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Avatar Appoints Chief Creative Officer

Avatar Appoints Chief Creative Officer
Grant Sithole, New chief Creative Officer at Avatar

Grant Sithole has been appointed as the Chief Creative Officer of Avatar Johannesburg and Cape Town branches.

Sithole is a member of the 2018 Loeries and Creative Circle jury and has worked at FCB Africa, Ogilvy and Bakone. His award-winning work is showcased on brands such as Coca- Cola, Vodacom, Toyota, Old Mutual, FNB, Tiger Brands, DSTV and Standard Bank. He continues his high energy radio show G Man, The AdMan, on Cliff Central.

Veli Ngubane, co-founder of the agency has stepped into a Group MD role. He said, ‘Sithole is the creative answer. He gets it. Clients get it. The team gets it. We’re looking forward to showcasing the work in 2019.’

AVATAR AGENCY
www.avataragency.co.za

One Digital Media: Digital Signage Has A Place In Any Industry

One Digital Media: Digital Signage Has A Place In Any Industry

According to One Digital Media (ODM) over the past two decades, the impact of digital signage has been explosive and so too has the growth in cross-sectional industries. At startup, many viewed this communication tool as a ‘creative sales gimmick’, however within a relatively short space of time, it has morphed into an expansive industry. 

Business leaders and marketers across more and more industries are using digital display boards as a tool to achieve communication objectives, regardless of audience, product or service.

Andrew Ridl, ODM CEO said, ’In the early days interest in this realm came predominantly from the Quick Service Restaurant (QSR) and retail clothing sectors, but now has spread wider to industries such as hospitals, shopping centres, small businesses and the like. At any given time nowadays, we are working with clients from various industries, who use digital signage to achieve different results with distinctive objectives.’

Digital screens in the motor industry

Take a motor vehicle dealership for example. Digital screens are now also being used in this space not only to enhance the look and feel of the service waiting area, but to also advertise new vehicles and parts, prices and product information, as well as to educate an already existing captive audience in this area.

ODM recently completed Phase 1 of the digital display installations in the service areas at Nissan dealerships, in major metropolitan districts around the country. ‘We installed digital display units in this space at 48 Nissan outlets,’ said Ridl.  ‘As the service area in any motor vehicle dealership is the perfect location for customers to view content while they are waiting for their car to be serviced, strategic product content and information can be screened with short educational and influential videos.’

The success of Phase 1 resulted in the roll-out of Phase 2, which is now also complete.  ‘A total of 73 Nissan sites around the country have been fitted with screens in our waiting areas, which provide an excellent mechanism for us to communicate with a captive target audience already seated in our waiting area,’ said Wimpie Strydom of Nissan. ‘We are able to share information with our customers there and then, that is fresh, current and educational, but is also unique as it is not used on any other media channels in our marketing efforts.’

One of the first industries to ever use digital signage was the clothing retail sector that discovered that a faceless, static mannequin (which is still part of the store’s interior) isn’t the best model to show off the style and design of a wearable item.

Representation of products

Ridl said, ‘It’s important for clothing retailers to give the best possible representation of their products, and sometimes digital displays can be programmed to show off ensembles on real people in real scenarios, acting as a constantly running advert for the brand.’

ODM has recently concluded an installation for Froggies Shoes at all of their five stand-alone stores located in shopping malls, in KwaZulu Natal. The client’s brief was to increase the footfall in each store from the passing shopper traffic.  In response to this, a 1 x 49” screen was placed in the window, on a floor mounted pole, that blended in with the store look-and-feel, where a continual slide show of their products was run. Passing shoppers were enticed into the store to have a closer look at the available product.

‘When people walk near our storefront now, instead of walking past, they slow down, take a look at the moving content on our screens, and more often than not, enter the store to have a closer look at what’s on offer,’ said Froggies Marketing Manager, Linda Trinkies. ‘These moving screens are definitely magnets for passing foot traffic.’

Even in outlets where business to business trade occurs, digital signage has a presence. In early April this year, ODM installed a 3m x 2m LED screen in the new Jonsson Workwear store in Montana Park, Pretoria. ‘The opportunity to influence the SME business owner with an in-store digital screen of this size, is ideal and worth the investment,’ said Ridl.  ‘Not only does it make a powerful statement about the outlet’s product offering that shouts ‘authenticity’, it also adds to the overall atmosphere.’

Digital signage in doctor’s waiting rooms

A few years back, hospitals, doctors’ rooms and health centres didn’t seem like the places where digital signage would fit in, however today it is commonplace. From providing way-finding and directional information to sharing important registration details, and conveying wellness tips to improve a patients’ health, digital signage in medical and health establishments has found yet another home.

In addition, digital signage is increasingly seen inside office blocks and shopping malls for directional, navigational and information purposes, as well as in the hospitality arena for guest relations too.

ONE DIGITAL MEDIA 
+27113124194 
onedigitalmedia.com

Is Your Brand Ready To Reach Your Future Customer?

Is Your Brand Ready To Reach Your Future Customer

The MediaShop’s Business Unit Head, Gareth Grant, questions how best to future-proof a brand’s message to a post 2020 customer base. Is there any value in comforting your customers today with nostalgia from yesterday when their choices are naturally evolving at the rapid pace of a vastly shifting world around them?

In the current ever changing and growing market, there are some challenging questions that brands need to be asked. Marketers want their customers to want their products, but are they really talking to and engaging them?

It is important to consider whether customers are receiving brand messages in a way that holds enough meaning to potentially influence their behaviour. And if the message is being received, is it getting through in a way that works for your customer now and in the future?

Rethink strategy

Emerging from a global recession creates an opportunity to rethink strategy. The tide is set to turn again, as it does, and the market could boom or we should at the very least see an upswing. But with this turning tide, we also face a new-age society. The industry is humming with buzz-words like ‘disruption’, ‘millennials’, ‘Gen-C’ and ‘Artificial Intelligence’ because these are the very factors demanding that we rethink strategy.

The post 2020 consumer base – the inhabitants of the new-age society; are not as concerned with brand heritage stories as they are with real-time solutions and services that ease the mundane daily load and allow for an easier life experience.

Cue Apple’s ‘Siri’, the Google Assistant and Amazon’s ‘Alexa’. So here we are, trying to engage with this post 2020 consumer, trying to disrupt enough to get some attention but not necessarily with a product that can include the best of AI such as Siri and Alexa.

Audience engagement

Every business in each sector still needs to find ways to engage their audience though and I believe the key is to look at the relevance of the message as well as the means of communicating the message. We know the customer pool is bigger, younger and bolder than ever before. We know that they are all connected and that technology and social media are at the hub of the inhabitants of this ‘new world’.

To my first point – is the message itself relevant? The post 2020 consumer wants value-add so brands should ensure that the message communicates that. Disruption is a requirement to catch attention but attention span is a valuable commodity these days and so it is imperative that the message is made clear as soon as possible.

Three-second rule

When I think of the current and future society, I have a laugh at the old joke about the ‘three-second rule’. In my circle if anyone dropped a morsel of food but managed to pick it up in three seconds or less it counted as being still edible. This rule also applies to messaging if your message manages to hook attention in three seconds or less – it is relevant. If not, your customer has moved on – moment forgotten, message? What message?

If this is the current landscape, then surely as AI and technology make life more streamlined and experiences more convenient every day, the demands on messaging are sure to increase.

To my next point though, how the interesting and relevant messaging is delivered needs to ensure that it is seen by the relevant eyes at a time and place that is as meaningful as the message itself. New digital platforms are constantly sprouting in the online landscape and whether a business is operating in the online space or not, leveraging this is essential.

Traditional platforms

Traditional platforms still show some return but continuity is absolutely required. A golden thread running through all platforms needs to be created in order for the consumer base to have multiple interactions with the message. The concept of ‘experiential’ contact needs to be turned inside out and reinvented so that consumers experience a brand’s message in ways that are relevant to this time where the landscape changes literally from day to day. Consumers are selective to what content they consume and we need to talk to them in moments which matter to them in order to have their attention.

I say let’s do our best to engage on every platform, create a golden thread that runs through all points of engagement and get creative about the future. Let’s imagine the science fiction version of our audience 12 years from now, using current statistics pulled from the last five years. We can get as creative as we like in imagining the version of our audience in 5 and 10 years from now and we will more than likely still be hitting a conservative version.

So many questions and so few answers, I know. So then, just as inventors in every field scratch their heads at a challenge until a totally ‘crazy idea’ provides the answers (think Edison, Newton and Musk), advertising and marketing needs to try some crazy ideas to get the message out there in a meaningful and engaging way. Let’s go! To Infinity and Beyond!

THE MEDIASHOP
www.mediashop.co.za

Moving Tactics: The Science Behind Engaging And Relevant Digital Signage Content

Moving Tactics: The Science Behind Engaging And Relevant Digital Signage Content
Ryno Colyn, Head of Content at Moving Tactics

You might think that the magic formula to great digital signage content equals awe-inspiring visual effects and hours of animation. This formula might be visually appealing and might make your customers look but will it inform and influence their buying decisions? Probably not.

Great digital signage content must be engaging, relevant and measurable; and the magic comes in when you skillfully manage your content sources and align them with your marketing strategy to deliver engaging, relevant and measurable content.

According to Ryno Colyn, Head of Moving Tactics Digital Content, ‘Each brand has its own identity and values, so when planning visuals, animation or UX development, you need to make sure that the content echoes these brand differentiators. Content strategy sessions with brand marketing are absolutely vital so that every touch point and content piece aligns with marketing’s strategy and standards.’

Digital signage content development and management

Colyn believes that digital signage content development and management are very different to that of traditional media. ‘You have many different factors to account for when animating content or developing software for an in-store digital touch point. Digital touch points are strategically placed to offer maximum exposure but each touch point doesn’t necessarily offer the same dwell time or environment. For these reasons, your content pieces have to be created with this in mind. For example, shorter dwell times need quicker calls to action, but in areas where customers have higher dwell times, for example, when queuing, the content can be longer and more informative.’

Tailoring content to where and how it will be consumed is one thing but marketers also need to take into account the time when messages are flighted (eg time of the day/day of the week) to target content towards peak or low traffic times, as these scheduling factors will impact the relevance of the content.

Digital signage space measurement tools

Measurement tools in the digital signage space are relatively new but they do offer valuable insights. ‘We offer clients audience measurement tools that track a shopper’s eyes on the screen, conversion rates, or gender and age. With this type of digital signage retail analytics data, content can be changed in real time to respond to the viewer’s behaviour and demographics.’

Colyn explained, ‘A similar type of measuring system is used with our interactive kiosks and tables. We can track a variety of interactions such as what type of content is being interacted with in real time, when in the day the content is being viewed, the average amount of time spent viewing each page of content and where, geographically, the engagement is taking place. Based on the stats received from the above measurement tools, marketers can plan their future content or marketing campaigns more strategically to ensure a higher level of engagement and relevance.’

Creating engaging, relevant content

When asked what his top tips to creating engaging, relevant and measurable content are, Colyn added, ‘Track, measure and improve. Good content engages people while great content influences buying decisions. To develop great content you have to continuously analyse the content engagement value and, most importantly, the relevancy of it.’

MOVING TACTICS
www.movingtactics.co.za

Unitaid And MTV SAF Launch The HIV Prevention And Self-Testing Campaign in SA

Unitaid And MTV SAF Launch The HIV Prevention And Self-testing Campaign in SA

Unitaid and the MTV Staying Alive Foundation (MTV SAF) and the London School of Hygiene & Tropical Medicine announced a three-year partnership to introduce and evaluate storylines on HIV innovation, including HIV self-testing and preventive drugs (PrEP) into the award-winning drama series MTV Shuga.

The new MTV Shuga campaigns will be deployed in South Africa and Côte d’Ivoire between 2018 and 2020. Preliminary work for both countries begins this year. The South Africa season will deliver another installment of ‘MTV Shuga: Down South’ due to broadcast in the first half of 2019, followed by two seasons in Côte d’Ivoire.

Campaign platforms

MTV Shuga fuses hard-hitting storylines with sexual health messages to influence viewers’ attitudes and behaviour. The ‘edutainment’ campaign also features a radio drama that expands on MTV Shuga storylines, print, digital and social media activity, and peer education programmes that challenge stigma and obstacles to young people’s sexual health.

The campaign centres on HIV prevention and testing, preventive drugs known as pre-exposure prophylaxis (PrEP), HIV self-testing, and HIV treatment and aims to show young people how to protect themselves from the virus and to seek treatment.

HIV Prevention And Self-testing programme

The programme is designed to help millions of young viewers in French- and English-speaking Africa protects themselves from HIV. This follows recent airing of MTV Shuga Season 6 ‘MTV Shuga Naija’ on MTV Base (DStv channel 322).

The effort, unveiled during the 22nd International AIDS Conference, will span Southern Africa and Western francophone Africa and deliver three new TV series of MTV Shuga, together with a multi-media campaign that promotes sexual health. The enhanced programme will target hard-to-reach populations, particularly people 15 to 24 years old.

AIDS remains the leading cause of death among 10- to 24-year-olds in Africa, bolstering the case for innovations and investments that place a high priority on this age group. Through the MTV Shuga campaign, Unitaid and MTV SAF will shine a spotlight on young people’s real-life concerns.

MTV Shuga is produced by MTV SAF and supported by Unitaid, a Geneva-based organisation that funds promising innovations, such as HIV self-testing, that have the potential to make fast, sweeping improvements in global health. The success of MTV Shuga in influencing the attitudes and behaviour of viewers will be evaluated by the London School of Hygiene & Tropical Medicine.

Lelio Marmora, Executive Director of Unitaid commented, ‘Millions of people in Africa watch MTV Shuga. Our partnership with MTV Staying Alive gives us a terrific opportunity to reach young people who don’t have reliable health information and empower them to take charge of their health, including testing themselves for HIV.’

UNITAID unitaid.org

Mall Ads Launches Mall TV

Mall Ads Launches Mall TV
bty

The new Mall TV digital place-based television network flights on strategically placed screens at key high footfall sites across the country.

The new platform offers both retailers within malls as well as national and international brands the opportunity to effectively drive price, place and product. Mall TV is the first of its kind in South Africa, and will raise the bar in terms of innovation and advertising opportuneness and influence within the mall environment. Mall TV fits seamlessly in the shopping journey and effectively disrupts to bring consumers content that is relevant and brand messaging that is influential.

The growth of digital networks internationally has been phenomenal with digital networks touted as the new mass media. In fact, research projections show that DOOH revenues will account for one quarter of global OOH revenue by the year 2020, with digital revenue penetration in South Africa achieving 33.1%. South Africa will experience the highest rate of digitisation in Africa, also exceeding several mature European markets.

John Faia, GM of Mall Ads, is excited to be bringing Mall TV to clients and brands seeking alternative, engaging ways to converse with consumers. ‘Digital media growth is outpacing conventional media platforms and the proliferation of DOOH is making it easier to present dynamic campaigns to consumers. Mall TV offers an innovative way to build brands and grow reach and frequency in an ever-fragmenting media landscape. What’s more, Mall TV flights within the mall environment, the last point of influence before a consumer makes a purchase.’

MALL ADS
john@provantage.co.za
www.provantage.co.za

 

 

Touch Dynamic Launches Surge All-in-One Touchscreen

Touch Dynamic Launches Surge All-in-One Touchscreen

The Surge is a 22-inch all-in-one touchscreen that has a 54,6cm 21.5-inch projected capacitive LCD screen that supports both landscape and portrait screen orientations, with up to 8 GB RAM and an Intel Core i3-6100 CPU that is ideal for self-service use. 

Touch Dynamic President Craig Paritz said, ‘We identified a need in the market for a widescreen, touchscreen, all-in-one for self-service applications, and we delivered. Our intention is to provide ultimate screen visibility for any application, any industry and any user.’

The Surge 22 All-In-One touchscreen POS offers a variety of integrated POS peripherals including MSR USB with an encrypted option available, Wireless LAN, 2D barcode imager, camera and wall-mount option.

TOUCH DYNAMIC www.touchdynamic.com

Peerless-AV Introduces Custom Solutions For Wall Mount Displays

Peerless-AV Introduces Custom Solutions For Wall Mount Displays

The new Rotational Wall Mount (RMI3-FLIP) and Mobile Cart with Rotational Interface (SR560-FLIP) flip displays are dedicated solutions for the 55″ Samsung Flip, an interactive UHD display. With these solutions, the Samsung Flip can be mounted on a wall or mobile cart, providing users with the flexibility to best meet their needs.

Once the display is mounted, the negative tilt and simple rotation allow users to easily write or sketch in landscape or portrait orientation.

Joseph Wentworth, Product Manager, Peerless-AV said, ’Organisations today are seeking technology that promotes interactivity and collaboration among employees, and they are increasingly moving towards solutions such as the Samsung Flip. We are excited to offer custom-designed carts and mounts for this, as our solutions ease installation, provide a clean and aesthetically-pleasing finished design, and improve overall usability.’

The rotational interface on both the wall mount and cart allows the user to easily rotate the display 90° from landscape to portrait, and holds the display at a negative 4.5°, further promoting ergonomics with a more natural angled writing surface. The unique cable management system allows cables to be routed through the interface, which keeps the cabling safe and abrasion-free when rotating the display.

Featuring mobility, an appealing design, display height adjustment, and a pre-assembled base, the Mobile Cart with Rotational Interface ensures quick assembly while providing a rigid, but the attractive structure to match the display. The 4″ castors meet UL/CUL requirements and make it easy to move from room-to-room, ensuring nothing is damaged along the way. With a robust feature set focused on safety and durability, the Rotational Wall Mount and Mobile Cart with Rotational Interface are ideal for collaboration spaces in corporate settings.

PEERLESS-AV www.peerless-av.com

Alpina Manufacturing Launches Cloudlight LED Frame

Alpina Manufacturing Launches Cloudlight LED Frame

The Cloudlight LED frames use super bright LEDs that illuminate the entire surface of the acrylic. The edge-lit frames deliver a brilliant graphics display, uniform light distribution and energy savings. Each frame can be custom cut and assembled.

Features include: 

• Bright white light at 5300K and UL-compliant.
• Uniform light distribution.
• Dimmer and flashing module to adjust brightness levels.
• Thin frame profile is only 2.43m (96”) deep.
• Mounts flush to the wall with a hidden power cord or have the power cord on the outside coming out from the bottom.
• 15 frame colour choices with four profile choices.
• High-quality anodised aluminium – 30% recycled material.
• Long life and low maintenance – 50,000 hours and 2-year limited warranty.
• Fast signage changes as the sides flip open to insert graphics.
• Easy installation – just hang and plug in.

The Cloudlight LED frames are designed for indoor or dry-area outdoor use only.

ALPINA MANUFACTURING LLC www.fastchangeframes.com

IBASE Technology Rolls Out IOPS-602

IBASE Technology Rolls Out IOPS-602

The IOPS-602 is a slot-in digital signage player built on the benefits and functionality of Intel’s Open Pluggable Specification (OPS). The OPS standard provides cableless and cost-effective deployment for more effective management and maintenance of media players.

The IOPS-602 OPS signage player is powered by 7th Gen Intel Core QC/DC processors and runs both Window 10 and Linux Ubuntu operating systems. It uses the processor-integrated, high-definition graphics for crisp content playback with up to 4K resolution. In addition, advanced features to meet customer requirements include up to 32GB of DDR4 SO-DIMM support, four USB 3.0, one Gigabit LAN, an M.2 (KEY E) for optional WiFi/Bluetooth expansion cards, and Intel AMT for remote system control, monitoring and troubleshooting.

IBASE www.ibase.com.tw