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Heineken Engages Champions League Fans With Media Firsts

Heineken Engages Champions League Fans With Media Firsts

Heineken was able to ‘Share the Drama’ and bring the thrill of the Champions League to life for their fans using two brand new media firsts in sub-Saharan Africa.

Heineken, together with their media agency Red Star (Powered by the Dentsu Aegis Network) via Digital OOH (DOOH) and mobile video channels, created real-time excitement and anticipation in the lead up to the Heineken Champions League matches from the quarter-finals onwards.

The UEFA Champions League final is the most watched annual sporting event worldwide. The finale of the 2012/13 tournament had the highest TV ratings to date, drawing 360 million television viewers. This emotional frenzy is the heart of the Champions League experience and Heineken saw the opportunity in this.

Comments from Heineken SA

According to Ilsa Gräbe, Communication and Engagement Manager for Heineken South Africa, ‘Finding new ways to disrupt in an attention scarce economy means we can cut through the clutter and engage our audiences in a relevant, entertaining and more valuable way.’

The first part of the campaign was driven by Liveposter on DOOH. This campaign featured a dynamic countdown as well as half-time and final score updates that were displayed on multiple DOOH screens. Insights from Liveposter that drove this solution was that globally, there’s a 20% increase in awareness and 50% increase in message recall when viewing dynamic digital OOH campaigns.

The challenge, for any football fan is that there’s nothing worse than being stuck in traffic while your team is playing, unable to partake in the magic and excitement of the game. Heineken, together with Red Star gave football fans the medium to keep them in the loop during their frustrating commute.

Countdown clock

The Liveposter platform delivered a countdown clock until kick-off on match days, after which it showcased the half-time and final score updates within minutes of the results, to ensure that fans never miss out on the action. Liveposter is the only platform of its kind in Sub-Saharan Africa with the capability to show changing components across several DOOH networks and media owners, which made it the perfect platform to deliver this campaign.

The second part of the campaign, another media first in sub-Saharan Africa, made use of mobile interactive video with partner Ad Colony to drive high View Through Rates (VTR). The campaign was amplified through market technology called Aurora Video and supported by Ad Colony, who were instrumental in launching this interactive video. The campaign locally had two main TVC 30’ assets which were promoted by the Aurora technology and brought to life within an in-app highly engaged environment, targeting key consumers of the Heineken market.

How did it work?

Football is a social occasion, it’s a place where fans find a sense of community with their fellow football fanatics. A place where they share their disappointments, excitement and fair share of banter all over social media. What better way to connect football fans than through their mobile phones?

Using Facebook, Heineken, together with Red Star, turned fans to their phones via Mobile Video. Consumers were encouraged to experience two parallel video story lines of football legends: ‘The Wall’ with Ronaldinho and ‘The Chase’ with van Nistelrooy, simultaneously tapping their screens to interchange between the videos. This allowed them to create their own stories by deciding which parts they wanted to follow. The mobile phone would vibrate and ‘switch’ between videos on every tap. The premise behind the campaign was that these interactive elements brought about increased engagement, which generated higher video completion rates.

This innovation brought about a seamless interaction for the consumer and continued to drive high VTR % (77%).

Aurora Interactive video is a first of its kind technology, which allows for increased engagement for the consumer on video assets. The campaign achieved a 168% engagement rate, which is well above the average engagement of non-interactive video ranging between 2-5%. Mobile video completion rates are usually closer to 10% (with Heineken performing at 70%).

DENTSU AEGIS NETWORK 
+27214425600 
HelloSSA@dentsuaegis.com
www.dentsuaegisnetwork.co.za

Transit.TV: Delivering Highly Effective, Incremental Reach

Transit.TV: Delivering Highly Effective, Incremental Reach

Shamendran Naidu, Executive: Transit Ads, shared key research insights into how and why digital television network Transit.TV delivers highly effective, incremental reach when bundled with terrestrial TV campaigns.

As marketers, we know that TV viewing is no longer limited to the living room. Today’s viewers watch what they want, when they want across multiple devices and screens. In this respect there is no doubt that television viewing has become fragmented and this is posing a challenge for brands and agencies. So how do you maintain reach and continue to influence viewers? We conducted a research study with Kantar Millward Brown Media Research and the results confirmed what we already knew – reach and influence is incrementally augmented when marketing campaigns include both terrestrial television and Transit.TV. Because the campaigns reach the right audience at the right time and when they are in the right frame of mind, there is far less wastage and brands receive a much higher level of ROI.

Let’s take a step back and outline the background. Our view is that linear broadcast TV will remain the centre of gravity for the video ecosystem in the foreseeable future, across nearly all audiences. However, we also expect to see viewing diversifying out from this centre as devices, distribution and consumption are enabled by current and emerging technologies that support video.

Effective video strategy

The most effective video advertising strategies will be those that have a unified and holistic approach to the video ecosystem, as opposed to those that only activate via silo-solutions, and only solve one part of the equation. With fragmented audiences presented with a variety of advertising assimilation options, marketers need to ensure that campaigns strategically engage with audiences in ways that are very effective.

As part of the Kantar Millward Brown Media Research, we worked with key category leading brands to shed light on Transit.TV’s role in complementing TV and driving cost-effective incremental reach.

A variety of campaigns, with a core focus on the LSM B market, across various sectors – FMCG, retailer, financial institution and QSR – with different TV investment strategies, were chosen for the study.

Incremental reach

The results showed that all the campaigns experienced high levels of incremental reach when Transit.TV was used in conjunction with TV.

Regardless of the length of the TV campaign, or the Rate Card TV investment, or the TV planning strategy; Transit.TV was able to deliver incremental reach above TV in every case. The incremental reach ranged from 8% to a staggering 50%, proving that Transit.TV offers media planners a way to connect with audiences that cannot be reached on TV alone. Campaigns that achieved a TV reach of 70%+ and included Transit.TV, all benefitted from double (or triple) campaign frequency, due to high overlaps in exposure.

Furthermore, GRP delivery for Transit.TV channels was impressive, given the level of investment. Brands that wish to target core LSM B commuters can expect GRP delivery anywhere from 900 to 2000 GRPS (depending on the packages and timeframe chosen).

The power of out of home advertising is to constantly remind consumers of a brand message. An array of opportunities exists for advertisers wanting to penetrate a highly sought-after, economically active market segment.

PROVANTAGE MEDIA GROUP
www.provantage.co.za

New Lexmark Solution Helps Retailers Automate In-Store Signage

New Lexmark Solution Helps Retailers Automate In-Store Signage

The new version of Lexmark Print and Digital Signage is a unique and powerful solution that automates the store signage and labelling processes, allowing store owners to easily print and publish quality, on-demand signs, labels and tags, freeing store staff to interact with customers.

The latest version features enhanced mobile capabilities that allow store associates to make signage without leaving the sales floor, so customers get the attention they need to make buying decisions.

John Linton, director, Lexmark Retail Industry Solutions said, ’Generating engaging and accurate in-store signage is a challenge for retailers across the globe, as stores struggle with price changes, pricing integrity, template management and waste. We developed the Lexmark Print and Digital Signage solution to automate the in-store signage process, helping retailers quickly and easily develop engaging, accurate and on-brand signage so store staff can be on the sales floor with customers.’

The Print and Digital Signage solution is a proven enterprise solution for printing and publishing shelf-edge signs, labels and tags used in retail stores. The Lexmark Publishing Platform, which evolved from AccessVia software, uses one system to print paper signs from laser printers in the store, produce volumes of press-ready output for high-speed printing at a central location, and print electronic shelf labels, allowing brand consistency across all signs and reducing IT costs.

Solution benefits include:

– Mobility: mobile applications allow staff to create, audit and print signage when they need it, where they need it, from the sales floor instead of the back office.
– Automation: Automated, graphically-rich sign production with Lexmark colour/spot colour hardware ensures the brand and messaging is well represented in every aisle. Rules-based formatting, dynamic graphics, and multi-item groupings simplify the production of complex signs.
– Scalability: signage solutions scale to meet the needs of the largest retailers in the world, where productivity gains are multiplied in thousands of store locations.
– Accuracy: Lexmark software helps ensure price integrity from the host pricing systems, to shelf, and to the register.
– Localisation: signs can be localised with store-specific pricing, quantities and formats, in the proper shelf sequence.

LEXMARK www.lexmark.com

Vivitek Releases Version 3.0.0 NovoTouch Interactive Display

Vivitek Releases Version 3.0.0 NovoTouch Interactive Display

The version 3.0.0 interactive display features NT LiveScreen and NT LiveReceiver for screen-to-screen mirroring among NovoTouch panels. The update also features mobile device management and more integrated applications.

The update includes an enhanced GUI, featuring Quad-View dynamic screen layout and input source naming for all HDMI inputs. Other features include:
– Improved annotation.
– Improved remote management tools such as on/off control and password configuration.
– Updated Youtube version to support HD resolution.
– Mobile device management for remote management.

VIVITEK www.vivitek.eu

IBASE Unveils OFP Modular Series

IBASE Unveils OFP Modular Series

The full flat Open Frame Panel (OFP) series pc provides a flexible solution for seamless integration into kiosks, customised housings and wall mounts. Designed for space-critical environments, the platforms are targeted for use in the banking, hospitals, retail, transportation and other vertical markets.

The OFP series features a single-unit solution combining a fully flat touchscreen display with an embedded computer to enable a slim and compact design for industrial and commercial applications. The IBASE OFP series fanless panel computers are built with an easy to mount, open-frame modular design with optional coloured frames. The systems come with IP65 front panel protection against dust and water and are built with industrial-grade components to ensure stable fanless operation.

The series supports 15-inch and 21-inch touchscreen displays with resolutions of 1024 x 768 and 1920 x 1080 respectively plus an additional HDMI and DP interface. To deliver superior performance, the OFP-151-PC and OFP-2100-PC are powered by an Intel® Pentium QC N4200 processor, while the model OFP-2101-PC is installed with a 7th Gen Intel Core i7/i5/i3 processor according to customer requirements.

OPS Series features:

– Flat bezel open frame design with optional coloured frame.
– Easy to integrate with customised housing.
– Rich set of I/O interface.
– Remote power button connector.
– 9V-36V DC wide-range power input.
– Modular design, upgradeable.

IBASE TECHNOLOGY www.ibase.com.tw

The MediaShop: Do’s And Don’ts For Brands

The MediaShop: Do’s And Don’ts For Brands

Digital Media Strategist at The MediaShop, Nicci Jones, discusses keeping rogue influencers in (legal) check.

Everything around us is for sale, from the airwaves that we listen to, to the TV programmes that we watch – even movies on the big screen have products snuck into them to subliminally drive our brand preferences. Our social media spaces are dotted with influencers who endorse products that they are paid to promote in a ‘non-intrusive manner’ – whether we’re aware of the brand affiliation or not.

Online influencers are a complex market, especially in the social media space where boundaries between public and private domains have become blurred and where we have perceived closer access to celebrities and role models that we have idolised since our teen years. We can interact with these stars at the click of a button, and the choices they make inspire the choices that we make.

Social media trends 

If social media trends are not on your radar, you might not have become aware of the influx of celebrities suddenly letting us into their lives and sharing with us their latest secrets to their brightest smile, or the smallest waist, or the longest hair. Social media celebrities have become increasingly industrious, and it’s hard to tell when they’re endorsing a product, or letting us into their personal lives. Ingenious managers (or in the case of the Kardashian/Jenner clan – momagers) have negotiated clauses into contracts that have managed to bypass the protection of consumers – you didn’t really think Kim and her clan whitened their own teeth, did you?

Consumers are rushing to buy products trusted (read: endorsed) by their favourite celebrities, increasing the revenue of both the product and the celebrity, with absolutely no regard for authenticity, trust or transparency.

Advertising, marketing and competition authorities have cottoned on to this lack of transparency, and have started taking influencers to task for being duty-free brand marketers. The onus has now been placed on the influencers to protect their integrity and authenticity when it comes to brand endorsement to their audiences. Although creating sponsored branded content allows them all kinds of creativity, influencers now need to comply with the law of disclosure, and the initial approach to online influencer endorsement no longer has the legs it used to.

Sponsored content

Following in the wake of highly debatable and controversial rules and regulations of sponsored content set out by the Federal Trade Commission (FTC) that were put into place in South Africa, online influencers need to disclose any sponsored brand content – for the protection of themselves and the brands they endorse, as well as ours. This places a large amount of responsibility in the hands of influencers, and those who don’t pay attention to the regulations run the risk of loss of credibility, as well as being heftily fined. After all, if you’re going to be the face of a product as well as an inspiration to many, you need to do so responsibly and be aware of industry best practice.

As a consumer, this might not soothe the taste buds, as well as those endorsed detox teas do, so here’s a breakdown of a few best practice guidelines on all platforms, which we can now hold our influencers accountable for:

Hashtags:

All sponsored content needs to be clearly labelled. If the influencers themselves cannot tell that the posts are sponsored, chances are that we can’t either – so hiding them in a blur of words won’t be considered as full disclosure. The following hashtags have been approved on all platforms – from Facebook to Instagram, Twitter and blogs: #sponsored; #ad / #advertising;
#affiliate and #promotion /#promo.

Links and Handles:

Links to brand websites need to be fully visible without being shortened, and need to contain the brand name in any accompanying descriptions. Brand @handles need to be included.

Videos and YouTube:

– The Advertising Standards Authority (ASA) of South Africa denotes that all sponsored content needs to be disclosed to viewers in both the text and the start of each video.
– When uploading videos, influencers are compelled to notify YouTube of sponsorship elements under a content clause/declaration.
– Advertising needs to be disabled if the influencer feels this may clash with their sponsorship deal.
– In the words of the FTC, a hyperlink is not enough, nor is a brief mention of a brand.
– Live streams need to have endorsement information clearly displayed throughout.

Although these rules may seem excessive at first, they are necessary to avoid the repercussions of not abiding by them. Not following these guidelines could result in permanent bans from social platforms – and no influencer can afford for their social platforms to be negatively affected.

In case you need a few pointers on whether your influencers are ‘behaving’, the FTC has laid out this helpful set of guidelines so that you can hold them accountable for their endorsements.

The IAB UK has weighed in with their guide to best native online advertising disclosure practice, too – both guides are enforceable to the influencer market, and will help you as a brand, to protect yourself.

THE MEDIASHOP
www.mediashop.co.za

Primedia Outdoor Introduces Radio-To-Road Synergy In Zambia

Primedia Outdoor Introduces Radio-To-Road Synergy In Zambia

Primedia Outdoor announced a Radio-to-Road initiative in Zambia that is part of a continuous effort to expand innovative product offerings in sub-Saharan Africa. The integrated multi-channel solution enables audio and visual channel synchronicity, allowing clients to create high-impact campaigns.

To build memorable content that is appealing and engaging, Primedia Outdoor has partnered with the local Zambian commercial radio station, Hot FM to bring ad campaigns to life. The broadcaster has an average listenership of three million people who tune in every day covering mainly the centre of commerce, Lusaka and the Copperbelt province.

Audio-visual innovation

Coupled with Primedia Outdoor’s digital footprint of six LED screens in Lusaka and two in Kitwe, this audio-visual innovation enables clients to significantly leverage on brand storytelling and extend their ultimate reach.

Dominic Nyirenda, Sales Manager of Hot FM said, ‘Hot FM is very honoured to join efforts with the largest outdoor advertiser in delivering advanced digital advertising solution for clients to create captivating campaigns. This collaboration will certainly transform the OOH media landscape in Zambia and other large parts of Africa going forward.’

Following the successful introduction of this unique radio and urban digital network blend in South Africa, Ameer Isaacs, GM of Primedia Outdoor Zambia said, ‘This is a first-to-market advertising solution in Zambia that promises to enhance the impact of a marketer’s communication by delivering both audio and visual adverts for the same campaign, at the same time. We have encompassed our LED screens with the leading commercial radio station in Zambia to enjoy the synergy of a complementary radio and OOH campaign.’

This partnership represents a landmark collaboration to extend branding opportunities and open up all sorts of interactive possibilities for progressive brands to leverage advertising more effectively, considering the cluttered advertising environment in Zambia. With high levels of reach, this exclusive offering creates a pathway of future-forward means of running successful campaigns in connecting with audiences from all walks of life.

PRIMEDIA OUTDOOR
+27114751419 
jorja@primeoutdoor.co.za
www.primediaoutdoor.co.za

SA Industry Bodies Announce Draft Advertising Code Of Practice For Social Media

IAB SA: Brand safety - A matter of conscious partnership

The South African marketing industry and consumers will soon benefit from a clear code of conduct regarding the use of social media to advertise products and services. The IAB SA, the ASA and Terry Murphy of the Marketing Mix, as well as a relevant collective of industry bodies and stakeholders, are drafting an Advertising Code of Practice Social Media guidelines.

The draft document will be officially announced at the Social Media Landscape Briefings, which will take place on 16 October in Johannesburg and 18 October in Cape Town, after which there will be a defined consultation period and date for formal adoption.

Paula Hulley, CEO of the IAB SA said, ‘This code of conduct will fulfill our objective to put the customer first, and to support a transparent and trustworthy digital supply chain in South Africa. By adhering to these guidelines, our members will create meaningful relationships with their audiences, where consumers trust that all paid social media marketing targeted towards them is respectful and ethical.’

The draft Advertising Code of Practice Social Media guidelines is an industry first, and has been devised with the input of a diverse group of industry stakeholders. Gail Schimmel, CEO of the Advertising Standards Authority (ASA) said, ‘As the ASA, we have always championed the rights of the consumer. This code of conduct is a logical and important next step in protecting consumers and promoting ethical conduct on such a dominant medium of communication.’

By working as an industry collective, the resulting code of conduct is objective and representative of all stakeholders. ‘We are all unified in the common goal to reach our market in fresh, relevant and meaningful ways,’ said Terry Murphy of The Marketing Mix. ‘This is the logical next step in the evolution of ethical advertising in South Africa.’

Once the draft code is presented, stakeholder groups will have time to carefully consider and comment before arriving at an authoritative consensus. Once this has been reached, a formal date for rollout and adoption will be announced.

IAB SOUTH AFRICA
+27 10 900 3338 
hello@iabsa.net
www.iabsa.net

Loeries Announce Out-Of-Home Winners

Loeries Announce Out-Of-Home Winners

The list of Loeries 2018 winners in the Outdoor and Out-of-Home (OOH) category has been released. The Loeries promotes and supports creativity by helping marketers, agencies and consumers appreciate the value of fresh thinking, innovative ideas and outstanding execution.

OUTDOOR and OUT OF HOME

Prize       Category   Country    Brand         Title               Product            Entry

Gold

In-Store

South Africa

Garagista

Like the beer? Buy the brewery

For Sale Ale

DUKE

Gold

Direct Mail

South Africa

GreatStock

The Anthology of Great (Stock) Poetry

Image Library

Joe Public

Silver

Outdoor Media

Israel

Access Israel

People Not Symbols

Easy Parking Access for Handicapped

Leo Burnett Israel

Silver

Outdoor Media

South Africa

POWA

News you need to see

Women’s rights

Joe Public United

Silver

In-Store

United Arab Emirates

Citibank

Hidden Hindi Posters – Tea

Money transfer

Horizon FCB Dubai

Silver

In-Store

United Arab Emirates

Amnesty International

Skins of Peace

Campaign against Islamophobia

TBWA\RAAD

Campaign Bronze

Outdoor Media

Saudi Arabia

NOD

Tag Life – Heart, kidney, Eyes, Liver

Organ Donation

J. Walter Thompson KSA

Campaign Bronze

Outdoor Media

South Africa

Allan Gray

True Rewards Take Time – Best Time, Times Change, New Money, Throw Time

Allan Gray

King James II

Bronze

Outdoor Media

South Africa

Wrigley

Shrink the Rainbow

Skittles

DDB

Bronze

Outdoor Media

South Africa

Keepit100

Burning Billboard

Keepit100

Joe Public Ignite

Bronze

Outdoor Media

South Africa

Nike

Zoo Lake Community Basketball Courts

Basketball Apparel

Futura with Faatimah Mohamed-Luke & Karabo Moletsane

Bronze

Outdoor Media

South Africa

Comair

Defaced Billboard

kulula.com

McCann Worldgroup South Africa

Bronze

Transit & Air

South Africa

Edward Snell

#IAMNEXT

Russian Bear Vodka

Loxyion Conexyion

 

LOERIES 
www.loeries.com

Metromatics Installs MetroSpec LCD Digital Bus Stop Totems

Metromatics Installs MetroSpec LCD Digital Bus Stop Totems

South Australian Department of Planning, Transport and Infrastructure’s O-Bahn Tunnel Project chose 31 MetroSpec LCD Digital Bus Stop Totems from Metromatics. This new bus technology has been providing commuters with the arrival times of the next 6 buses and other service information.

This weatherproof, sleek totem bus stop design features a 32” High Bright LCD Display, which is readable in direct sunlight. The glass used to protect the display is 6.4mm High UV Limiting Glass. As a result, it is shatterproof and lowers the heat inside the display, which reduces blackouts.

Especially relevant, the MetroSpec LCD Bus Stop Totem has an inbuilt wireless PC. Consequently, the customer may connect back to the main computer where the information can be modified.

METROMATICS www.metromatics.com.au