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Marketing Research Foundation Announces Limited Release Of MAPS Wave 1 Data To All Users

Marketing Research Foundation Announces Limited Release Of MAPS Wave 1 Data

The first wave of the Marketing All Product Survey (MAPS) data encompasses the six-month period of July through to December 2020. The sample size of this wave totalled 10,024, representing a base population (15+ years old) of 42,573,129.

Distribution spread (weighted) across South Africa is made up of 45% Metro, 30% Urban and 24% Rural, representing 17.2 million households with an average of 3.6 people per household. The data indicates slightly more women at 52% than men at 48%.

The Marketing Research Foundation (MRF) has made available a limited release of the demographics and segmentation of the first wave of MAPS data to all users. This data can be accessed via all software bureaux.

‘We’re extremely excited to share topline MAPS Wave 1 results with the media and advertising industry,’ says MRF’s CEO, Johann Koster. ‘The full dataset has already been made available to subscribers and their nominated agencies. I must also reiterate that the implementation of a national lockdown in response to Covid-19 affected the first wave of the MAPS project. As a result, the data collected during Wave 1 needs to be prefaced with the fact that it was gathered under the environment of Covid-19 lockdown restrictions.’

MAPS shows that the mediums of television and radio (past four weeks) reaches 79% and 73% of the population respectively while 48% of the audience have read newspapers, 24% magazines and store magazines (past three months). 61% have seen outdoor advertising, 3% have been to the cinema and 50% have used social media (including WhatsApp).

Top read publications include The Daily Sun newspaper, Drum magazine online and Ackermans store magazine, which has since stopped publishing. The top free to air TV and DStv channel is SABC 1, on OpenView its e.tv. The most listened to radio station is Ukhozi FM, with JoziFM being favoured on community radio stations. Unsurprisingly, the most used social media platform in South Africa is WhatsApp, with Facebook coming in second.

95% of respondents own cellphones with an average of almost four cellphones per household and one phone per person. Of these, at 20% market share, Samsung devices far outstrip all other brands while Vodacom comes out top for cellular networks.

New to the MAPS financial section are the Stokvel related participation data. It shows that 10% of the population belong to Stokvels with 8% belonging to at least one. Data can be interrogated even further. The average Stokvel participation profile is a single female, equally split between unemployed and employed with some High School education.

According to MAPS, the top vehicle brand in South Africa is Toyota, but this does however change per geographical region. Gauteng and the Western Cape prefer VW, Mpumalanga citizens like Nissan while KwaZulu-Natal and the Free State are Toyota provinces. Toyota is most popular amongst men while VW is the top brand amongst women.

Due to subscriber input into the questionnaire, many new questions have been asked of the respondents. The data can now provide more marketing insights in relation to, amongst others: liquor outlets, malls visited, product penetration, brand loyalty, online consumer shopping behaviour, shopping patterns, appliance brands and OTC pharmacy purchases.

This is but the very tip of the data iceberg to MAPS. To access this comprehensive brands and products research, advertisers are required to become subscribers, then authorising access to MAPS for internal users and agencies.

‘The data has already been made available to current subscribers, while a general release of the demographics and segmentation is available to all users,’ concluded Koster. ‘MAPS is paving the way for some of the best data and consumer behaviour insights accessible in South Africa and we’re confident that the study will only gain in popularity and necessity as the study progresses.’

MAPS
http://mrfsa.org.za/maps/

Structure Your Rebrand To Be Research-Led

Structure Your Rebrand To Be Research-Led
KIA's original logo (left) compared to their rebranded logo.

Tessa Nowosenetz and Christine Nyatsambo, KLA, say that working with the right market research partner before, during and after your rebranding process gives you access to consumer and sector insights that can enrich your efforts. 

Car brand KIA claimed a Guinness World Record in early 2021, and it had nothing to do with cars. The 303 drones used to etch the carmaker’s new logo (a movement from the classic red logo in a circle to a clean, crisp and progressive monochrome logo) in Seoul’s night sky were loaded with fireworks. Once ignited, the drones made KIA the unlikely holder of the record for the ‘most unmanned aerial vehicles launching fireworks simultaneously’.

This edgy display, juxtaposed against KIA’s long-standing image as a budget car manufacturer, was the opening salvo of its rebranding process – with several interesting lessons for businesses that are contemplating making changes to their brand.

Four reasons to rebrand

– Your company is changing its name.
– Your company is merging with another company, under a new name.
– Your company wants to refresh its brand or improve consistency across touchpoints.
– Your company is repositioning itself to remain relevant.

In the first two cases, a rebrand is largely unavoidable. But the latter two tend to carry heightened risk, because branding changes are made voluntarily. The last can be dicey, to say the least, because of the magnitude of change required, (such as the KIA example).

To mitigate some of this risk, be clear on the ‘job to be done’ by the re-brand. Why are you doing this? Where does it need to stretch to? What gaps will it fill? Are you wanting to be more progressive, keep up with the times, increase interest with a certain target market, compete better against new competitors, be more premium or just refresh?

Where the danger lies

Humans are sceptical of change, particularly when they are invested – emotionally, financially, or otherwise – in the status quo. In an age where consumers expect brands to connect with them, an alteration that does not resonate can dissolve loyalty.

What is more, a dramatic change without warning can be jarring for customers. Even if your rebranding is on point, your consumers could feel ambushed, so it is important to prepare your target market for change and to think about its impact on brand equity.

KIA loyalists, for example, might have been comfortable with the old branding and the budget-car positioning – and the drastic shift in look, feel and messaging, if not managed carefully, could have alienated them (spoiler: it didn’t).

What is the answer? Know your consumer so well that you are able to mitigate risk and deal with discomfort before it affects your brand equity. To do that, you need research.

Research is critical

Ho Sung Song, KIA’s President and CEO, said KIA interviewed everyone – from staff and customers, to industry experts and even those who had never considered buying a KIA. The aim of market research is to establish how the existing brand is spoken of, its current positioning and its perceived culture. You also need a good understanding of what your competitors are doing, because this helps you to come up with a branding strategy that will allow your brand to differentiate.

With a solid sense of the lay of the land, you can identify where the existing brand sits and where it needs to get to and plot this journey in a way that will make sense for customers and employees. But beyond understanding the market you operate in now, you must look at how this may change in future, to ensure that your brand remains relevant and is future-proof.

Test your elements

To improve the chances of your rebrand landing favourably with your target market, seek feedback during the design stage and course-correct as you go. Consider testing various assets with your target market and employees and iterate on these.

This way, you can save money and pain in the long run; minimising risk by fixing elements that do not work before they reach the consumers’ eyes and ears. Did KIA land on its changes first time? Unlikely. They went through multiple iterations, using market research testing techniques at various points in the rebrand process.

Remember to look inside

Do not forget about your employees and stakeholders. A rebrand often necessitates an update of internal company values, which requires ‘selling’ internally. So, before a rebrand, know and understand how your brand is perceived internally. Incorporating your own staff members’ views or ideas into the new direction will impart the ownership that will motivate them to implement the tenets of the new brand.

Get the pros in

Work with the right market research partner. Your research partner can also act as a consultant, using their deep understanding of the consumer psyche, the landscape and market trends to make valuable recommendations around the proposed changes to your company’s brand assets. Structuring your rebrand to be research-led might not land you a Guinness World Record, but fireworks are certainly possible.

KLA
+27 11 447 8411
enquiries@kla.co.za
www.kla.co.za

2AM Agency Devises Fresh Format For Old Mutual Alternative Investments’ Sustainability Report

2AM Agency Devises Fresh Format For Old Mutual Alternative Investments' Sustainability Report

2AM Agency was tasked with devising a more effective format for Old Mutual Alternative Investments (OMAI)’s Sustainability Report. 2AM’s solution came in the form of a creative concept that speaks to the core values of OMAI, while simultaneously highlighting the company’s commitment to sustainability, as well as the unique way in which they draw on both data and cultural insight to ensure they invest with significance.

ESG – short for Environmental, Social and Governance – refers to a set of standards that measure a company’s operations to ensure they are acting as responsible corporate citizens. As such, illustrating OMAI’s dual approach to ESG had to be at the core of the creative concept.

Rather than another sleek book, 2AM opted to instead create a real-time online portal where new and existing customers can access information about the company’s investment performance in this area.

Recognising that Old Mutual has offices across the African continent, 2AM knew they had to marry the cultural insights garnered from the men and women on the ground with the analytics and data analysis capabilities, as well as the company’s heritage.

‘We were never just going to design a book. Innovation, sustainability and a future-forward approach is the backbone of Old Mutual Alternative Investment, so it was important for us to rise to the challenge and deliver something that effectively reflects that spirit,’ said Marco Russolillo, Executive Creative Director at 2AM.

The concept required 2AM to overlay the data with relevant cultural insights and bold visuals that speak to the company’s ESG values. OMAI were delighted with the result, prompting Dean Alborough, head of ESG at Old Mutual Alternative Investments, to say this of the final concept, ‘This was the first creative team that actually deeply understood the conceptual underpinning and vision of our positioning. Apart from being able to execute and deliver on the brief extraordinarily well, when you work with a team that just ‘gets it’, and then brings incredible creative talent to bear on your vision, the outcome is seriously impressive.’

2AM
+27 10 312 6033
http://2amagency.com

Mischief Media And Tractor Outdoor Execute New Digital Experiences Project Featuring Jeremy Loops

Mischief Media And Tractor Outdoor Execute New Digital Experiences Project Featuring Jeremy Loops

Mastercard will launch a new Priceless™ digital experience with a video featuring recording artist Jeremy Loops, who performs a tailored version of his hit song ‘Down South’ with never-before-seen perspectives of Table Mountain as the stage backdrop.

Loops dedicates his performance to all tourists, locally and abroad, who have in previous years flocked to the Mother City but have not been able to make the trip because of pandemic-related travel restrictions.

Mischief Media, the activations division of Tractor Outdoor, were presented with an opportunity to leverage the existing Mastercard OOH partnership with the Table Mountain Aerial Cable Co (TMACC) and pitched the idea of a special performance experience.

Simon Wall, Mischief and Tractor Outdoor CEO, said, ‘The partnership between Mastercard and the Table Mountain Aerial Cable Co is a key relationship for multiple stakeholders and, with the current travel restrictions, our objective was to find a creative way to keep the experience of using the Table Mountain Aerial Cableway and the City of Cape Town top of mind as a destination once tourism opens up again. We also wanted to incorporate elements of entertainment and awe into the experience, as well as blending film, music, digital and outdoor. I think we’ve done that.’

Mischief Media commissioned consulting executive creative director Mike Beukes and film director Rick Wall to develop and execute the video. Working closely with Loops and his team, they developed a new version of the song that is both intimate and powerful and paired this with the visuals of a solo journey to the top of Table Mountain on a perfect Cape Town summer day. The experience culminates with a bird’s eye view of Loops and his full band rocking out on a deserted Table Mountain summit at sunset.

Both Table Mountain Aerial Cable Co (TMACC) and Cape Town Tourism were quick to spot the opportunity of creating an alluring viewing experience for a global audience and assisted Mischief Media in obtaining a rare approval from SANParks to film inside Table Mountain National Park using drones. Big Bird speciality camera team were brought onboard to provide world-class drone technology and a highly skilled and experienced crew. The resulting cinematography is compelling and gives perspectives of Table Mountain National Park and the Cableway that have not yet been seen.

Kamini Redhi Mastercard South Africa Marketing and Communications Director said, ‘At Mastercard, we are committed to accelerating digital transformation and creating bespoke experiences that connect our audiences to their passions through our long-established Priceless experiences platform. For decades we have brought consumers closer to their passions and we are constantly adapting our approach to do this in relevant and meaningful ways.

‘We were thrilled to work with Jeremy Loops and believe that his global appeal, combined with the unique experience afforded by the Table Mountain Aerial Cable Co, have allowed us to create a truly unique and Priceless video experience for our platform. We’d also like to extend special thanks to Table Mountain Aerial Cable Co, SANPARKS and Cape Town Tourism for allowing us to create this Priceless experience.’

The Priceless™ digital video experience is available to view exclusively here (log in required).

MISCHIEF MEDIA
www.mischiefmedia.co.za

The One Club Announces Two Board Of Directors Appointments

The One Club Announces Two Board Of Directors Appointments
Danny Robinson, chief creative officer at The Martin Agency.

The One Club is proud to announce that Danny Robinson, chief creative officer at The Martin Agency in Richmond, and Max Stinson, creative director, Wieden+Kennedy in Portland, have been elected by their membership to The One Club Board of Directors.

Board member responsibilities include providing input and feedback on the club’s many professional development, education, inclusion and diversity and gender equality programmes, connecting the club with advertising and design schools and nominating top creatives to serve on juries for The One Show and ADC Annual Awards, both of which are currently open for entries.

‘Throughout my career, I’ve done my best to find ways to join The One Club on its journey to make our industry the archetype for modern business,’ said Robinson, whose work includes award-winning campaigns for Sprint, Major League Baseball, Snapple, Heineken, Pontiac and others. ‘I can’t wait to slide my seat up to the table now. It’s a genuine privilege to have this opportunity to team up with such an incredible group of talented people whom I’ve long admired and respected.’

Max Stinson, creative director, Wieden+Kennedy.

‘I was fresh out of school when I was first introduced to The One Show,’ said Stinson, whose creative influence has touched some of advertising’s most iconic brands including Nike, Dodge, Chrysler, Old Spice and Powerade. ‘All I wanted back then was to create something that would be respected on that level. I am sincerely honoured to be joining such a pillar of the advertising community.’

Robinson and Stinson join a select group of global creative leaders who serve on the club’s national and international boards. ‘One reason why The One Club is so prestigious is because of its exceptional Board of Directors, an impressive group of the most prominent creative professionals in our field,’ said Kevin Swanepoel, CEO, The One Club. ‘We’re thrilled to have Stinson and Robinson on the board and look forward to their input on ways to expand our mission to support and celebrate the success of the global creative community.’

THE ONE CLUB
https://www.oneclub.org

Old Mutual Delighted With 2020-2021 World Branding Awards Win

Old Mutual Delighted With 2020-2021 World Branding Awards Win

The 12th annual World Branding Awards is now regarded as one of the premier events on the world’s marketing calendar. Adding to the significance of the World Branding Awards in the branding arena is their stringent voting criteria that take account of a business valuation, market research and public online voting in all the countries taking part.

Old Mutual scored two unique international achievements this week when it became the only South African company to win an award in the prestigious 2020-2021 World Branding Awards competition and took its place alongside the world’s top 450 brands.

The achievement, also unique for an insurer, was announced at Kensington Palace, London, on 17 March 2021, where the results of the worldwide competition that involved 4000 brands from more than 45 countries were made public.

‘We are delighted about our success in this prestigious international arena, which comes eight months after Old Mutual was acknowledged as one of South Africa’s most valuable brands by Brand Finance South Africa,’ said Andisa Ntsubane, Head of Marketing Strategy and Planning for Old Mutual. Both awards reaffirm Old Mutual’s commitment to being our customer’s first choice, in South Africa, across the continent and internationally.’

OLD MUTUAL
https://www.oldmutual.com

Making The Data Burden On Africa’s Cost-Conscious Mobile Community Lighter

Making The Data Burden On Africa's Cost-Conscious Mobile Community Lighter

Zubeida Goolam, director and chief creative officer at Valiant, says lite versions of mobile applications or apps have become increasingly popular across Africa and many other parts of the developing world, because these have smaller installation footprints and use less data compared to the regular app versions.

Africa has a tremendous mobile adoption rate, with GSMA’s The Mobile Economy Sub-Saharan Africa 2019 report stating that the continent will have around 623 million unique mobile subscribers by 2025. That represents approximately half the population, and which is an increase from the 456 million (44% of the population) in 2018.

These smart mobile devices are employed for a range of features from mobile banking, accessing digital services, to staying in touch with family and friends through social media or remittance payments. As such, smartphones are also the main and only connection many of these users have to the internet, with the World Bank asserting that less than one out of every three people across Africa has access to broadband connectivity.

With relatively high local data costs, app usage is dependent on data depletion, and app that burn through gigs at lightning speed are often deleted or sit on the second page of users’ home screens. Lite apps, however, are designed for markets with still developing infrastructure. These apps use less memory to store large data sums, are able to fully function in low connectivity settings and also use less data and are less demanding on a smartphone’s battery. While some add-on features may not be available, the key app functions still work as optimally as it does on the regular app.

At Valiant, research shows that our digital consumers crave quick, functional and highly-interactive and engaging content. It is, however, important to keep in mind the target audiences using the lite versions when creating content. Going lite isn’t cutting corners on extras, but accelerating on core purpose and delivering on that without breaking the data bank.

More features, less data usage bill problems

Many cult apps have taken this approach. For example, Uber Lite (which is available within markets like South Africa, Nigeria, Kenya and parts of Latin America) is a simpler version of the regular Uber app that has been designed to work on most Android smartphones and is easier to use for non-tech savvy users.

Moreover, this lite version saves space for users with limited internal storage space on their mobile devices since it is a 9.7MB download compared to 56MB on the regular Uber app and uses less data for the same comparative features across the main app.

Another crucial benefit for areas of limited connectivity is the fact that this application can be used without Wi-Fi or a particularly strong 4G LTE (or even 3G connection) and also are not as taxing on a smartphone’s battery life as some regular apps.

Facebook also reacted to the rising popularity of lite app versions by making the Facebook Lite and Messenger Lite apps available within select markets, as has Google through the lite versions of its popular mobile offerings such as Google Maps Go and Spotify Lite, which is available in 37 markets across the globe (including South Africa). Like the Uber Lite app, the Facebook Lite app can support continuous usage by users where connectivity is highly limited, even working at 2G speeds. This, while the application still offers all of the classic features of Facebook including sharing to a timeline, liking photos, searching for people and editing a user profile and groups.

The Facebook Lite Messenger app installs a lot quicker compared to the regular one and is well suited to data-sensitive users at a download of less than 10MB. It has consistently appeared in the top 10 local app downloads list of the Google Play Store, along with the lite version of the popular TikTok app.

Ultimately, the lite version of apps is here to stay and can enable companies to significantly boost the popularity of their applications across the developed world thanks to all of the benefits: smaller download footprint, using less data and working in places with limited connectivity and download speed. Although these apps are significantly smaller than the regular apps that they are based on, they should not be light on features and functionality if these are to guarantee a significantly higher user take-up rate.

VALIANT
+27 10 001 2531
hello@valiantagency.com
www.valiantagency.com

Mickey Llew Aims To Strengthen Its Business In Australia With New Appointment

Mickey Llew Aims To Strengthen Its Business In Australia With New Appointment
Cassandra Wingrove will lead Mickey Llew's growth in Australia.

Cassandra Wingrove has been appointed to lead growth and development at Mickey Llew’s Australian office, which is nearing its one year in operation in May 2021.

In this role, Wingrove will develop and coordinate growth opportunities to reach the company’s sales objectives of R14 million (AUD 1.2 million). She will also provide broad operational day-to-day support to the team as the Australian offering and services were previously managed from Mickey Llew’s Johannesburg HQ.

‘I’m excited to be joining Mickey Llew at such a crucial and dynamic period in its growth journey. I believe it differentiates itself as an expert in organic search and provides clients with customised solutions to help reach more customers and boost businesses,’ said Wingrove.

Cassandra has a BA Degree in Communications and Honours in Psychology from the University of Johannesburg and brings a wealth of experience gained from the digital marketing sector. Some of her core capabilities include forecasting the budgeting cycle, managing the financial reporting, developing online communication strategies and providing business intelligence.

‘As we position Mickey Llew for the next phase of growth, we are pleased to welcome Wingrove to our team. With her experience and knowledge of the industry, she will help strengthen and expand our business and presence in the country,’ said David Jenkins, co-founder of Mickey Llew.

MICKEY LLEW
+27 81 449 8506
hello@mickeyllew.co.za
www.mickeyllew.co.za

Now Is The Time For Brands To Build And Leverage A Highly Engaged Audience

Now Is The Time For Brands To Build And Leverage A Highly Engaged Audience
Jonathan Lumley, Head of Clients, Channels and Markets at immedia.

Jonathan Lumley, Head of Clients, Channels and Markets at immedia, says if community is the focus of your organisation, you have a superpower that can grow your bottom line. For brands, businesses and organisations that have audiences, members or communities, there is no better time than the present to build and leverage a highly engaged audience.

‘Businesses and organisations are fast acknowledging the benefit of owned, highly leveraged communities to their bottom line, but the problem is that many don’t know how to connect their fragmented audiences, nor manage them to the benefit of the business,’ explained Lumley.

Some of the organisations that typically face this problem include public audio and broadcast businesses, as well as organisations that communicate in a private way with their various customers, partners and stakeholders.

Many of these organisations have closed communities, who often resort to using WhatsApp, Facebook messenger or similar to engage with their members, or otherwise they use traditional communication channels like newsletters.

‘This can be frustrating because it doesn’t result in engaged or connected audiences. It can also create delays and closed, one-way communication,’ said Lumley. ‘On top of this, much of the technology used by such businesses and organisations is outdated, and many have yet to harness digital to their advantage.’

He said that digital tools and technologies should be embraced, not feared, as businesses will benefit from the capabilities offered by exciting and modern cloud-based technologies, including data-driven insights.

‘History teaches us that if we are brave and overcome our fear, we are most often rewarded. This is especially so for businesses that understand the key to growth is to build and leverage ‘owned’ digital communities,’ said Lumley, adding that for those with closed communities, it can result in growing ‘your own private social network’.

There is a suite of tools developed precisely to alleviate this frustration for businesses and organisations, allowing businesses to digitise, consolidate and monetise audience engagement easily and effortlessly, which ultimately catapults community-centric businesses into the future by leveraging the opportunity presented by digital.

‘Ignoring the need for connection is simply not an option anymore, and for smart companies with member-driven communities who are ready to take the digital leap and change the way that communities engage, the opportunities are unrivalled,’ concluded Lumley.

IMMEDIA
www.immedia.co.za

Eskort’s ALWAYS ON Digital Campaign Receives Record-Breaking Results

Eskort's ALWAYS ON Digital Campaign Receives Record-Breaking Results

Eskort recently repositioned with a brave ambition – to redefine the pork category and, within that, the Eskort brand. To do so successfully, Eskort felt it needed to create a strong digital presence to complement its brand refresh, which included a television campaign, packaging redesign and Out-of-Home initiatives.

The backbone of this digital presence was an ALWAYS ON campaign, created by MetropolitanRepublic and their newly acquired digital agency, 8909, and supported by a corporate identity revamp on all digital platforms and Eskort’s butchery accounts, an influencer launch campaign, a website reskin and the launch of a digi-series.

It performed exceptionally well, smashing the targets the brand and agencies had set, and beating Eskort’s historical performance and industry benchmarks on social channels. Reach figures topped 15.7-million for the five-month period. Other achievements included engagement at 7.2-million and video plays at 4.8-million.

The digi-series #WGCOT – or Who Got Chowed On Twitter – played a critical role in helping the digital outreach achieve these figures. Featuring Coconut Kelz – the living parody created by Lesego Tlhabi – and other South African comedians, its purpose was to create and build awareness with all the South Africans that knew of Eskort but did not have a relationship with the brand.

‘When we created #WGCOT, we set out to create content that South Africans wanted to watch and not just create advertising,’ said 8909’s Creative Director, Rory MacRobert. ‘Our goal was to create branded content that lived in our consumers’ worlds instead of ours, resulting in Eskort becoming a beloved household name.’

The six episodes flighted to date achieved 3.9-million total impressions and over 2.7-million overall views. On Twitter, #WhoGotChowed Episode 7 trended above SONA, with the hashtag receiving 920,000 impressions. At the same time, comments from the digital communities reflect how positively the brand had been accepted in the market.

For Eskort’s Group Marketing Manager, Marcelle Pienaar, this is all good news. ‘The overriding goal driving our strategies and marketing efforts is to move Eskort from an unrelatable brand to one that is recognised in homes across our country for its authenticity and credibility. To do that, we needed the broadest possible reach, hence our focus on television and digital, complemented with out-of-home, in-store and packaging, which is yet to be released.”

Eskort already is a heritage brand, but the pork sector has been facing serious consumption challenges for some time. To rebuild the category into one the consumer can trust – a brave task to take on but one Eskort believed it had the status to do – MetropolitanRepublic and 8909 just had to add personality to the brand.

‘South Africans don’t buy and consume enough pork products. They are simply unaware of the myriad consumption opportunities. In a nutshell, the majority think pork is just bacon, sausages, and sandwich ham, whereas – in reality – it’s so much more,’ said Pienaar.

‘The strategy was four-fold: educate our consumer groups; differentiate the Eskort brand; build brand recognition and quality, taste and safety attributes and build relevance and emotional connection with the youth. Doing this, we knew, would revitalise the entire category.’

‘Our challenge was to bring this heritage brand back into the lives of South Africans, and we’re doing that with an exciting 360° campaign that walks and talks like a truly iconic South African brand,’ added MetropolitanRepublic’s Executive Creative Director, Kamogelo Sesing.

‘Digitally-speaking, our proprietary ALWAYS ON digital process has ensured that the team is always engaging reactively and proactively with the various online communities and constantly making media optimisations. In doing so, they have broken all performance records for Eskort, and have steadily brought down the cost per thousand people reached by 37%,’ he said.

METROPOLITAN REPUBLIC
info@metropolitanrepublic.com
metropolitanrepublic.com
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