureau (IAB) South Africa has announced the 2025 Bookmark Awards finalists. These selected front-runners represent the full spectrum of the digital economy, from emerging talent and new platforms to legacy brands that are driving forward-thinking ideas.

This year’s finalists span a powerful mix of industry heavyweights and digital disruptors, from KFC, Cadbury, Nedbank, Standard Bank, Clicks, City Lodge Hotels, Audi South Africa, Spotify, PepsiCo, Showmax, Sanlam, Volkswagen, Toyota, and McDonald’s, to rising digital startups, niche publishers, and purpose-led campaigns.

The awards span across eight major pillars, highlighting the multifaceted nature of today’s digital work:

Platforms: from brand websites and mobile apps to public service platforms, finalists include Clicks, Audi, Profmed, City Lodge Hotels, and more.

Community: social innovation and community-building campaigns from LEGO, Chicken Licken, Unilever, Old Khaki, and Oreo, among others.

Channels: work across paid search, SEO, display, native, influencer marketing and social innovation includes heavy hitters like Payflex, Inverroche, Debonairs Pizza, Mr D and Nivea.

Publishing: From News24’s hard-hitting investigative journalism to Jacaranda FM’s podcasting and Primedia’s election coverage, this year’s publishing entries reflect media’s vital role in democracy.

Campaign: featuring standout storytelling and strategic executions from the likes of Sanlam, Amnesty International SA, and Heineken Beverages.

Craft: precision in copywriting, UX, interface design, and use of sound is on display from Ogilvy, MakeReign, Joe Public, and VML South Africa.

Emerging Tech: AI-driven campaigns from Standard Bank, Momentum, Unilever and Cadbury explore how tech is transforming customer journeys.

Special Honours: categories like Best Digital Student, Digital Rising Star, Best Contribution to Transformation, and Pixel for Purpose spotlight the people and projects changing the industry from within.

These represent only a few of the innovative brands driving some of the most exciting campaigns today. Access the complete list of finalists here.

The final winners will be revealed at a glamorous gala event on 14 August 2025 at The Galleria in Sandton, bringing together the industry’s brightest brands, and most creative change makers. Tickets are now available on the official Howler website.

Introducing The Bookmarks Rankings

IAB SA will be introducing the inaugural Bookmarks Rankings in 2025, providing a definitive performance benchmark across agencies, publishers, and brands in the digital space. Between 15 August and 19 September, agencies will have the opportunity to update their credits via the Loeries portal. Rankings will be released in mid-November 2025, providing long-term recognition of creative consistency and campaign effectiveness. More information will be made available on the Bookmarks website in due course.

IAB SOUTH AFRICA
https://iabsa.net/  

Effective Loyalty Programmes Encourage Consumer Love

Effective Loyalty Programmes Encourage Consumer Love
Riaz Galant, Achievement Awards Group.

Riaz Galant, Commercial Director at Achievement Awards Group, says customer loyalty is a figurative holy grail of business. This is because long-term customers have a higher lifetime value to companies, while acquiring a new customer can be between five and 25 times more expensive than retaining an existing one. This is why businesses invest heavily in customer loyalty programmes. Unfortunately, many loyalty programmes don’t really work, and while they may get customers back a few times, those customers need little persuading to switch to a competitor.

An obvious but important point to make is that customer loyalty is a product of much more than a loyalty programme. No loyalty programme is going to help if your pricing is out of kilter, if your staff are unhelpful or rude, or if your return policy is unfair. Assuming no other impediments, a poorly designed loyalty programme will still not engender long-term loyalty.

It may succeed in eliciting fleeting but unsustainable feelings of goodwill in a customer, akin to a ‘like’ on social media. These transitory ‘likes’ are soon forgotten and disposable, the epitome of short-term attention, and the antithesis of long-term affinity. This is true not just on social media, but in real life, as illustrated by the ‘hedonic adaptation’ theory: that positive experiences may temporarily boost our feelings of happiness, but we will return to a baseline level of wellbeing. We may be pleased with the new television we bought, but in time will want a bigger or newer one. The feeling of ‘liking’ ultimately does pass.

The million-dollar question is: how can it be sustained?

From Transactional To Relational

Long-term good feelings all start with ‘liking’. Sometimes that grows into love. The difference between poor and excellent loyalty programmes is in how they fail or succeed to grow liking into loving. The best ones build loyalty deeply and sustainably.

It’s easy to make a start and to achieve the most basic level of liking in a customer. A customer changes their behaviour to buy from or support your business. So, you give them some points or a small discount or a free item in return. It’s a simple exchange, nothing wrong with it, but still transactional at this stage.

Now, ‘if your motive is simply to drive a sale, a transaction, you can use a transactional reward. This is the bulk of the industry, and it comes from behaviouralism. You design a specific consequence (good or bad) for a specific behaviour and you are reinforcing or discouraging that behaviour, that’s fine.’ But what if you want more than just a sale?

According to research by the Incentive Research Foundation ‘from there, you can go up the spectrum, from trying to drive a behaviour to developing a long lasting relationship.’ To go beyond transactional and into relational, you need to make the exchange emotional, building positive emotions, repeatedly, consistently, over time. The stronger those good feelings become, the more powerfully they influence a customer’s behaviour.

In Thinking, Fast and Slow, Nobel Prize winner Danial Kahneman posited that we have two ways or ‘systems’ of thinking: fast, which is instinctive and emotional, and slow, which is deliberative and logical. Perhaps the most impactful takeout of the book was not that we have two ways of thinking, but that the ‘fast’ emotional system is much more powerful and influential in our decision-making. This upended previous assumptions that humans are primarily rational creatures. It’s also been confirmed by Gallup research, which found that ‘about 70% of decisions are based on emotional factors and only 30% are based on rational factors’.

The second million-dollar question is: how do you make the relationship emotional?

From Extrinsic To Intrinsic Motivation

A company-customer relationship can begin transactionally. Think about the ubiquitous ‘buy ten and get the next one free’ favoured by many coffee shops. Customers are driven by something external or outside of themselves – the free, eleventh cup of coffee. But somewhere between the first and tenth cups of coffee, a customer’s motivation might start to become more internal and emotional. Perhaps the barista remembers her by name. And then, how she likes her coffee. Or, perhaps, the coffee shop uses only organic ingredients, and cups made from recycled materials, and offers a discount if you bring your own thermos, all of which aligns with the customer’s own values and makes her feel good about supporting the coffee shop.

By the eleventh cup, the customer is already feeling a degree of emotion and affinity to the shop. She is choosing to support it not just because of the promise of a free cup of coffee, but because she likes the coffee shop’s ethos and feels good when she goes there. The customer may be starting to develop the beginnings of something that is not yet love but is more than just like. And perhaps the ‘hello, Julia, here’s your skinny latte’ is just the beginning of a relationship that feels personal. Perhaps, for her hundredth cup, the coffee shop gives Julia a thermos, personalised with her name on it.

But what about businesses that don’t get visited every day? What about tyre manufacturers, for example, who most of us only visit every few years? There are ways to build relationships between those visits. A coalition loyalty programme, involving other non-competitor brands in different categories, might keep David engaged because he likes the programme partners, some of which he is already a loyal customer of. Or he might have expressed a strong interest in mechanics or cars and get free subscriptions to relevant sites. Or he might have expressed a strong interest in racing and get news about racing via a newsletter, and receives discounts to motor events, and can enter exclusive competitions for a trip to a Grand Prix, even in years he may not have bought tyres. Albeit more slowly than Julia is with the coffee shop, David is building positive feelings for, and a relationship with, the tyre brand.

In both the coffee shop and tyre examples, we see evidence of things like relevance, personalisation, alignment with values, and a sense of mutual appreciation. In these and other ways, good feelings are nurtured, emotion-based, intrinsic motivation is strengthened, and relationships are formed. This is the kind of long-term loyalty, perhaps even love, that keeps customers coming back, repeatedly and regularly.

In both the coffee shop and tyre examples, it’s more than just a freebie or discount. It’s a sense of feeling valued, appreciated and rewarded emotionally for my business. There is a mutual reciprocity that isn’t seen on a bank statement but is felt on a human level.

The Real Deal Is More Than Just A Good Business Deal

There’s a difference between an off-the-shelf or standard-issue loyalty programme and one that actually pays dividends for years. The former operates exclusively at a transactional and superficial level: do this, get that.

The latter works at an emotional level: do this, feel that. This is what turns an introduction into a relationship. And it’s true of any relationship, whether it’s with a person we meet or a company we buy from. The difference between a poor loyalty programme and an outstanding one comes down to how well it helps to grow positive feelings, from like to love.

ACHIEVEMENT AWARDS GROUP
https://www.awards.co.za/

Be A Speaker At The Modern Marketing Power Hour Sessions

Be A Speaker At The Modern Marketing Power Hour Sessions

We are looking for industry leaders to share their expertise and insights in the ever-evolving field of marketing, branding and advertising at the Modern Marketing Power Hour sessions, taking place 9-11 September 2025.

There will be a presentation each day from 9-11 September at the Modern Marketing Expo, taking place at Gallagher Convention Centre. If you are interested in being a speaker for one of the daily slots, please email: meggan@practicalmedia.co.za. Presentations will be about 40 minutes each and will address a topic specific to marketing, branding or advertising.

The Modern Marketing Expo will be a showcase for the latest branding, marketing, graphics, signage, promotional products, and other solutions.

MODERN MARKETING EXPO
+27 11 568 1894
https://modernmarketingexpo.co.za

Cepacol® Announces New Brand Voice

Cepacol Announces New Brand Voice
Voice of Cepacol, Mduduzi Sibeko.

Cepacol® has announced the winner of its national Voice Search competition, unveiling Mduduzi Sibeko as the new official voice of the brand in South Africa.This event marked the successful conclusion of a campaign that put the power of brand voice selection directly in the hands of the public. For the first time, Cepacol invited consumers to help choose who would become the Voice of Cepacol.

The campaign, launched in June 2025, encouraged aspiring voiceover artists nationwide to audition, after which a panel selected ten finalists. Their voice clips were uploaded to a dedicated microsite for public voting. South Africans eagerly participated in the voting process, casting scores of votes for their favourite voice to democratise the selection. This innovative approach ensured that the winning voice was truly the people’s choice, aligning with the campaign’s objectives to build consumer engagement, modernise the brand’s voice, and reinforce relevance among South African consumers.

Mduduzi emerged as the competition winner after securing the most votes from the public. His relatable and authentic vocal style resonated strongly with voters, making him the ideal choice to represent Cepacol’s local voice. Mduduzi will be featured as the voiceover in upcoming Cepacol radio, digital and in-store campaigns, effectively becoming the vocal personality of the brand in the future. In addition to the title, the winner gains a unique opportunity to elevate their voiceover career by partnering with a nationally recognised brand.

Phemelo Kabini, Brand Manager for Cepacol at Adcock Ingram, shared, ‘The brand is positioned as a locally trusted, quick-relief throat-care brand that’s modernising its voice and outreach through participatory, digital-first marketing. By handing over the reins to our consumers, we ensured the new voice of the brand is one they genuinely connect with. This campaign was designed to engage our community in a fun and modern way, and the response exceeded our expectations. We’ve not only found a fresh voice for our ads, but we’ve also shown our audience that we value their input at every step. We like to say, ‘There’s a Cepacol for that. And now there’s a voice too!’ which truly captures the spirit of this initiative.’

The campaign was developed in partnership with Anomaly, an integrated digital marketing agency. Paul de Chalain, agency founder and head of strategy, expressed, ‘Cepacol has evolved from a familiar cough‐and‐cold staple into one of Adcock Ingram’s most digitally forward OTC (over the counter) brands. The creative approach to this recent competition has sharpened its relevance with younger, social-first audiences. This was a deliberate shift from purely broadcast advertising to participatory storytelling, using a digital-first asset mix to keep media spend efficient and trackable.’

De Chalain added, ‘From the outset, we wanted this campaign to shift perceptions around how brands engage talent and tell their stories. By making the search public, we invited South Africans to co-create a piece of the brand’s future and ultimately decide who best reflects their own voice and values. It was a bold move to hand over that power, but it paid off with immense engagement, fresh energy, and a brand connection rooted in authenticity.’

CEPACOL
https://cepacol.co.za

Machine Wins Email Marketing Award

Machine Wins Email Marketing Award

Machine has clinched Best Internal Email at the 2025 You Mailed It Email Marketing Awards for its Earth Hour email campaign. Machine’s Earth Hour Mailer turned a routine internal mailer into an interactive, energy-saving experience. By switching to dark mode and encouraging Sanlam employees to reflect on their daily energy habits, the email campaign went beyond awareness, it modelled change.

This marks the second consecutive year the agency has taken home the accolade. ‘This campaign is a brilliant example of how creativity and purpose can come together to inspire action. It wasn’t just a message about Earth Hour, it showed us how small steps can add up to real environmental change,’ said Inga Bosch-Cloete, Senior Manager: Group Internal Communications at Sanlam.

‘When our team, Machine and the Sanlam Group, chose to switch to dark mode for our weekly internal mailer to raise awareness about Earth Hour, it was about more than just function. We wanted to show how small behavioural shifts can add up to meaningful sustainability gains. We’re proud to be recognised for our commitment to environmental awareness and to see Machine’s borderless creativity as content marketing specialists acknowledged and celebrated,’ added Samantha Page, Senior Content Officer at Machine.

Reaching Sanlam employees across 28 African countries, the campaign illustrated how creative thinking, even in something as commonplace as a weekly internal email newsletter, can spark tangible impact.

‘Winning this award two years in a row is a testament to our team’s dedication to pushing boundaries, even in spaces as overlooked as internal email. With Sanlam, we found a partner equally committed to doing more than just saying the right thing, but doing it too,’ said Alex Forrester-Strydom, Business Unit Director at Machine.

MACHINE
www.thisismachine.co.za

CTV Should Be A Core Part Of A Television Strategy

CTV Should Be A Core Part Of A Television Strategy
Leslie Adams, Reach Africa.

Leslie Adams, Sales Director at Reach Africa, says connected TV (CTV) isn’t new, it’s simply the next step in how we watch television. For media planners, that means unlocking bigger budgets, sharper targeting and more engaged viewers.

The media industry loves a shiny acronym. OTT, AVOD, FAST, and now CTV. But in the rush to categorise every shift in viewing habits, we sometimes forget the simple truth: this is still television. CTV isn’t a separate medium. It’s TV, delivered via the internet instead of a broadcast signal or satellite dish.

We’ve seen this evolution play out before. First there was linear TV: live, scheduled programming on free-to-air channels. Then came pay TV, offering more choice and premium content through satellite or cable. Now we have CTV, powered by streaming and smart devices. Different format, same purpose. Viewers are still sitting down to watch shows and movies. They’re just doing it through an app instead of a satellite and decoder.

For advertisers, this means CTV shouldn’t be treated as an add-on to digital plans. It should be considered as part of a holistic television strategy; one that reflects how people actually consume content today.

Active Viewing Means Higher Attention

One of the most important differences between CTV and traditional TV is how people engage with it. With broadcast or pay TV, something is already playing the moment you turn it on. But CTV offers a homescreen, with a menu of apps to choose between. You need to actively engage with it, by deciding what to watch, where to watch it, and when. That makes CTV a highly intentional, active viewing experience.

And that’s good news for advertisers. When someone has made a deliberate decision to sit down and stream a specific show or film, they’re more focused. There’s less background noise, more screen time, and greater attention. Add to that the fact that most CTV content is long-form and viewed on the biggest screen in the house, and you’ve got a premium environment for storytelling, one where well-placed advertising can have real impact.

In a media world obsessed with short-form content and shrinking attention spans, this kind of focus is rare. And it’s a big reason why CTV deserves its place in the TV budget.

App-Switching Is The New Channel-Surfing

Today’s viewers are spoiled for choice. There’s no longer a single destination for great content. Instead, audiences toggle between apps, switching from Showmax to YouTube to Netflix depending on what’s trending or recommended. Just like we used to flip channels, we now jump between platforms. Many big telcos and broadcasters are now even bundling apps, making it easier and more accessible for the viewer to get their content fix.

But more choice means more fragmentation, and less loyalty. Viewers go where the content is, not where the platform is. That makes the discovery phase of the viewing journey crucial. And in this space, the home screen of a smart TV plays a major role.

This is why certain formats, which are positioned directly on the CTV home screen, are so valuable. Before the viewer has chosen what to watch or even which app to open, you have a moment of attention. It’s the new front door to their viewing experience, and brands should be there.

It’s Not Digital Versus TV – It’s The Best Of Both

What makes CTV so powerful is that it offers the impact of TV with the precision of digital. You can target specific audiences, measure performance, and adapt campaigns in real time, all while appearing in a familiar, TV-like environment. It’s not ‘either/or’. It’s both.

And in South Africa, where cost-conscious consumers are increasingly turning to ad-supported options, this model is only becoming more relevant. Platforms are rolling out more advertising video on demand (AVOD) options, and global players like Netflix, Prime Video and Disney+ are already experimenting with ad tiers in other markets. Local adoption isn’t far behind.

Planning Needs To Catch Up

Viewing habits have shifted. Technology has kept pace. But media planning is still lagging. CTV is often dropped into the digital budget or left off the plan entirely. That’s a missed opportunity, especially when audiences are now moving fluidly between linear, pay and connected platforms, often within a single day.

Planning needs to reflect this reality. The TV ecosystem may be broader than before, but the foundation is unchanged.

CTV combines reach, attention and precision. It’s not a fringe channel or a niche experiment. It’s television: evolved, measurable and ready for investment.

REACH AFRICA
www.reachafrica.com

FORGE By Brave To Sponsor Two Key Categories At 2025 New Generation Awards

FORGE By Brave To Sponsor Two Key Categories At 2025 New Generation Awards
Musa Kalenga, Brave Group.

Brave Group is proud to announce that its award-winning AI-powered marketing platform, FORGE by Brave, will be the official sponsor of two prestigious categories at the 2025 New Generation Awards. The sponsorship underscores Brave Group’s ongoing dedication to driving innovation and excellence in the marketing and communications industry, enabling brands to leverage the power of technology for tangible results.

The two prestigious categories include: Best Use of Technical Innovation by an Agency; and Best use of AI in a Corporate Marketing Campaign.

This announcement follows a landmark year for Brave Group and FORGE by Brave. In late September 2024, Brave Group was honoured with eleven accolades at the 2024 New Generation Awards for its pioneering work with Nedbank, all powered by the FORGE platform. These awards recognised campaigns that leveraged FORGE’s advanced AI capabilities to deliver exceptional results, creativity, and local relevance.

Launched in September 2024, FORGE by Brave has acquired 145 customers in just ten months, thanks to its effective and efficient marketing efforts.

‘FORGE is an AI-powered platform that reshapes how campaigns are created, developed and delivered. Connected to the top AI platforms, with FORGE, marketers can input a brief and generate a complete marketing strategy, creative concepts, social media posts, assets, and even production, all in one place, efficiently and effectively,’ said Musa Kalenga, Group Chief Executive Officer of Brave Group.

FORGE by Brave stands out for its user-friendly interface, agility, and ability to strike a balance between data-driven insights and creative execution. The platform enables marketers to implement campaigns quickly, optimise in real-time, and achieve deeper local resonance by catering to the unique needs of emerging markets and diverse cultural contexts.

‘With FORGE, the Brave Group is democratising AI for marketers by giving businesses a tool that brings advanced AI capabilities to all marketers on a single platform that’s easy to use,’ added Kalenga.

Stephen Paxton, founder of the New Gen Awards, stated: ‘We are pleased to collaborate with FORGE by Brave for this year’s New Gen Awards. Within a mere 13 years, this platform has successfully adapted its offerings to meet the needs of a diverse audience comprised of future-ready marketers and creatives.’

‘It is a significant honour to partner with a brand such as FORGE, which has also experienced remarkable growth over the past 10 months, propelled by its effective marketing strategies and operational efficiency. This growth aligns seamlessly with the mission of the awards, which prioritises performance at its core,’ Paxton said.

The awards are recognised as the most significant independent, performance-based accolades in social-first marketing, digital media, AI, creativity, integrated marketing, and online technology. They represent the highest level of achievement in these dynamic fields. Modern Marketing is a proud media partner of the New Gen Awards.

The New Gen Awards celebrate innovators among corporations, agencies, and individuals who implement creative strategies and utilise advanced technology to enhance their brands and products, meeting the changing demands of today’s consumers.

With 60 industry-specific categories, the awards ignite a spirit of excellence and challenge participants to push the boundaries of innovation, setting new benchmarks for all to aspire to. The awards are judged on strategy, innovation, creativity, content, results, reach, and engagement. In 2024, the twelfth edition of the awards attracted over 500 submissions from 120 businesses and agencies.

Enter the 2025 New Gen Awards awards here.

BRAVE GROUP
https://bravegroup.co.za/

African Creatives Serving On Young Guns 23 Jury

SA Creatives Serving On Young Guns 23 Jury

Young Guns is the industry’s only global, cross-disciplinary, portfolio-based awards competition that identifies and celebrates today’s vanguard of young creative professionals. The One Club for Creativity announced the 100+ creative professionals from around the world who will serve on the jury for the global Young Guns 23, including those based in Africa.

This year’s jury includes:

– Alison Hingle, senior creative, Joe Public United, Johannesburg (YG5).
– Adetutu Laditan, founder, creative director, Woof Studios, Lagos.
– Bongiwe Neema Nouse, creative director, The Odd Number, Johannesburg.

SA Creatives Serving On Young Guns 23 Jury
Adetutu Laditan, Woof Studios.
SA Creatives Serving On Young Guns 23 Jury
Alison Hingle, Joe Public United.
SA Creatives Serving On Young Guns 23 Jury
Bongiwe Neema Nouse, The Odd Number.

The complete list of Young Guns 23 judges can be viewed here. The online entry system is open, with the reduced-fee early deadline of August 14, 2025, regular deadline August 28, 2025, and final deadline September 18, 2025. Winners will be announced in December.

The renowned competitions regularly attract entries from upwards of 45 countries, with more than half coming from outside the US.

Levine/Leavitt, a long-time YG partner, will once again offer its Artists-in-Residence Award in which the artist rep firm provides one YG winner with a full year of artist and career management representation.

Also continuing this year is the Levine/Leavitt Young Guns Assistance Programme, open to illustrators and photographers who qualify for YG23 but may not have the means to enter with ease. Successful applicants receive free entry into the competition courtesy of Levine/Leavitt.

All Young Guns winners receive a unique version of the iconic Young Guns Cube, designed exclusively for this year’s incoming class, and have their permanent profile page added to the Young Guns website.

Winners also receive a complimentary one-year One Club for Creativity membership, permanent membership in the Young Guns network, a chance to be featured in Young Guns events and an assortment of career-boosting opportunities from Young Guns sponsors.

Programme branding and design of the Young Guns Cube award itself are reimagined each year by a past Young Gun winner. This year’s branding was created by YG23 jury member Khyati Trehan (YG19), a talented graphic designer and 3D visual artist originally from New Delhi who now serves as senior designer at Google Creative Lab in New York.

YOUNG GUNS 23
https://youngguns.org/

The Future Of Marketing Is Telco-Powered

The Future Of Marketing Is Telco-Powered
Vincent Maher, Broadbrand.

According to Vincent Maher, CEO of Broadbrand, in markets like South Africa, where the number of active mobile connections exceeds the total population at 112% penetration, the potential for branded Mobile Virtual Network Operators (MVNOs) is massive.

Already, retail and financial services players are using telco infrastructure not just to sell SIM cards, but to drive customer loyalty, reduce churn, and open new revenue streams, all while staying in full control of the relationship.

There are customer value management platforms that are built specifically for telco environments, and that give brands what traditional marketing platforms are unable to: telco-native tools for segmentation, churn prediction, real-time engagement, and campaign execution without relying on third-party data or external media buys.

Why MVNOs Are A Marketing Play

Think of the MVNO as a first-party marketing engine. It allows brands to:

– Collect telco-grade data on customer location, usage, recharge behaviour, and more.
– Run direct campaigns via SMS, push notifications, or zero-rated offers.
– Drive retention with exclusive bundles or loyalty perks.
– Cross-sell core products using network-led insights (e.g. insurance top-ups, data bundles for content use).
– Experiment with pricing, bundling, and even AI-powered support in a controlled digital environment.

In global markets, we are seeing niche MVNOs succeed by going deep into customer identity, whether targeting youth, gig workers, rural segments, or fan communities. In South Africa, the success of players like DSTV Internet proves the model: you already own the customer. Now own the interaction.

Automation Makes The Difference

The secret to unlocking this value lies in automation. There are platforms that function as an ‘always-on’ engine for customer value management. Brands can identify at-risk users through machine learning, trigger retention flows based on recharge patterns, or launch seasonal campaigns all without needing a large marketing team or external media spend.

More importantly, because it runs within the MVNO environment, data never leaves your ecosystem. It is secure, compliant, and instantly actionable. And in a world of tightening privacy regulation, MVNOs offer a compliant path to owning first-party engagement.

A Wake-Up Call For Marketers

As digital advertising costs rise and privacy regulations tighten, relying on platforms like Google and Meta to reach your own customers is becoming both expensive and ineffective. For brands with existing scale and community, launching an MVNO has become an important part of marketing.

We are seeing increased appetite across sectors: retailers with loyalty apps, banks with transactional data, and media companies with engaged audiences to name just a few. The ones that act now will not just reduce their dependence on paid media but own the pipeline for personalised engagement, recurring revenue, and long-term brand equity.

Africa is a mobile first continent. Many African countries experience mobile internet access rates exceeding 90%, with some reaching as high as 98.7% in South Africa. Therefore the future of marketing is telco-powered. For South African brands ready to take control, the MVNO becomes the platform on which to build this potential and gain better customer insight and relevance which can lead to higher wallet share through personalisation.

BROADBRAND
https://broadbrand.ai

Graphic Design Is A Fundamental Tool For Driving Branding And Messaging

Graphic Design Is A Fundamental Tool For Driving Branding And Messaging
Phoebe Opperman, DUO Marketing + Communications.

According to Phoebe Opperman, Designer and Project Manager at DUO Marketing + Communications, the growing preference for digital platforms and visual content has transformed graphic design in the public relations and digital marketing spheres from mere aesthetics to being a fundamental tool for driving branding and messaging.

Effective design has also become a key component of business success through increased conversions and lead generation, and finding the balance between visual appeal and functionality has become crucial.

Design has been described as the ‘visual and conceptual backbone of a company’s identity’ and helps convey a brand’s values and even shapes public understanding of what the brand represents. Brands can further use good design to actively manage existing perception by reinforcing brand identity, building trust, and ensuring a positive experience. Ensuring that these experiences are consistent across platforms and mediums develops familiarity and further encourages conversion.

It can also shift perception by differentiating the brand, clarifying complex offerings, creating more memorable and positive impressions, and fostering deeper emotional connections through enhanced user experience and personalisation. This can be achieved by tailoring experiences to individual customer preferences and needs, fundamentally driven by strategies such as customer and audience segmentation to deliver relevant content.

Personalisation, often enabled by design in user interfaces, makes customers feel recognised and valued, encouraging purchases and fostering loyalty, which significantly shapes public perception and brand relationships. Customers expect brands to understand their needs and automatically adjust content.

This is achieved through a multi-faceted approach. Brands can leverage Artificial Intelligence (AI) and algorithms to analyse user behaviour, anticipating needs and offering tailored recommendations, much like Netflix personalises content based on viewing habits. Data-driven insights from tools such as heatmaps and session recordings provide real-time analytics to understand user preferences and frustrations, enabling businesses to refine design strategies for optimal conversion performance.

Simplifying Complex Ideas

A key requirement to effective public relations, communications and digital marketing in the technology sector, and especially in B2B, is the ability to simplify complex solutions/concepts and features, and to be able to demonstrate the ultimate end benefit for the business or individual end-user.

Using visual content helps transform content that is data-heavy or is technical in nature, into clear and compelling narratives. Here, visual content helps the reader to more easily understand what is being presented and to bridge the gap between technical details and key messaging. Key graphic design tools for simplifying information include infographics for visual data or explaining processes or workflows, icons and symbols to represent complex ideas simply, and visual hierarchy to direct attention and guide the viewer logically.

It is also crucial that design strategies must be specifically tailored for various marketing and communication channels to ensure maximum impact, considering the unique characteristics and user behaviour of each platform.

Measuring Impact

To better understand the impact of design on their marketing and PR efforts, organisations should begin by identifying what their goals are, be it brand awareness, consideration, improving conversion rates or even generating leads, and then measure the outcomes based on metrics that reflect these goals. Here, analytics tools, such as Google Analytics, come to the fore by enabling data-driven decision making around design.

Common metrics to measure increased interest in your content include social media engagement as well as website user engagement rates, while measuring actual user interactions can come down to key events (formerly conversions, used to track downloads, signups, purchases and other activities a business considers to be important) and form completion rates.

Getting Started

Consistency in design helps differentiate a brand from competitors and makes its messaging unique. So then, how do businesses ensure that graphic design has the maximum impact for them? Here are three considerations on where to begin:

Brand Identity: having a brand guideline or corporate identity document will ensure that your organisation’s logos, colours, fonts, visual elements and overall style are applied correctly and consistently, building familiarity with your brand.

Optimising websites for conversion: while an organisation might have a presence on multiple online platforms, their primary asset should be their website, which is a frequent touchpoint in the buyer journey. Good design will help vital information stand out,
guide visitors through a seamless user journey in finding what they want, and aim for conversion as the ultimate goal.

Having a visual asset bank: companies should invest in a set of high-quality visual assets, rather than having many lower-quality ones. These visuals can be repurposed for multiple use cases, including traditional and digital, helping enhance the visual appeal of your content.

Overlooking the importance of quality in these core areas can lead to costly mistakes in the long run. With the basics in place as a guideline, companies can then create, implement, test and refine audiences, imagery and text to learn which visual assets drive the intended results, be it increasing reach and engagement on social media posts, getting people to sign up for a webinar, or getting the right people to enquire about your vacancies.

DUO MARKETING
www.duomarketing.co.za

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