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JCDecaux Launches VIOOH

JCDecaux Launches VIOOH

JCDecaux’s global independent automated planning and trading platform, VIOOH, is designed to accelerate growth of Out-of-Home and connect the industry to the programmatic digital ecosystem.

The capital of VIOOH, pronounced View, is currently owned 93.5% by JCDecaux and 6.5% by Veltys, a data specialist and modelling company.

VIOOH’s purpose is to grow Out-of-Home advertising spend globally by offering an integrated platform to provide automation and offer programmatic trading for media sellers and buyers.

DOOh growing platform

While Digital Out-of-Home (DOOH) is expected to be the second fastest growing medium between 2017 and 2020, the platform will strengthen JCDecaux’s capacity to meet the new expectations of its clients, brands and agencies, and enlarge the group ecosystem.

JCDecaux believes that Out-of-Home can compete with digital advertising (mobile, search and display) by transforming its whole offering through optimised campaigns using data and technology, which is why the group decided to create VIOOH organically on a worldwide footprint and to open it to Out-of-Home media owners.

VIOOH

VIOOH has developed a best-in-class planning and trading platform for the Out-of-Home industry. The platform has been in development for over two years, and provides a full stack for automated trading, data management, content serving and ad exchange functionality. The new business is based in London and VIOOH already employs a team of over 65 developers, coders, commercial and support staff.

VIOOH can incorporate many data sources and relies on machine learning algorithms to improve the targeting and effectiveness of advertising campaigns.

Starting in the UK and the USA, the platform will soon be deployed in Belgium, Spain, Italy, Hong Kong, Australia, Denmark, Finland, Germany, Singapore, Dubai, Norway and the Netherlands, among other markets.

Adelaide McKelvey, Group Sales Director at JC Decaux Sub Saharan Africa explained, ‘The launch of VIOOH is an important step in the evolution of OOH. From a local perspective, this further reinforces the critical work that the OMC is doing to establish a credible trading currency to allow OOH to compete in the world of automation and programmatic trading.’

JCDECAUX AFRICA
+27115141400 
wandile.setlhodi@jcdecaux.com
www.jcdecauxafrica.com

Clip-Tite Announces New Double Sided Fabric Light Box Design

Clip-Tite Announces New Double Sided Fabric Light Box Design

Clip-Tite has announced the availability of its new 70mm deep double-sided fabric light box. According to managing director Vic Anderson, there has been an increased demand for narrower light boxes.

Clip-Tite’s light box has been designed according to that demand. The light box is illuminated with high powered LED’s around the edge. ‘We can now offer free-standing illuminated boxes, as well as the normal non-illuminated free-standing fabric frames,’ said Anderson.

Light box suspension function 

The light box can be suspended or mounted as a projecting sign attached to a wall or fitted with feet. The product is for internal applications, namely shopping centres.

CLIP-TITE 
+27114404910 
info@clip-tite.co.za
www.clip-tite.co.za

Metropole Creates Full-Size Triceratops With Massivit 3D Printer

Metropole Creates Full-Size Triceratops With Massivit 3D Printer

Massivit 3D announced that its customer, Metropole, created an ultra-realistic, full-size triceratops to promote a new palaeontology exhibition at Paris’ Musée national d’Histoire naturelle.

With the objective to drive visitor footfall to the museum’s exhibition, the visually-striking dinosaur was brought to life using Metropole’s Massivit 1800 3D Printer in just two days. Measuring a gigantic 1.8m wide, 2.33m long and 3m high (5.9 feet x 7.6 feet x 9.8 feet), the reptile is currently grazing on vegetation at the Gare d’Austerlitz railway station, adjacent to the museum.

Bringing history to life

‘When it comes to producing giant attention-grabbing models that truly turn heads and capture people’s attention, our Massivit 1800 is the solution of choice,’ said Denise Zanet, Executive Partner at Metropole.

Using the Massivit 1800’s unrivalled print speed of up to 35cm (14’’) per hour and dual print heads, Metropole was able to meet the museum’s stringent deadline by producing the triceratops in just eight components. Once assembled, the company strengthened the construction with ballast to guarantee the dinosaur’s longevity during sustained interaction within a public environment.

To ensure even greater lifelikeness, Metropole’s cinematic artistic team then covered the dinosaur with a textured surface to achieve its natural-looking skin, while also producing realistic eyes to enhance its authentic appearance.
‘The Musée national d’Histoire naturelle was completely blown away by how astonishingly lifelike our 3D printed triceratops looks,’ said Zanet. ‘It’s already generating huge buzz at the train station with many passers-by asking how it was created and where they can find out more.’

Securing repeat business

According to Zanet, France’s leading transport company, SNCF Gares & Connexions approached Metropole following its close collaboration and success of last year’s Corto Maltese campaign. This saw the company produce a life-size replica of the Italian comic book adventurer in celebration of the series’ 50th anniversary.

She explained, ‘Gares & Connexions were so overwhelmed by the incredible success and interaction that the 3D printed replica generated, that they recommended us for this campaign. This is a testament to the strong customer engagement and brand awareness attainable with our Massivit 1800.’

The triceratops will be wowing the public throughout the duration of the paleontology exhibition, which is on display until 2 September 2018.

MASSIVIT 3D 
www.massivit3d.com

The Mediashop: Are Foogle The Enemy?

The MediaShop Announces Passing Of Founder

Richard Lord, Head of Digital/Business Unit Manager at The MediaShop said that Facebook and Google are the biggest media owners in almost every market across the globe and they seem to be heading for world domination. But, is that so bad?

One of my favourite TV shows growing up was Pinky and the Brain (you’re humming that tune now aren’t you?) The best part of every episode was when Pinky would ask, ‘Gee, Brain, what do you want to do tonight?’ and Brain would reply, ‘The same thing we do every night, Pinky – try to take over the world!’

Over the years there have been a few companies that have made a play for world domination, but in the last decade or so, two, in particular, stand out: Google and Facebook. According to Statistica, as of Q1 2018, Facebook had almost 2.2 billion global monthly active users (that’s a third of the world’s population, give or take a few hundred million people). Google is so ubiquitous that ‘googling’ became a verb in both the Oxford English, and the Merriam Webster dictionaries as far back as 2006.

Digital duopoly

These two global giants are so big that in 2017, according to an article in the Financial Times, they commanded 84% of global digital ad spend between them. In the US, Google and Facebook account for a quarter of ALL ad spend revenue – not just digital! As a result, more and more people have been expressing a concern about this digital duopoly.

Locally, PWC and the IAB tell us that 70% of digital ad spend goes to search (read Google), and we know from our own TMS billings how much we spend with Facebook. So the global picture is very definitely mirrored in South Africa.

While one would think that things are looking rosy for the world’s two biggest media owners (they don’t call themselves that, but let’s call a spade a spade), the reality is that it hasn’t been all plain sailing. They have both been hit recently by scandal and controversy.

Cambridge Analytica. Two little words, but one gigantic can of worms! Add in Fake News and Rigged Elections, and they have given rise to senate committee hearings, threats to boycott Facebook, and campaigns to encourage people to delete their Facebook accounts.

Google

What about Google? Well remember those YouTube ads that appeared next to ISIS recruitment videos in 2017? This is still a problem, and it’s not just terrorists either. Ads have been served next to content promoting white supremacy, Nazis, paedophilia and North Korean propaganda.

But here’s the rub…each time there is a scandal, there are threats by consumers to leave these platforms and delete their accounts, and advertisers vow that they will pull ad spend. But just how credible are these threats?

The reality is – not very!

In a Reuters/Ipsos poll conducted in April, half of Facebook’s American users said that they had not changed the frequency with which they use Facebook. A quarter actually said they were using Facebook more, and only the remaining quarter claimed that they were using Facebook less, had stopped using it, or had deleted their account. Facebook claim that new subscribers in the US grew by 2% in Q1 2018 which, they say, is in line with previous years.

So consumers, despite the threats, keep their accounts open and if anything, are spending more time on these platforms. But what about advertisers? The simple truth is that Facebook, Google, YouTube (and the rest) are simply just too big to ignore for any extended length of time. They may boycott for a month or two, but in the end, they keep coming back. These platforms are just too valuable to ignore!

Why are they so valuable? Because they simply are the largest media owners in every market across the globe (except maybe for China). In South Africa, Facebook is approaching 18 million monthly active users, a third of our population. We can reach 8 million South African’s a day on Facebook. YouTube has almost 12 million monthly active South African users. This makes both of them bigger than the majority of ‘mass’ media owners in SA. And before you all start saying that they only reach the top end, consider this the SABC puts episodes of Skeem Saam, Generations and Uzalo onto YouTube after they run on-air (a ‘poor man’s’ Catch Up service if you will). Every episode is generating in excess of 200,000 views, some as many as 350,000. That is more viewers than the average episode of Carte Blanche!

Not only that, but with every click, comment, like and share, these platforms learn more and more about their consumers – and much of this data is available to us, as advertisers, to use and to help ensure that the right ads are seen by the right people. Looking to speak to people in the market to buy a new car? No problem! Wanting to sell gym equipment to cross fitters? Absolutely! Want to get households with gamers in Fourways to sign up for super-fast fibre to the home? Couldn’t be easier.

Facebook and Google taking over the world

The plain and simple truth is that Facebook and Google have taken over the world! Should we be worried? Maybe! But they have so much to offer us that, in my humble opinion, the benefits far outweigh the negatives for now!

THE MEDIASHOP
www.mediashop.co.za

SodaStream Celebrates Pride Month With Love Is Love Bottles

SodaStream Celebrates Pride Month With Love Is Love Bottles

SodaStream has rolled out a series of limited edition bottles to celebrate Pride Month.

The ‘Love is Love’ bottles portray same-sex families by including two ‘parent’ one-litre bottles and one ‘child’ half-litre bottles imprinted with depictions of family characters from an accompanying animated video.

SodaStream CEO Daniel Birnbaum said the company was committed to forging and celebrating bonds across all nationalities, religions and sexual orientations.

We hope this campaign will inspire communication and help us all join together to spread a message of love. The home-shaped package has been designed to convey the message that ‘home is where your love is,’ said Birnbaum.

SODASTREAM +27 (0) 800 00 22 91 www.sodastream.co.za

MegaVision Announces In-House Frames And Signage

MegaVision Announces In-House Frames And Signage

MegaVision Media recently opened its Small Works Unit to produce the frames and signage in-house, offering better turnaround times for clients.

The Small Works Unit is run by their lead flighting team. ‘We see this operation as a great opportunity to further the skillsets of our employees, who have been with the company for many years,’ said Martin Rosen, MD of MegaVision Media. ‘We produce all types of frames and signage and we will be using the space to focus on new product development to enhance our branding efforts at store level.’

MEGAVISION (+27 11) 803 8433 info@mvmedia.co.za www.megavisionmedia.co.za

 

19th PAMRO All Africa Media Research Conference Taking Place In July

19th PAMRO All Africa Media Research Conference Taking Place In July

PAMRO is a marketing and media research organisation that was initiated and is run by, volunteers in the interest of promoting ‘best in breed’ research in Africa.

The theme for the conference is: ‘A Billion Africans, The Billion Dollar Media Question, Media Data and Analytics for Change’. The event will explore a 360 degree view of how to effectively use media research and measurement to drive relevance, creativity and innovation in advertising and media planning – now and in the future.

Event details:
Date: 26 to 28 August 2018.
Venue: Radisson Blu Hotel, 38-40 Isaac John Street, Ikeja GRA Ikeja, Lagos, Nigeria.

For rates, please visit http://pamro.org/upcoming-events/2018lagos/

PAMRO www.pamro.org

Cannes Lions 2018 Reveals Outdoor Winners

The Cannes Outdoor Lions celebrate creativity experienced out of home – work which leverages public spaces to telegraph a message or immerse consumers in a brand experience. Chris Garbutt, CCO at TBWA was the 2018 Outdoor Lions jury president.

Outstanding Outdoor

This year, Outdoor Lions Grands Prix went to Comedy Central New York, featuring SA’s own Trevor Noah in The Daily Show presents: The Donald J Trump Twitter Library, as well as McDonald’s Restaurants of Canada’s ‘Just Missed Us’, ‘On Your Left’, ‘Next Exit’, and ‘On Your Right’ campaign by Cossette, Toronto

The 2018 Cannes Outdoor Lions winners:

CANNES LIONS www.canneslions.com

KHS And Brouwerij Martens Celebrate World Cup With Customised Bottles

KHS And Brouwerij Martens Celebrate World Cup With Customised Bottles

KHS Filling and Packaging and Belgium beverage producer, Brouwerij Martens, made bottles with design flexibility for the 2018 World Cup using KHS’s direct print system. Martens brewery in Belgium worked with a French supermarket chain to place specially designed bottles on shelves before the first World Cup game.

To mark the big kick-off in Moscow, Brouwerij Martens offered its premium beer in 32 country-specific bottle designs. Various images of the participating nations were printed straight onto the PET bottles using Direct Print Powered by KHS. The bottles produced using the digital printing process are also 100 percent recyclable.

The customer can decide whether the individual designs are printed onto the bottles consecutively or at random. An additionally developed printed image inspection system ensures the standard of quality at industrial performance level.

Regardless of whether one or one thousand different bottle designs are printed, individual motifs which are adapted for marketing campaigns or even at the customer’s specific request can be produced quickly on the Direct Print machine.

KHS FILLING AND PACKAGING www.khs.com

M&C Saatchi Group SA Appoints CCO

M&C Saatchi Group SA Appoints CCO
Neo Mashigo.

Neo Mashigo, who joined M&C Saatchi Group SA a year ago, has been appointed CCO, shortly after being announced creative partner.

Mashigo sees this as an opportunity to realise the agency’s vision and ultimately deliver relevant and impactful work for its clients. ‘It’s an exciting opportunity to help grow our vision of becoming one of the most respected creative companies on the African continent, and we will do that by delivering brave, interesting and, most importantly, locally relevant work. The unique model across the group, working alongside senior partners and the entrepreneurial mindset that comes with that, is truly liberating and a powerful opportunity to deliver impactful work for our clients.’

Jerry Mpufane, chairman of the M&C Saatchi JHB Group of Companies commented, ‘Having Mashigo help the group unlock our purpose of creating beautifully simple solutions for an increasingly complex world is incredibly exciting. His energy is infectious, and his passion for locally resonant work is inspiring.’

‘We’ve always focused on building a culture across the group that is brave, optimistic and importantly, caring. Mashigo’s appointment will not only further bolster our creative solutions, but importantly also contribute to our culture in which a diversity of people and ideas thrive,’ added Mike Abel, founding partner and group CEO.

M&C SAATCHI ABEL +27 11 268 6388 alan.bell@mcsaatchiabel.co.za www.mcsaatchiabel.co.za

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