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Consumer Data Beyond The World Of Online Advertising

Image source: techeconomy.ng

Federico de Nardis, CEO of GroupM Africa, states that the reason that consumer data is so valuable, and that companies are so keen to use it (even going so far as to risk consumer privacy), is because they can use it to capitalise on consumer preferences and more efficiently sell us their products and services.

You can go a step further and argue that it’s not just about capitalising on behaviour, but influencing behaviour. The digital identities that companies ascribe to consumers are an amalgamation of the assumptions drawn from consumer behaviour online – traditionally seen as highly effective for their purposes, and part of what until now has been a reasonable value exchange. However, as we have seen over recent years in the political realm, we have perhaps been naive to its potential to fuel some unforeseen and arguably disagreeable outcomes.

Federico de Nardis, CEO of GroupM Africa.

For all the criticism thrown at the use of data, it is, however, hard to argue with its ability to improve the lives of consumers. Few complain about the utility of better content personalisation, relevant recommendations and (on occasion) well-targeted ads. 

None of this would be possible without the data trails consumers leave online. This isn’t anything new in advertising and can be seen in just about all forms of analogue advertising. At its core, advertising is about influencing consumer behaviour. However, we might pause to consider how consumers feel about their personal data being used to guide their choices.

While some believe the point is exaggerated, it’s hard to argue against the idea in some basic form that increasingly, companies view their customers as valuable data sources. That data is to be harvested in lieu of, or in addition to, payment for products and services. This thought is made more convincing by the number of businesses that opt to rely on consumer data and achieve spectacular economic outcomes by putting it to use.

Despite this, many consumers live in what Shoshana Zuboff describes as ‘The Age of Surveillance Capitalism’. Amplifying this sentiment, Apple’s Tim Cook attacked business models relying on user data, taking specific aim at facilitating data brokers. While some may have read it as opportunistic, the idea that ‘consumer information is being weaponised against them with military efficiency’ resonates, particularly in the wake of scandals such as Cambridge Analytica and Russian involvement in the 2016 U.S. presidential election.

The issue of privacy and exploitation of data is among the most complex of our time. Even if consumer privacy is not being unjustifiably violated, the monetisation of data by major platforms has become a social, political and regulatory lightning rod.

Data security and privacy go far beyond the world of online advertising. A significant number of databases of huge enterprises have been compromised in the last two years, including email providers, loyalty schemes, retailer databases and credit rating agencies.

The next decade could be even more dramatic than the last and will be dominated by advances in Artificial Intelligence (AI) and the next wave of commercial and social disruption.

In every sector, the innovation cycle will speed up, and in all fields there will be greater scrutiny of the possibility of social harm – and hopefully an equal focus on social good. It seems clear that the ethical and social ramifications of the change will be as important as the economic implications that typically concern companies.

More narrowly, in advertising, scrutiny of business models that depend on the monetisation of data signals will increase, as will the penalties associated with enabling bad actors. The rewards for actions that make advertising more valuable will be significant.

In the media world, existing trends will accelerate. The role of data will continue to change, and for advertisers first-party data will be of the greatest value for understanding customers.

They will use it to create audiences that will be found inside the walled gardens of the platforms, and that match with the context of publishers and the data they have on user behaviour. Matching privacy and relevance will be of great importance and value.

In advertising, the ‘interruptive’ model will persist, but delivery will be increasingly programmatic and addressable. Over time, the pursuit of mass reach via broadcast means will give way to in-target reach assembled one person, one household or one device at a time.

Coupled with enough creativity and variation in messaging to address the varying needs and wants of the many customer cohorts of each and every brand, advertising has the opportunity to maximise efficiency, effectiveness and relevance. In other words, advertising will become more valuable.

GROUPM AFRICA 
www.groupm.com/africa

Learn How To Use Influencers As A Marketing Channel At The #ModernMarketingTrendCamp

Anne Dolinschek, Founder and Chief Strategist at Nfluential.

The #ModernMarketingTrendCamp will take place on 11 and 12 September 2019 at the Gallagher Convention Centre, where industry experts will cover branding, new-age marketing, technology and campaigns across the branding, advertising and marketing industries. 

One of the speakers is Anne Dolinschek, Founder and Chief Strategist at Nfluential, who will focus on using influencers as a marketing channel. Anne’s research reveals why influencers are an important channel – if the right types of influencers are used in the right way, they can bring immense value to brands. They can be the difference between consumers loving or hating a brand or choosing competing brands.

‘So often we think that only brands have concerns, but in the digital age, consumers aren’t easily hoodwinked. This is yet another reason why strategy is important when brands want to roll out influencer campaigns. Using the incorrect types of influencers with the wrong content can lead to campaigns falling flat,’ said Dolinschek.

Entrance to the Trend Camp is free. For more information and to register, click here.

MODERN MARKETING EXPO 
+27114501650  
info@modernmarketing.co.za
www.modernmarketingexpo.co.za

#Loeries2019 Announces This Year’s Finalists

The Loeries 2019 finalists are announced each day as categories are judged. The Loeries recognise creative brilliance by telling better stories. Stories that provoke conversation. Challenge traditions. End stereotypes. Celebrate humanity. Tear racial divides. Embrace culture. And change the world. 

The organisation has been rewarding better stories for over 40 years, across Africa and the Middle East. This year the awards are taking place at the Durban ICC during the creative week (23 and 24 August 2019).

Here is the list of finalists thus far:

BRANDED CONTENT RADIO & AUDIO
Agency / EntrantTitleBrandProduct
King James GroupThe 200 Year OldSanlamSanlam
Black River FCThe smelly mogoduOLXOLX
Scanad kenya#ChukuaSelfieElton John FoundationHIV Self Test Kit
King James GroupConversations with YourselfSanlamSanlam
TBWA REKLAM HIZMETLERI A.S.The UnreachablesTurkcellTurkcell
Joe PublicWelcome to inner peace country – Peaceful PodcastsChicken LickenRock My Soul
Wunderman South AfricaCadbury P.S. Mzansi Love SongsCadburyP.S.
VML South Africa (Pty) LtdDon’t Tell Me What To Do!EdgarsEdgars clothing
DIGITAL – DISPLAY ADVERTISING
Agency / EntrantTitleBrandProduct
RappWaitrose MoonWaitrose UAEBrand
Ogilvy JohannesburgThe ProposalVodacomBrand
OOH – OUTDOOR MEDIA
Agency / EntrantTitleBrandProduct
FCB Joburg (Pty) LtdCorolla Beaded BillboardToyota South Africa Motors (Pty) LtdCorolla
King James GroupShadow | Comic Strip TrailersNetflixNetflix Series | Shadow
M&C Saatchi AbeliGwinya Nando’sNando’sChurros Dessert
M&C Saatchi AbelNando’s KoeksistersNando’sChurros Dessert
Havas JohannesburgEducatin is in Grate ShapeRight 2 ReadEducation
King James GroupLuke Cage | NetflixNetflixNetflix Series | Luke Cage
FCB Joburg (Pty) LtdThe Phonetic CanCoca-ColaCoca-Cola
The Odd NumberTeargasBrand South AfricaVoter Registration
VML South Africa (Pty) LtdThe LIVE Tactical BillboardsNando’sDelivery App
VML South Africa (Pty) LtdThe LIVE Tactical BillboardsNando’sDelivery App
VML South Africa (Pty) LtdThe LIVE Tactical BillboardNando’sDelivery App
VML South Africa (Pty) LtdThe LIVE Tactical BillboardsNando’sDelivery App
Ogilvy Johannesburg#ShaveToRememberPhilips & The Nelson Mandela FoundationPhilips Hair Clippers
PRINT CRAFTS – WRITING
Agency / EntrantTitleBrandProduct
Horizon FCB DubaiStop Straw LinesMarie Claire ArabiaMarie Claire Arabia
PromiseBee Key CakeDStvKykNet
PromiseBuy a lacquerDStvKykNet
PromiseEight missDStvKykNet
Joe PublicThinkerAssupolAssupol
Joe PublicLibertyAssupolAssupol
Joe PublicHero’sAssupolAssupol
FCB Joburg (Pty) LtdSince SinceUnileverSunlight Laundry Bar
PR & MEDIA COMMUNICATION CAMPAIGN
Agency / EntrantTitleBrandProduct
TBWA\RAADOMO TagUnilever LebanonOMO
TBWA\RAADQ5-0InfinitiQ50
TBWA\RAADThe Art GapStandard Chartered BankInstitutional
Eclipse Public Relations & King JamesMAN IN A VANNETFLIXNETFLIX
DNA Brand ArchitectsiLobola Nge BhubesiAB inBevLion Lager
King James GroupThe 200 Year OldSanlamSanlam
Impact BBDOStop DowrymongeringUN WomenUN Women
The Jupiter Drawing Room, Cape TownThe Art of FireBurger King South AfricaBig King
Leo BurnettGaza Border BeerAlexanderBeer
Ogilvy Cape TownMake A Meal of ItKFCKFC
Ogilvy Cape Town#OhSchweppesSchweppes – Coca-ColaSchweppes Soda and Tonic
FCB Joburg (Pty) LtdThe Phonetic CanCoca-ColaCoca-Cola
TBWA REKLAM HIZMETLERI A.S.Hailstorm in IstanbulIKEAIKEA carpets
Ogilvy JohannesburgMandela Day – Shave To RememberPhilips & The Nelson Mandela FoundationPhilips Hair Clippers
Impact BBDOThe Toxic FlagWaste Management CoalitionToxic Flag

To view the finalists as they are added click here.

LOERIES 
www.loeries.com

Ad Campaigns Within Trusted Editorial Environments Produce Better Results

CEO of the Publisher Research Council (PRC), Josephine Buys, says that they can collectively prove that the value of the written word, being consumed and trusted in a quality environment, delivers one of the most effective returns on investment. 

Advertising campaigns viewed within a trusted editorial environment yield significantly better results for attention and viewability than the industry standard. That’s the word from the World Media Group (WMG), which represents media brands such as Bloomberg, Business Insider, TIME magazine, Forbes and The Economist. The research and analysis delved into engagement across display desktop, mobile and video.

WMG’s findings echo those of South Africa’s PRC. The PRC was established in 2016 when four of South Africa’s top publishers formed an alliance to demonstrate that publishing is recognised as a trustworthy, brand-safe environment for advertisers. 

Let me point to the ongoing crises around big tech, data breaches and the spread of fake news via social media platforms, as well as issues stemming from advertising being placed on channels alongside content promoting hatred, racism and even child pornography.

In light of several tech giants’ recent PR crises globally, but especially in the UK with the findings of the Cairncross Report earlier this year that covered disinformation and fake news, among other issues, there is no better time to remind both consumers and advertisers that they can read and trust long-standing, trusted news brands.

Findings underpinned by respected global research houses have proved the value of uninterrupted attention that leads to recall and quality engagement, something advertisers depend on.

‘Publishing platforms that keep readers’ attention offer an increasingly rare opportunity for advertisers to communicate effectively without the constant swirl of distraction bombarding consumers today. Audiences are easily distracted, whereas the written word on our trusted publisher collective’s media platforms offer a deeper, one-on-one, uninterrupted engagement with readers.

In a media and advertising environment in which margins are shrinking, clients want accountability and brand safety, Publishers can offer that. The publicity surrounding poor quality content and fake news has resulted in consumers becoming much more aware of what are trusted sources of information and those that are not. 

But when it comes to media buying, not all planners are on the same page, especially the younger ‘digital natives’ who tend not to prioritise print and publishing brands in their media plans, perhaps lured by digital’s promise of measurability.

Our mission at the PRC is to prove the value of trusted media brands by conducting large scale research, building reliable sampling, proving the relevance of such research, and making it freely accessible to media buyers and marketers.

This approach is already bearing results. By pioneering media research fusion with the Publisher Audience Measurement Survey and its readership data and Nielsen’s Consumer Panel, the PRC has access to a wealth of readership and consumer data.

At a fundamental level, the research shows that while only half of South Africans read newspapers and magazines, the percentage grows higher as it moves up the Socio Economic Measure (SEM) scale. In the top 10% of the population, 77% read, ‘demonstrating that reading is the key to success and a better life’.

For advertisers wanting to tap into the top SEMs, this statistic alone proves that trusted media brands deliver ROI and build brands.

Full study available here.

PUBLISHER RESEARCH COUNCIL 
www.prc.za.com/pams

Brands Can Use AI To Augment Creative Customer Experiences

Image source: www.coe.int

According to Glenn van Eck, CEO of Magnetic Storm, Artificial Intelligence (AI) is great at performing specific tasks, such as facial and voice recognition, object tracking, or even transposing your face onto someone else’s body, and due to advances in deep learning, computers are starting to learn and frame reality visually in the same way as humans perceive it. 

AI is typically deep rather than broad, so the trick is combining these skills effectively. As part of a creative toolkit, it can augment an existing idea or technique, or make mundane tasks more efficient.

AI and machine learning are bringing about fundamental changes to the ways in which humans interact. It’s an exciting future where digital layering can be used to enhance human connectivity. But how can we use it to fuel creative experiences and what benefits does it hold for customer experiences?

A fascinating example is Deepmind’s work on using AI to learn to write programmes that generate images, and Microsoft’s Starship Commander, using voice and intent to control the narrative, and Intel’s sensational light show, places drones in the sky like pixels on a screen.

More controversial was the use of TensorFlow, Google’s AI tech open sourced in 2015, to analyse a person’s face from multiple images from a social feed and map the likeness onto another video, frame by frame. A similar technique was used in Star Wars to bring back the 1977 version of the late Carrie Fisher, a young Sean Young for Blade Runner 2049, and a young Kurt Russell in Guardians of the Galaxy Vol. 2.

With an individual’s and content owner’s explicit permission, this could be a powerful creative tool for live experiences that would wow audiences. Imagine being able to appear in a classic Bullitt scene, with or as Steve McQueen, as Neo or Agent Smith in the Matrix, or doing a death-defying stunt in Mission Impossible or as a superhero in Guardians of the Galaxy. It doesn’t have to be as personal as your face, the same technique could map your own designs or characteristics onto a physical product, such as a pair of trainers or clothing.

The physical experience itself doesn’t have to include any visible technology at all, for example, the Google Arts and Culture app helps museum visitors find their lookalike in nearby paintings, sculptures and artwork.

Another example is using the iPhone X depth-sensing camera to do live facial capture, coupled with an Xsens suit for full-body motion capture. This strange but entertaining demo shows the potential. Suddenly, technology previously only developed by blockbuster movie directors is available to everyone.

Techies are experimenting with voice to personalise experiences, using natural language to improve chatbot engagement, AI to prototype and build physical experiences in virtual reality and augmented reality as part of the ideation and literally walking through the experience, which fast-tracks decision making timeframes and client sign-off.

The discussion up until now in terms of AI for events has focused on marketing and customer engagement. What is becoming even more fascinating, is augmenting the creative process itself, where you can build a powerful and accessible toolkit to inspire live experiences and content that is truly immersive and personalised, as well as being able to provide an entertaining experience.

We are on the cusp of a revolution in what we can achieve in the field of amazing, immersive and personalised experiences. In the future, the ‘intelligence’ may be artificial and the ‘reality’ virtual, but the impact on creativity is very real indeed. 

MAGNETIC STORM
+27413934800
info@magnetic.co.za
www.magnetic.co.za

Sasol Appoints Riverbed As Corporate Communications Agency

Monalisa Sibongile Zwambila, Riverbed CEO and founder.

Riverbed was selected as the corporate communications agency for Sasol following a recent pitch. 

Agency CEO and founder, Monalisa Sibongile Zwambila shared, ‘As the shift in focus and budgets towards public relations has grown in recent times, we’ve seen a spike in the number of integrated agencies pitching for and winning public relations campaign work.’

She continued, ‘Sasol partnered with us based on our content development competency across all disciplines. We were also able to demonstrate our strategic skills and our ability to take advantage of tactical time-sensitive opportunities.’

RIVERBED AGENCY 
+27860994164
hello@theriverbedagency.co.za
www.theriverbedagency.co.za

Reed Exhibitions MD Announced As Standard Bank Top Women Awards Finalist

Carol Weaving, Managing Director of Reed Exhibitions.

Carol Weaving, Managing Director of Reed Exhibitions, has been announced as a finalist in the 16th annual Standard Bank Top Women Awards. 

The awards recognise organisations and individuals whose efforts are uplifting women in business and society. Weaving’s impact on the tourism industry and continued success has seen her, once again, nominated in the ‘Businesswoman of the Year’ category.

Weaving is focused on providing opportunities for women in the workplace and has shown consistent commitment to driving gender parity throughout her career. She boasts more than 30 years’ experience within the tourism industry, having worked her way to position as Managing Director of Reed Exhibitions, one of the globe’s most successful exhibition companies.

Weaving started as a Marketing Manager at Radio Station in her home country of the United Kingdom, pursuing her dream of living in South Africa where – at 29 years of age – she was quickly made the youngest director of the Automobile Association at the Kyalami Racetrack. She went on to start her own company – International Exhibition Consultants – and through partnerships, acquisitions, mergers and launches, she has found herself in her current position at Reed Exhibitions.

Reed Exhibitions currently owns a number of major titles, including: World Travel Market Africa, ILTM Africa, Sports & Events Tourism Exchange, IBTM Africa, Africa Automation Fair, Connected Industries, Decorex Joburg,  Decorex Cape Town, Decorex Durban, 100% Design, International Sourcing Fair, Fire & Feast Meat and Food Festival, Mediatech Africa, Comic Con Africa, Comic Con Cape Town, KidsCon, Business of Gaming Forum, FIBO Global Fitness Africa and Intra-African Trade Fair. Reed Exhibitions also offers strategic venue management solutions and are contracted to manage the award-winning Ticketpro Dome in Johannesburg, on behalf of its owners – the Sasol Pension Fund – until 2024.

Weaving received the 2018 ‘CEO Today Magazine Africa’ award, the 2017 ‘Woman in MICE Newsmaker of the Year’ award, and the ‘Entrepreneur of the Year’ award at the 2012 Virgin Active Sport Industry Awards, among others. At previous Standard Bank Top Women Awards, she took home the 2014 ‘Top Female Entrepreneur of the Year’ award and was also a finalist in the ‘Businesswoman of the Year’ category last year.

‘I feel so privileged to, once again, be a finalist in such a groundbreaking event that both acknowledges the impact South African women are having across industries, as well as providing inspiration to the upcoming female influencers,’ said Weaving. ‘Considering the calibre of past winners in this particular category, as well as incredible women involved this year, I am completely overwhelmed by my inclusion and grateful for the honour.’

REED EXHIBITIONS 
www.reedexhibitions.com

Aligning Tactics With The Transforming World Of Digital Advertising

Yvette Gengan, Digital Media Manager at The MediaShop

Yvette Gengan, Digital Media Manager at The MediaShop, says that marketers need to be intentional with their marketing strategies and adaptable with their creative and message, and should let this set a strong foundation for campaigns.

When a person sees your ad as opposed to millions, it becomes more personal and more purposeful. I want to do and say the right thing to ensure I get the attention of that person and make a lasting impact.

Most digital marketers possess growth hacking (not the start-up kind, the growth kind). We spend our days constantly trying to improve strategies, channels, buying methods etc. to affect growth for our clients.

But it has since become super challenging to break through the noise within the digital media landscape as more and more brands jump on the advertising bandwagon (as they rightfully should). More brands advertising means more content, more messages, more products and services screaming for your consumer’s attention. I find myself often thinking about the consumer as a singular rather than a plural to help me properly determine if my campaigns are actually going to make an impact.

We see this happening daily in advertising – brands are no longer telling us what we like, but rather ads are engaging with us on a more personal level every day – and we prefer it! Brands are craving feedback to better themselves and their products/services. As digital marketers (all marketers in fact), we have acknowledged that it is time to move away from ‘lazy’ advertising and advocate for more compelling ads. Consumers are not buying the act anymore and it’s reflecting in campaign performances. Consumers want to be enticed, intrigued and entertained by ads, or they won’t be influenced by it. Brands that are getting this right, are essentially winning this race.

What we’re also seeing is the shift from brands using social media mainly for bottom of the funnel objectives, like conversions and leads, to more intentional brand awareness campaigns. I’m not saying that social media isn’t good for conversions – it is. But just because we can serve a lead to a consumer we have not engaged with first, doesn’t mean we should – or shouldn’t anymore. Is it smart marketing to be blinded only by hard metrics over foundation metrics that drive long-term brand growth? Do we let our clients dictate what our strategies should look like? As agencies, we need to put together robust media strategies that combined with exceptional creative gives our clients the best shot at influencing their consumer in the right environment.

We should always be working on our target audience; who we’re speaking to, when and how. Facebook and Instagram are great for finding potential clients/customers with features like lookalike audiences, especially for bottom of the funnel campaigns. But are we using them in the right campaigns? Are lookalike audiences still as valuable as they were before? Or has the constant flooding of ads to a consumer resulted in low performance?

I believe in the potential of lookalike audiences when used with the right message against the right objective, and when it is based on a verified source. So perhaps we should only use existing consumers/clients to create lookalikes when finding new customers for accuracy? And even if we are, are we testing and optimising to get better performing campaigns?

We can no longer be promoting content just for the sake of it and targeting people from our own biases. Brands that are only seeing digital media as a means to an end are competing with brands who are implementing targeted campaigns that drive affinity, that measure engagement as a KPI (because they see the value) and who will convert consumers with compelling creative after properly identifying them through tactical remarketing.

Every campaign or strategy we plan boils down to objective. As marketers, we should be able to define correct objectives and strategies that can realistically meet these objectives. Whether you’re running a campaign focused on reach or conversions, they are both equally important and part of a bigger picture. We need to move away from being fixated on action type campaigns only and see the relevance of generating real brand affinity among our audience.

Look at trends such as influencer marketing and Instagram removing like counts as indicators of where our strategies should be going. Let’s acknowledge that we are one of many brands speaking to the same consumer and that we need to ensure that when we’re seen we are also remembered. If marketers can achieve strong brand recall, it is one part of the challenge overcome.

THE MEDIASHOP
+27112584000 
www.mediashop.co.za

City Of Cape Town Chooses HelloFCB+ As Creative And Strategic Agency

The City of Cape Town Chooses HelloFCB+ As Creative ad Strategy Agency

HelloFCB+ is thrilled to have been awarded the creative and strategic responsibilities for the City of Cape Town, and is looking forward to finding new and innovative ways of connecting them to an incredibly diverse audience.

This was after the City of Cape Town handed it’s creative and strategic business to HelloFCB+ the for their hotly contested pitch. The newly formed agency has been in a rich vein of form since the recent merger between FCB Cape Town and Hellocomputer Cape Town in April this year having added the Capfin and Sir Fruit accounts to their list of clients, along with a number of other project-based wins. 

Priya Reddy, Director of Communication for the City of Cape Town added, ‘We are incredibly excited to go on this journey with HelloFCB+. The City of Cape Town is a complex organisation and we’re confident that the team at HelloFCB+ has the strategic and creative strength to help us tell the stories of our City to all those who live, work and play in Cape Town.’

When asked what the secret to their success was, CCO, Mike Barnwell said, ‘The recent blending of skills-sets has given us incredible depth across all disciplines, enabling us to fully embed creativity at the heart of the entire customer journey.’

HELLOFCB+
+27214040300 
www.helloFCB+.co.za

Loeries CEO Discussing How To Create Award-Winning Campaigns At #ModernMarketingTrendCamp

The #ModernMarketingTrendCamp, being held alongside the first Modern Marketing Expo, aims to inspire branding, advertising and marketing professionals with the latest industry trends and products.

The Trend Camp will take place on 11 and 12 September 2019 at the Gallagher Convention Centre, where industry experts will cover branding, new-age marketing, technology and campaigns across the branding, advertising and marketing industries. 

One of the speakers – Andrew Human, CEO of the Loeries Africa Middle East – will address the topic ‘How to create award-winning campaigns’. He will illustrate a few of his favourite Loeries award-winning campaigns, discuss innovative campaign strategies that brought new and fresh thinking and how the campaigns were relevant to the brand, target audience and medium used. He will also share what stands out for him when judging campaigns.

Andrew Human, CEO of the Loeries Africa Middle East (image source: www.loeries.com)

A new and inclusive narrative that is locally relevant and culturally nuanced opens up a whole new world for innovation. This is all encapsulated in the Loeries’ vision to tell better stories. Real stories, inclusive stories, locally and culturally relevant stories – but better stories.

‘People don’t realise the incredible power of the creative industry. We inform opinions and create impressions. The consequence of the reality we present has massive repercussions. This incredible power comes with responsibility. The Loeries is committed to driving the industry to use this power for good,’ said Human.

‘Everyone in the creative and brand communications industry should look at whether they are leading society for the better or reinforcing common negative stereotypes. We need to question the imagery we use, the way we portray people, and the language we use. To upend negative stereotypes, we need to be visionary and not reactive. There are many better stories just waiting to be told.’

Entrance to the Trend Camp is free. For more information and to register, click here.

MODERN MARKETING EXPO 
+27114501650  
info@modernmarketing.co.za
www.modernmarketingexpo.co.za
This is Modern Marketing